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The Subtly Memorable with a Misleading "Subtitle"
Rouge - naturally the color of the bottle, but also that of the fragrance: The dark red is reflected in its expression, Rouge is a decidedly warm, but not overtly warm-hearted scent, a fragrance to get to know, but not love at second sight, I mean one that does not turn bright red at the first flirt, but a scent love that reveals itself only through careful observation of its character.
The finely used aldehydes give the Ylang Ylang an almost serious elegance, allowing it to resonate softly without softness, a nuance I have never observed in this bloom before. Thus, it does not blossom as aromatic and radiant, almost dramatically like in some orientals or florientals, but appears more exalted. Like an inscrutable weave, the trio of mate, a velvety, dark rosebud, and sparingly used vanilla without any sweetness. As with mate tea, there is a more bitter tone present, which, unlike the use of other tea varieties, does not stand out with such a pronounced scent but rather enters into compliant alliances with the other ingredients. In some tea-themed fragrances, I found it a bit overemphasized.
Gradually then, the underpinning by amber, a hint of incense, and some resin crumbs creates a velvety, quiet overall picture.
Rouge is indeed like a very well-matched blush for the complexion. Not bright, awkwardly applied rosy cheeks, but it merges in a sophisticated way with the complexion and can be the highlight of an appearance.
I think that Rouge will appeal more to women of middle age. Its composition reminds me of "Matabar" by Crown Perfumerie, thus belonging to the noble, understated fragrances without pretentiousness, suitable for official occasions or theater visits, where restraint in dosage is called for, without having to forgo individuality and style.
Eau delicate - the "subtitle" of the fragrance can be misleading. Lovers of very heavy, sweet orientals will not find their salvation here, and those who avoid such scents will not test it! Perhaps that is also why
it is not as well-known as it deserves to be. Conclusion: Subtlety with strength - this has succeeded.
The finely used aldehydes give the Ylang Ylang an almost serious elegance, allowing it to resonate softly without softness, a nuance I have never observed in this bloom before. Thus, it does not blossom as aromatic and radiant, almost dramatically like in some orientals or florientals, but appears more exalted. Like an inscrutable weave, the trio of mate, a velvety, dark rosebud, and sparingly used vanilla without any sweetness. As with mate tea, there is a more bitter tone present, which, unlike the use of other tea varieties, does not stand out with such a pronounced scent but rather enters into compliant alliances with the other ingredients. In some tea-themed fragrances, I found it a bit overemphasized.
Gradually then, the underpinning by amber, a hint of incense, and some resin crumbs creates a velvety, quiet overall picture.
Rouge is indeed like a very well-matched blush for the complexion. Not bright, awkwardly applied rosy cheeks, but it merges in a sophisticated way with the complexion and can be the highlight of an appearance.
I think that Rouge will appeal more to women of middle age. Its composition reminds me of "Matabar" by Crown Perfumerie, thus belonging to the noble, understated fragrances without pretentiousness, suitable for official occasions or theater visits, where restraint in dosage is called for, without having to forgo individuality and style.
Eau delicate - the "subtitle" of the fragrance can be misleading. Lovers of very heavy, sweet orientals will not find their salvation here, and those who avoid such scents will not test it! Perhaps that is also why
it is not as well-known as it deserves to be. Conclusion: Subtlety with strength - this has succeeded.
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8 Comments
No matter - I want to emphasize your words E X A C T L Y :)))