**Rare steak** and **smoky** would be my choice. Maybe also **Chartreuse blue**. I'd love to add cardamom and tar pine for seasoning. I really enjoy experimenting over and over again... 😼
That sounds really intriguing, especially with the movie as a backdrop... for me, as a scent, it’s probably super interesting, but as a perfume, it could get overwhelming quickly.
The scent was created by Prin Lomros, the founder of Parfum Prissana, and is based on the idea of the four seasons. Chetyre could also be a prince. Here, the boundaries blur.
Not really new, but still far above the lukewarm, generic one-hit wonders.
I naturally love the green budding, transparent aldehydes.
I sense raw, fleshy leather lurking beneath. It's exactly these rough edges that I appreciate. Leaning towards an 8.0.
Thanks @Patrick77 for the reliable sharing!
I'm not familiar with the film, to be honest. I'm usually skeptical when cinematic experiences are interpreted olfactorily; it seems too *heavy* to create a universally understandable picture here. But it definitely sounds very nice :-)
The movie is intense, in the best sense. I saw it back then with subtitles in the original version, I remember it exactly - Sunday evening, late autumn, 11 PM screening (Unrated & no age restriction) - there were just two of us and only 8 other people in the theater.
It was an extremely brutal (post-Soviet) time - especially from 1992 to 2004... My dad told me recently: In 1999, he was in a taxi in Kazan at around 9 AM, stopped at a traffic light, and next to him, a Lada SUV pulled up. Three men got out and took apart an entire store, including customers, with their Kalashnikovs... The taxi driver didn’t even react - absolutely shocking. It was probably like the Wild West back then, with total lawlessness - you might still experience something like that today, maybe only in Mexico (cartels)...
I need to check out the scent - thanks for the tip. 👍
I love arthouse cinema!
#Text/Prin - Story
Chetyre (4) is a Russian film by Ilya Khrzhanovsky from 2004, where two men and a woman randomly meet in a bar. Through their conversations, we learn both the fascinating and the mundane details of their lives. But does anyone really tell the truth? From the meat market to the president's drinking habits to the Soviet cloning project, this allegory contradicts various aspects of contemporary Russian society. In terms of cinema, this film could be labeled as "extreme cinema," a genre that employs violence, torture, and extreme sex. This film is extreme in terms of context and atmosphere. The ideas behind this perfume are my intention to capture that atmosphere and express the abstract form of the 7th art in the art of perfumery. Each note represents a mise-en-scène from the film. And my loving dedication to this film and to other independent cinema.
da-dadamdamdadadadaaam
dadadamdadadadadamdam
I just can't capture the first notes of Vivaldi's Spring any better.
Could also become a mermaid 8.0. :-)
That's how a summary should look.
A pretty good Prissana.
Not really new, but still far above the lukewarm, generic one-hit wonders.
I naturally love the green budding, transparent aldehydes.
I sense raw, fleshy leather lurking beneath. It's exactly these rough edges that I appreciate. Leaning towards an 8.0.
Thanks @Patrick77 for the reliable sharing!
It was an extremely brutal (post-Soviet) time - especially from 1992 to 2004... My dad told me recently: In 1999, he was in a taxi in Kazan at around 9 AM, stopped at a traffic light, and next to him, a Lada SUV pulled up. Three men got out and took apart an entire store, including customers, with their Kalashnikovs... The taxi driver didn’t even react - absolutely shocking. It was probably like the Wild West back then, with total lawlessness - you might still experience something like that today, maybe only in Mexico (cartels)...
I need to check out the scent - thanks for the tip. 👍
I love arthouse cinema!
Chetyre (4) is a Russian film by Ilya Khrzhanovsky from 2004, where two men and a woman randomly meet in a bar. Through their conversations, we learn both the fascinating and the mundane details of their lives. But does anyone really tell the truth? From the meat market to the president's drinking habits to the Soviet cloning project, this allegory contradicts various aspects of contemporary Russian society. In terms of cinema, this film could be labeled as "extreme cinema," a genre that employs violence, torture, and extreme sex. This film is extreme in terms of context and atmosphere. The ideas behind this perfume are my intention to capture that atmosphere and express the abstract form of the 7th art in the art of perfumery. Each note represents a mise-en-scène from the film. And my loving dedication to this film and to other independent cinema.