Kyara no Bara Hunayn 2025

I know that some may find this composition too minimalistic, but to me it feels utterly elegant.

This is essentially a rose–oud composition but different from all others elevated by an extraordinary kinam-like quality. The structure is immaculate—clean, woody, green, and distilled to its very essence.

The opening of Kyara No Bara is dense and compact, leaving an almost boozy impression on the skin. As the fragrance unfolds, it becomes more expansive, shifting toward balsamic and gently spiced tones, before settling into a refined woody trail marked by green, floral, mineral, and faintly incense-laced nuances. The rose is decidedly green rather than fruity, slightly sharp, and restrained, lending a quiet tension to the blend. Botanical nuances weave subtly through the composition, completing the framework without excess or ornamentation.
In the base, ambergris introduces a refined mineral facet, while the oud gradually reveals the delicate smokiness, enhanced by the presence of vintage Merauke from the 1980s.

The overall aesthetic feels profoundly “Japanese” in spirit: disciplined, contemplative, and perfectly aligned with its artistic intent.

As it concerns performances it stays beautifully intimate—never overpowering, yet constantly present, with gentle wafts that rise softly to the nose. Pure Japan's style.

I Love It.

The opening took me by surprise: it is bitterly woody and green.
Probably the green notes of pineapple myrtle, the various rose extracts, Chinese mandarin and Japanese botanicals create this very particular blend, which is tart, green and at times pungent.

The various extractions and types of Kinam-Kyara provide an extraordinary base of bitter woody oud, with hints of antique furniture, green leaves, undergrowth and mushrooms.
The base structure also consists of a light touch of Ambergris and Frankincense to strengthen the base and give slightly more sparkling and resinous mineral nuances.

The trail is not overpowering; on the contrary, like the soul of the various types of oud used, it is meditative, relaxing and to be used in moments of relaxation and regeneration.

After many hours, a wonderful oud remains on the skin, with full-bodied balsamic, resinous and tobacco notes, a sign of the use of different qualities and types of Kinam (my personal favourite).

It is a complex fragrance that touches you deep inside.
Unique and special. Really beautiful work.
The bottle is a work of art in itself, stunning and truly beautiful.

Bright, colorful, and carved with Japanese letters, an amazing fit for this season

A rose perfume for a true rose lover

I may not have real roses with me all the time, but I’m lucky to have rose perfumes that let me smell roses whenever I want.

The best part? This perfume even contains Japanese rose.

It opens with a strong, spicy tangerine note, though it fades quickly. Then the rose blended with ambergris, creates a strong but not overly sweet rose scent.
In the base, the twist begins, the rose becomes completely unique as it merges with oud and lemon myrtle.

The finishing is totally unique, a sour rose and oud blast