Les Roses de Francfort - Catharina E. Goethe Albrecht 2005

Even though I first try to understand the essence of fragrances before I delve into the pyramid, I do realize that I lack this vehicle to establish agreement, confirmation, or error.

What strikes me immediately about this scent, and as so often positively, is the fact that no fruity notes have obviously been used. The fragrance is never sweet at any point, not bright and loud, but has a dark, soft mood that provides a soothing backdrop to the rose theme. I also assume there are patchouli and woods, and in the base, I can detect a fine soapiness, so musk could very well have been used. It creates a very intimate skin note that I find extremely appealing.

As powerful as Florblanca describes the perfume, I don't experience it that way at all. I would associate Sophia Loren more with Habanita than with Catharina Goethe. I also think Catharina radiates a bit of melancholy. Nevertheless, the fragrance has presence and elegance. That is undeniable. It is also not a light scent, but I cannot detect the Orient either, as I miss more pronounced spice notes. They are here, if at all, only very minimal.

To simplify, I would categorize the perfume as a dark, powdery Bütenduft. I am certainly not a full-bodied woman, yet I would love to wear this scent without feeling overdressed.