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Notes07/26/2018
Meggi
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Meggi
Top Review
25
Roller coaster ride
Very tart citrus fruit, restrained mint, quickly something green, strong herbaceous. I probably wouldn't have come for coconut on my own so soon, but that's fine. Beautifully herbaceous-freshening and looks quite natural.
Slowly the train is pulled up into airy heights. Horny feeling. Laugh. Wave.
Within minutes, the fragrance suddenly gains in richness and volume. An unbelievably sweet addition is good for the otherwise classical-scratchy composition. In addition to such strong wormwood, a good portion of sweet lily of the valley swelliness can be endured well.
There comes that deliciously tingly moment of the short floating before the buttocks, together with the rest hanging from them, have to follow the law of gravity and thus the falling path. Almost weightless. I can fly!
Unfortunately the sweetness already takes over within the first hour. The conditions have reversed and only with difficulty can the last remnants of citrus and green stop the sweetness. Coconut? I'm thinking coconut milk.
It can get a bit dull if you go downhill through the curves at high speed.
At noon the pompousness disappeared and was replaced by a distinctive mixture of caramel and vetiver (Pal Zileri's 'Viaggio d'Africa' greets me). Patchouli provides a scratchy addition to the underground. Also the green penetrates now again more strongly, although I think more of grass and spinach than of wormwood. From the early afternoon there is first more wood, then another shovel more vetiver. Still, but present, it aromatizes the wood, which (all good things come in threes) is also - if you know it - actually able to remind you of the external abrasion of coconut. Patchouli contributes a little cocoa. The creaming faction, on the other hand, does not come close to the 40 percent share that it is entitled to ex officio for the base. At most a minimum of guaiac sweetness I may concede. Altogether Hidalgo finds a classical ending. Like.
The track turns into the home straight and slows down. It's all right, it wasn't an issue! Put on a cool, confident smile. For US-Americans: Put on a calm, sovereign smile and raise both thumbs.
I thank Bartholomeo for the rehearsal.
Slowly the train is pulled up into airy heights. Horny feeling. Laugh. Wave.
Within minutes, the fragrance suddenly gains in richness and volume. An unbelievably sweet addition is good for the otherwise classical-scratchy composition. In addition to such strong wormwood, a good portion of sweet lily of the valley swelliness can be endured well.
There comes that deliciously tingly moment of the short floating before the buttocks, together with the rest hanging from them, have to follow the law of gravity and thus the falling path. Almost weightless. I can fly!
Unfortunately the sweetness already takes over within the first hour. The conditions have reversed and only with difficulty can the last remnants of citrus and green stop the sweetness. Coconut? I'm thinking coconut milk.
It can get a bit dull if you go downhill through the curves at high speed.
At noon the pompousness disappeared and was replaced by a distinctive mixture of caramel and vetiver (Pal Zileri's 'Viaggio d'Africa' greets me). Patchouli provides a scratchy addition to the underground. Also the green penetrates now again more strongly, although I think more of grass and spinach than of wormwood. From the early afternoon there is first more wood, then another shovel more vetiver. Still, but present, it aromatizes the wood, which (all good things come in threes) is also - if you know it - actually able to remind you of the external abrasion of coconut. Patchouli contributes a little cocoa. The creaming faction, on the other hand, does not come close to the 40 percent share that it is entitled to ex officio for the base. At most a minimum of guaiac sweetness I may concede. Altogether Hidalgo finds a classical ending. Like.
The track turns into the home straight and slows down. It's all right, it wasn't an issue! Put on a cool, confident smile. For US-Americans: Put on a calm, sovereign smile and raise both thumbs.
I thank Bartholomeo for the rehearsal.
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