01/17/2019
Meggi
212 Reviews
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Meggi
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Three-dimensionality
Sweaty cumin erupts from a rough surface, armed with a wooden club and a bucket of glue. Demanding! But too much perseverance is not necessary, because within an hour the matter is creamed by Labdanum (recognized without announcement!). The sweaty impression is thereby pushed back, without being completely disenfranchised. It is flanked by a bitter, tarry resin note - Opoponax perhaps? In the course of the morning a moderately heated ascetic Oriental emerges from the Interlude-Man-/Tauer-No.-02 corner, although the latter, especially of course the Amouage, come along richer orchestrated.
Despite this thinner equipment I like 'Yellow' surprisingly well. And a lot better than most of his siblings. Not only because of the oriental orientation, which admittedly leaves open doors. No one should bet on less synthetics than usual for brands.
I can only see the following reason: Close to the skin a powerful earthy aura can be felt. It may be that this is patchoulol - I had never heard of this (replacement?) substance before. In any case, within the assumed synthetic scent image, this note creates a three-dimensionality or depth, so to speak, that other laboratories often lack. Today, the bitter-tinged superstructure (cumin, tar, resin) does not appear flat, but voluminously lined and thus remains interesting. It can be tolerated that the fragrance is almost unchangeable in character for hours on end.
In the afternoon I smell a kind of Tauer rubber, creamy bound. The spice has swapped its sweatiness except for a tiny residue for a warm, late summer evening sunny resin tone, which accompanies me into the evening, before it fades away into a rocky, earthy, rough end.
Conclusion: The best fragrance from the house with the stupid name.
I thank Garcon for the rehearsal.
Despite this thinner equipment I like 'Yellow' surprisingly well. And a lot better than most of his siblings. Not only because of the oriental orientation, which admittedly leaves open doors. No one should bet on less synthetics than usual for brands.
I can only see the following reason: Close to the skin a powerful earthy aura can be felt. It may be that this is patchoulol - I had never heard of this (replacement?) substance before. In any case, within the assumed synthetic scent image, this note creates a three-dimensionality or depth, so to speak, that other laboratories often lack. Today, the bitter-tinged superstructure (cumin, tar, resin) does not appear flat, but voluminously lined and thus remains interesting. It can be tolerated that the fragrance is almost unchangeable in character for hours on end.
In the afternoon I smell a kind of Tauer rubber, creamy bound. The spice has swapped its sweatiness except for a tiny residue for a warm, late summer evening sunny resin tone, which accompanies me into the evening, before it fades away into a rocky, earthy, rough end.
Conclusion: The best fragrance from the house with the stupid name.
I thank Garcon for the rehearsal.
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