I was here reflecting while wearing Dzing that there are, generally, two types of perfumery masterpieces. The first of them creates a shape that becomes very popular and ends generating many imitations and variations around its theme. The other type, in which Dzing fits, enters exotic lands where few are brave to go.The most interesting int Dzing is that it ally its exoticism to an extremely confortable and wearable aroma.This is one of Olivia Giacobetti masterpieces, a creative fragrance inspired on circus.However, this is not a literal circus aroma, but an impressionist circus exercise from the artist.There is some techinical features from the impressionist movent that you can fit in this creation: the capture of the aroma contours, the portrait of an environment, at least partly, of the nature (mainly due the suggestion, by using muysks, of the animals smell), the dissolution of the aromas. This is a circus harmony, the capture of environment mixture of the abstract olfactive space, of vanillic and caramel nuances from the candys, the leather smell of the canvas, the smell of the animals, the woody aroma of the structures, the sweet and buttery aroma of the popcorn bags.That all of this is present on a cozy scent and not at all scary is amazing. Yet after many years that i have smelled Dzing for the first time, its smell still amazes me, and how much i missed it lead me to repurchase it after having sold it in the past due its performance closer to skin (that today i fiz applying more of it). I feel that the current perfumery need more works like Dzing, able to leave you to places you haven't been and make you see certain environments from another perspective.
