Top Notes 
Cardamom
Fig leaf
Heart Notes 
Cashmere wood
Fig milk
Iris
Base Notes 
Ambergris
Cedarwood
Sandalwood
Vanilla
Lucas209
199 Reviews
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Lucas209
1
It shouldn't stay so unseen
The fragrance opens with a fine fig note that remains subtle and pleasantly unobtrusive. Instead of being overripe-fruity - as is common with many fig notes - it presents a dry, green facet. This approach creates a refreshing contrast and sets the fragrance apart from the "common" fig interpretations. Here, a different path is consciously taken.
After the opening, the focus shifts. While initially the fig laid the foundation and was surrounded by woods, the composition turns around as it progresses: now the woods take the helm, and the fig steps back to serve as a fine accent. This interplay is exciting and feels well thought out, even if the wooden base eventually takes on a dominant tone.
The iris brings a light, powdery undertone. It acts like a net that lays over the dry wood structure. It complements subtly and gives the whole a certain calmness. It is precisely this nuance that provides a pleasant contrast and lends the composition a fine, slight depth.
The woods themselves are dry and clearly rendered - they smell authentic and high-quality. At the same time, they lack a bit of tension. One gets the feeling that there was a conscious decision to hold back, which brings consistency but also feels somewhat arbitrary. With a different selection of woods, the fragrance could have gained even more depth, individuality, and recognizability. As it stands, the wood structure is solid but not extraordinary.
The balance between fig, woods, and iris is successful, even if the composition remains somewhat straightforward at times. The advantage: it wears easily and unobtrusively, making it suitable for everyday use and versatile for many occasions. Especially on warm days, the dry and light structure is enjoyable, while the woody notes also work well during transitional seasons.
Longevity and projection are in the solid middle range. One should not expect extreme presence; rather, it remains within the personal radius and unfolds its effect there. With about 6-7 hours on the skin and a moderate sillage, it is neither a powerhouse nor a fleeting scent. For a fragrance that relies on naturalness and restraint, this fits the picture very well.
The whole is rounded off by packaging that - like the fragrance itself - scores with a clear concept. From the bottle to the scent idea, everything feels well thought out and consistently executed. You can sense: This is not just a fragrance that was "produced," but a red thread has been followed. Hats off, even for this scent.
In summary, it remains a fundamentally well-thought-out fragrance that scores with an interesting fig interpretation and simultaneously appears consciously reduced. Those looking for an alternative to fruity fig perfumes are likely to find it here - even if more courage to diversity could have been shown with the woods.
After the opening, the focus shifts. While initially the fig laid the foundation and was surrounded by woods, the composition turns around as it progresses: now the woods take the helm, and the fig steps back to serve as a fine accent. This interplay is exciting and feels well thought out, even if the wooden base eventually takes on a dominant tone.
The iris brings a light, powdery undertone. It acts like a net that lays over the dry wood structure. It complements subtly and gives the whole a certain calmness. It is precisely this nuance that provides a pleasant contrast and lends the composition a fine, slight depth.
The woods themselves are dry and clearly rendered - they smell authentic and high-quality. At the same time, they lack a bit of tension. One gets the feeling that there was a conscious decision to hold back, which brings consistency but also feels somewhat arbitrary. With a different selection of woods, the fragrance could have gained even more depth, individuality, and recognizability. As it stands, the wood structure is solid but not extraordinary.
The balance between fig, woods, and iris is successful, even if the composition remains somewhat straightforward at times. The advantage: it wears easily and unobtrusively, making it suitable for everyday use and versatile for many occasions. Especially on warm days, the dry and light structure is enjoyable, while the woody notes also work well during transitional seasons.
Longevity and projection are in the solid middle range. One should not expect extreme presence; rather, it remains within the personal radius and unfolds its effect there. With about 6-7 hours on the skin and a moderate sillage, it is neither a powerhouse nor a fleeting scent. For a fragrance that relies on naturalness and restraint, this fits the picture very well.
The whole is rounded off by packaging that - like the fragrance itself - scores with a clear concept. From the bottle to the scent idea, everything feels well thought out and consistently executed. You can sense: This is not just a fragrance that was "produced," but a red thread has been followed. Hats off, even for this scent.
In summary, it remains a fundamentally well-thought-out fragrance that scores with an interesting fig interpretation and simultaneously appears consciously reduced. Those looking for an alternative to fruity fig perfumes are likely to find it here - even if more courage to diversity could have been shown with the woods.
Lucas209
