The whole story began in early 1988 and lasted until 1991, as I was searching for "the perfume" for myself and had pretty much tried everything that came my way, such as Zino Davidoff, Davidoff Cool Water, Davidoff Relax, Green Irish Tweed, Dali Pour Homme, CK Eternity, Lacoste Original, CD Fahrenheit, Marbert Homme, Jil Sander Man, Joop Homme, Montana, Tristano by Onofri, Cartier Santos..........
I finally found the scent for me and of course stuck with it; the best part was that it was an unknown fragrance and you didn't feel like you had to smell it on every third person.
The fragrance components harmonized very well together, the top note lasted unusually long
for me, I mostly noticed bergamot and lemon at first, along with a slight sweetness, although
it was never too sweet, rather fresh, floral, and very pleasant to wear. The scent development on the skin was just as good as on clothing. The longevity was gigantic.
You occasionally find a sample here and there, but unfortunately, they have all gone off; the freshness is no longer present in any of the samples or collector's bottles.
My description of this unique scent would be that it represents the transition from spring to summer, you walk in the flower park, butterflies are flying in all colors of splendor, and a light west wind blows, you smell all kinds of flowers that are just freshly blooming, slightly sweet, rather fresh, with a hint of cedar, and you take a deep breath..........
Ja, Exception ist auch für mich das Nonplusultra. Leider ist darin nach den Jahren irgendein Inhaltsstoff gekippt. Exception hatte für mich früher immer etwas Einzigartiges im Duft, was sich nur schwer beschreiben ließ und mich süchtig nach Exception machte. Kirsche war es nicht. :-)