
Omnipotato
569 Reviews

Omnipotato
4
Powder, powder, and more powder
I was just about ready to blind buy this since I'm such a fan of the movie, and I'm really glad I didn't.
There's a long writeup on the Lost Tribe site about how the scent was constructed; I'm going to mostly concentrate on their description of the powder accord, because that's pretty much all I smell: "The idea of powder became central to the identity of the scent. I wanted something that carried comfort and elegance without drifting into nostalgia or cosmetics."
Powder central is right, but I disagree with the interpretation that this is comfort and elegance without nostalgia or cosmetics. It reminds me of two things: old stuffy perfumes and baby powder. Maybe a little bit of granny's potpourri in there as well. The fougere elements don't come through at all because of the demanding nature of this powder accord. I do get a bit of the natural musk coming through which is a nice addition to the powdery florals. It makes it a bit sensual, like smelling baby powder plus the skin it is sitting on. The lavender is completely absent, and that is the most disappointing part, as I was hoping this scent was going to be something like Lavender Mirage.
It opens with a rough medicinal note, I'm guessing some amount of benzaldehyde used in the almond note, and right away the overwhelming powder takes over. It stays pretty linear for a long while, maybe 8 hours, and then and only then can you make out some slight bit of oakmoss peeking out saying, "hey! This is supposed to be a fougere!"
But disregarding the unbalanced nature of the scent for a minute, I'm just not sure how the idea of the fragrance relates to the movie. I guess it reminds me a bit of the perfumes that would be worn in Franco-era Spain, but there is nothing fantastical or phantasmagorical about it. A fougere, one of the most traditional bases for fragrance, and powder, another very-commonly-used effect in perfumery. Why not incorporate the mandrake root placed under the bed as another root vegetable like ginger or turmeric? Or a grape note representing the grapes Ofelia eats and wakes up the Pale Man? Or a petrichor-like accord to represent the cold wet stone of the Labyrinth? It doesn't even have to be that literal, just some interesting strange notes to represent a magical world! Instead of this we get benzaldehyde, powder, and oakmoss. It just doesn't connect thematically.
There's a long writeup on the Lost Tribe site about how the scent was constructed; I'm going to mostly concentrate on their description of the powder accord, because that's pretty much all I smell: "The idea of powder became central to the identity of the scent. I wanted something that carried comfort and elegance without drifting into nostalgia or cosmetics."
Powder central is right, but I disagree with the interpretation that this is comfort and elegance without nostalgia or cosmetics. It reminds me of two things: old stuffy perfumes and baby powder. Maybe a little bit of granny's potpourri in there as well. The fougere elements don't come through at all because of the demanding nature of this powder accord. I do get a bit of the natural musk coming through which is a nice addition to the powdery florals. It makes it a bit sensual, like smelling baby powder plus the skin it is sitting on. The lavender is completely absent, and that is the most disappointing part, as I was hoping this scent was going to be something like Lavender Mirage.
It opens with a rough medicinal note, I'm guessing some amount of benzaldehyde used in the almond note, and right away the overwhelming powder takes over. It stays pretty linear for a long while, maybe 8 hours, and then and only then can you make out some slight bit of oakmoss peeking out saying, "hey! This is supposed to be a fougere!"
But disregarding the unbalanced nature of the scent for a minute, I'm just not sure how the idea of the fragrance relates to the movie. I guess it reminds me a bit of the perfumes that would be worn in Franco-era Spain, but there is nothing fantastical or phantasmagorical about it. A fougere, one of the most traditional bases for fragrance, and powder, another very-commonly-used effect in perfumery. Why not incorporate the mandrake root placed under the bed as another root vegetable like ginger or turmeric? Or a grape note representing the grapes Ofelia eats and wakes up the Pale Man? Or a petrichor-like accord to represent the cold wet stone of the Labyrinth? It doesn't even have to be that literal, just some interesting strange notes to represent a magical world! Instead of this we get benzaldehyde, powder, and oakmoss. It just doesn't connect thematically.



Bitter almond
Powder
White ambergris
Bergamot
Rose otto
Rose absolute
Coumarin
Lavender
Patchouli
Ylang-ylang
Bakhoor
Malayan oud
Sri Lankan sandalwood
Fir
French oakmoss
Labdanum
Siberian musk







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