17
Top Review
India's nights are long ...
... and so is this fragrance. Unfortunately, India's nights don't smell as good as the night from the bottle.
I am a bit surprised that such a fantastic scent, and I mean that literally, has received just one comment. From a man. Hm. But well, I sometimes wear fragrances from Harley Davidson too.
After a long time, I dug it out again; the spray function is weak, and only with persistent poking using a needle can I coax two thin sprays from this good piece, but that's more than enough!
The top note is hardly noticeable - which might be attributed to the age of the bottle, but is more likely due to the indescribably dominant heart and base notes that completely overpower the synthetic fruit salad and sweep it off the bed with great enthusiasm, spreading themselves lavishly and abundantly.
The sweet companions from the vanilla-tonka-heliotrope front are well perceptible, but the woods, especially the beloved balsamic-woody cedar, keep them perfectly in check, and even the jasmine does not break through too strongly. Nothing seems excessive, nothing is yucky but rather a skillful composition, and definitely worth keeping an eye out for this oldie for a longer and more intense time - it can easily hold its own against many, or rather all, new releases.
It is intense, sweet-heavy and heavy-sweet, refined and quirky, and not a common people's scent.
And I never have and never will have an elegant wardrobe (sorry to the celebrities :-)) - and I wear it with pleasure and delight with no-name jeans, a T-shirt, and the fragrance has never held it against me - quite the opposite.
I am a bit surprised that such a fantastic scent, and I mean that literally, has received just one comment. From a man. Hm. But well, I sometimes wear fragrances from Harley Davidson too.
After a long time, I dug it out again; the spray function is weak, and only with persistent poking using a needle can I coax two thin sprays from this good piece, but that's more than enough!
The top note is hardly noticeable - which might be attributed to the age of the bottle, but is more likely due to the indescribably dominant heart and base notes that completely overpower the synthetic fruit salad and sweep it off the bed with great enthusiasm, spreading themselves lavishly and abundantly.
The sweet companions from the vanilla-tonka-heliotrope front are well perceptible, but the woods, especially the beloved balsamic-woody cedar, keep them perfectly in check, and even the jasmine does not break through too strongly. Nothing seems excessive, nothing is yucky but rather a skillful composition, and definitely worth keeping an eye out for this oldie for a longer and more intense time - it can easily hold its own against many, or rather all, new releases.
It is intense, sweet-heavy and heavy-sweet, refined and quirky, and not a common people's scent.
And I never have and never will have an elegant wardrobe (sorry to the celebrities :-)) - and I wear it with pleasure and delight with no-name jeans, a T-shirt, and the fragrance has never held it against me - quite the opposite.
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8 Comments
Schön hast Du ihn gewürdigt! Danke! Und Scherrer ist schon erstaunlich unbelichtet, das wundert mich auch.