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Opulent sweetness, floral noblesse and elusive extravagance ...
For me, Red Fever is - and I say this with full conviction - the most expressive, perhaps also the most elegant fragrance in the entire Fever series by Aaron Terence Hughes. There is simply no other composition from his house that so convincingly sums up this mixture of opulent sweetness, floral noblesse and this almost elusive but clearly perceptible extravagance.
From the very first spray - and this is not a poetic image, but a real experience - this deep red, fruity note hits you, juicy, intense, almost like a dark berry liqueur that overpowers everything for a moment. But as soon as you realize it, the fragrance glides into a creamy rose - soft, cuddly, but never kitschy or overloaded. This rose stands there like a main character in a play, present, modern and self-assured, but without pushing itself to the fore.
What I particularly appreciate about the fragrance - or rather, what impresses me every time - is this almost paradoxical balance between opulence and restraint. The fragrance is there without being loud. It lingers without clinging. It has a sillage that people notice - but more in the way you notice a movement in the corner of your eye: present, but not demanding. For me, this is not a typically feminine fragrance, even if many read it that way - I simply find it beyond that. It's a fragrance for people who don't want to be pigeonholed - and don't have to be.
At some moments, there are actually flashes of something that reminds me of BR540 - but only briefly, only in terms of structure. It is bolder, warmer, more personal. It's not a fragrance that aims to please. And that's exactly what makes it so appealing to me. It wears like a well-tailored garment that you don't put on to be seen, but because it feels right.
Red Fever is a statement for me. Not flashy, but clear. Not loud, but lasting. A fragrance that tells without explaining. And that's exactly why I love it.
From the very first spray - and this is not a poetic image, but a real experience - this deep red, fruity note hits you, juicy, intense, almost like a dark berry liqueur that overpowers everything for a moment. But as soon as you realize it, the fragrance glides into a creamy rose - soft, cuddly, but never kitschy or overloaded. This rose stands there like a main character in a play, present, modern and self-assured, but without pushing itself to the fore.
What I particularly appreciate about the fragrance - or rather, what impresses me every time - is this almost paradoxical balance between opulence and restraint. The fragrance is there without being loud. It lingers without clinging. It has a sillage that people notice - but more in the way you notice a movement in the corner of your eye: present, but not demanding. For me, this is not a typically feminine fragrance, even if many read it that way - I simply find it beyond that. It's a fragrance for people who don't want to be pigeonholed - and don't have to be.
At some moments, there are actually flashes of something that reminds me of BR540 - but only briefly, only in terms of structure. It is bolder, warmer, more personal. It's not a fragrance that aims to please. And that's exactly what makes it so appealing to me. It wears like a well-tailored garment that you don't put on to be seen, but because it feels right.
Red Fever is a statement for me. Not flashy, but clear. Not loud, but lasting. A fragrance that tells without explaining. And that's exactly why I love it.
1 Comment
I also find the fragrance absolutely impressive, elusive and absolutely fascinating, downright captivating.
I find the sillage and longevity ubiquitous. It's already a beast. One of the strongest fragrances I know. But I agree with you, ee does it so confidently that it always looks stylish and never shrill.
I love it on my lady, but would also say that it can be worn well by men as an olfactory "I don't give a fuck about your mainstream conventions" statement.
Cup goes out ;)