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Luce di Segantini 2016

7.8 / 10 15 Ratings
A popular limited perfume by Segantini Parfum for women, released in 2016. The scent is spicy-resinous. The longevity is above-average. It is being marketed by Art Parfum.
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Main accords

Spicy
Resinous
Earthy
Green
Floral

Fragrance Notes

Gum rockroseGum rockrose YarrowYarrow Swiss stone pineSwiss stone pine Jasminum grandiflorumJasminum grandiflorum Sweet violetSweet violet Iris pallidaIris pallida

Perfumer

Ratings
Scent
7.815 Ratings
Longevity
8.213 Ratings
Sillage
6.813 Ratings
Bottle
7.49 Ratings
Submitted by Turandot · last update on 02/21/2020.
Source-backed & verified
Interesting Facts
99 pieces have been made.

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Reviews

2 in-depth fragrance descriptions
Meggi

1018 Reviews
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Meggi
Meggi
Top Review 25  
Simply Getting Lost
From the vial, it primarily smells of mild-spicy conifer. Right after application, it has a similar scent, only with a distinctly waxy undertone. Essential oils tickle the nose. Additionally, I imagine something softly fruity, just a hint. I constantly oscillate in my thoughts between very ripe mandarin and heavily sweetened, thus stripped of any sharpness, hot lemon. However, Luce di Segantini is not a citrus scent; it remains just a suggestion. After half an hour, I even fantasize about something dark and chocolatey.

I would have never come up with yarrow on my own. I only vaguely remember yarrow juice from the health food store. It was ages ago; my mother bought it once. Bitter stuff, if I recall correctly. Yeah, that fits; there is definitely something bitter right on the skin. Everything else would be speculation.

At noon, the scent is both resinous-waxy and sweet-creamy at the same time. On the manufacturer's website, it says that the rock rose displays both sweet and earthy aspects. The latter would explain why I spontaneously thought of something patchouli-like (as a sort of chocolate source) at the front. By now, I find the scent rather sweet and would describe it as fragrant-caramel-vanilla. But it is by no means a gourmand. And again, more dusty-resinous-hint-fruity, rich in details and nuances, it carries through the evening.

I am completely at a loss regarding the mentioned flowers. Not even with the knowledge of the details can I identify anything that I can clearly distinguish from mere fantasizing. With some difficulty, I might confirm a non-stinky jasmine.

In any case, breaking down the notes does not help me move forward (I completely agree with the esteemed Turandot). Luce di Segantini is a characteristically rather quiet mood fragrance in which one can simply get lost. I enjoy smelling it, but unfortunately, a thought of scented candle oil or room fragrance cannot be avoided. Still: Yes, it shines with inner calm, as if it knows that darkness is the absence of light - and not the other way around.

My closest experiences in the perfume realm have been with the scents of Annette Neuffer; not least because of the waxy-resinous undertone, a comparison is obvious. However, I see the Neuffer creations as having a broader and, to put it pointedly, “more perfumey” composition, thus having a nose-length advantage overall. While Ms. Segantini, with her “Luce,” explicitly wanted to capture just a mood. In this respect, it would be exciting to see if further fragrances follow that might be of a different kind.

Regardless of my small reservations, I feel as I always do with such things: Although the sheer number of available scents is lower when completely avoiding chemicals - the richness of nuances from natural ingredients more than makes up for it for me. Such mixtures always touch me, and often conventional perfumes seem shockingly flat and lacking in appeal in comparison. It is no coincidence that I can confidently make the above chocolate association with natural scents.

I thank Derailroaded for allowing me to test this little gem.

P.S.: Reading the backstory and the press reports about it is actually enjoyable. I suspect it is not just a pure marketing fairy tale for a change. At least, I learned something about an artist I was previously unaware of.
16 Comments
Turandot

841 Reviews
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Turandot
Turandot
Top Review 29  
Giovanni Segantini, a Painter of Light
Anyone interested in painting might envision the artwork "Ave Maria a trasbordo" when hearing the name Segantini. Ave Maria at the Crossing depicts a boat carrying the Virgin Mary along with a shepherd and his sheep across a lake. It is clearly evening, and the scene is bathed in golden light. This light, which the Italian-Swiss painter Giovanni Segantini was able to portray so excellently, prompted his granddaughter Gioconda Segantini to find a perfumer who could translate the radiant light of the Engadin, so typical of Segantini's paintings, into a fragrance.

Beate T.M. Nagel, a perfumer who was previously unknown to me, claimed to use only natural fragrance materials in Extrait intensity, resulting in a powerful, radiant scent that evokes memories of many mountain hikes while simultaneously expressing elegance and nobility. The fragrance does not merely remind one of the grand mountain landscape, captured through the fragrance notes, where the larch, or Swiss stone pine, is still missing from the pyramid; rather, it conveys the awe, the touch, and the humility that we feel when confronted with such moods, as Giovanni Segantini was able to capture in his unmistakable painting style.

The scent of the larch is said to reduce heart rate and promote deep sleep in aromatherapy. In an article about larch wood, Andy Tauer is quoted: "mild, round, warm vibrating, like dry needles in the autumn sun. For me, the scent is the incense of the Alps." I can understand that well.

While I can still relate to the powerful scent of the conifer, I simply believe that the floral notes are present as listed in the small booklet that accompanies the sample. Luce di Segantini is not a perfume that one wants to decipher based on the pyramid, just as one does not need to know all the color pigments that Giovanni Segantini used for his paintings. I really like the scent; it is so different from the currently popular perfumes leaning towards the Orient and, even more so, completely apart from the selection available in our shopping temples. If one can capture light in a fragrance without using citrus, synthetic, and screaming accords, as is often the case in "bright" scents, this has been beautifully achieved here.

It also aligns with my appreciation for the diversity of fragrances that Luce di Segantini does not attempt to sell sensuality and eroticism in a bottle, but rather has found a completely new approach to capture moods dictated by nature, which another artist recorded over 100 years ago with brush and paint for posterity.

So far, Luce di Segantini is only available at three sales points, two of which are in Switzerland. However, it can be found online, unfortunately relatively expensive for my budget, but it is also available as a sample. I won't be able to afford a bottle for a considerable sum for the time being, but the test sample for 6 euros, along with the engagement with both the painter and the fragrance, has brought me much joy.
9 Comments

Statements

5 short views on the fragrance
6
1
Luce feels animalistic to me, without being unpleasant: resinous, woody, floral, rather feminine, slightly urinous, mystical, from the depths of the forest!
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1 Comment
6
3
A distinctive scent. Lightly aromatic, earthy floral with a lovely conifer note. Quite subtle, I think.
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3 Comments
3
Could also be a Hiram Green. Thick, oily, resinous, a bit of jasmine softens the bitterness and adds a gentle powderiness.
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0 Comments
3
1
Yarrow and herbaceous rockrose open before large-bloomed jasmine, fragrant violet, and willful iris: cedar adds highlights.
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1 Comment
2
4
Mandarin, jasmine, idea of little roses, think of linden blossom, yarrow, spicy rockrose, broom, lavender + d' Pühringerhüttn on the Trisselwand.
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4 Comments

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