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Nikolai

Nikolai

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Explosive Rose Wonder - Close to Perfection of Rosy Scents
When I stumbled upon Atomic Rose while browsing the diverse offerings on Parfumo, I was so fascinated by the scent pyramid that I immediately added it to my wish list and told myself that I would have to seize the opportunity at a suitable souk.

This may seem strange, as it is not particularly special or extraordinary when viewed objectively. It contains no unique or attention-grabbing ingredients like Hylnds - Bitter Rose, Broken Spear (Iron), but only relatively "normal" fragrance notes (though I must admit that Hedion and Ambrofix mean nothing to me).
However, I have learned especially from Penhaligon's fragrances that simple can also be better, and less can indeed be more. For example, "Portraits - Much Ado About the Duke | Penhaligon's" and "Portraits - The Coveted Duchess Rose | Penhaligon's" demonstrate through their simple DNA and yet magnificent scent that a pompous and rich composition is not a prerequisite for an appealing perfume.

Now, back to Atomic Rose: as a rose fan, the fragrance notes immediately intrigued me, and I was already certain before the first test that I would make a blind purchase if the opportunity arose.

During a visit to KaDeWe, which has an overwhelming yet not entirely comprehensive selection of fragrances, the chance to sniff Atomic Rose suddenly presented itself.

My expectations for Initio were correspondingly high, having hyped myself through comments and presentations about the scent - and I was indeed not disappointed at all.

Atomic Rose opens directly with the incredibly beautiful, strong, and full rose. It has almost a fruity character here and is harmoniously accompanied by bergamot - which I can only perceive faintly - and pepper - which is quite present for me for about 30 minutes.
But even right after spraying, this characteristic floral fruitiness, which is made up of the three flowers in the heart note, is unmistakably noticeable. It is accompanied by a bright, slightly powdery sweet vanilla note that never becomes too pronounced, preventing the scent from becoming overly sweet.
It is impressive that the floral heart note actually maintains the upper hand permanently and radiates a fruity, sparkling aura that, while not lacking in sweetness, does not end up like, for example, Layton in a single vanilla glue.

The sillage on my skin is outstanding; I am approached as soon as I enter a room, and even if I cover the areas where I applied the fragrance with a sweater, I can still smell myself distinctly, and my surroundings cannot escape the magical rosy sweetness.

For my standards, the longevity is also fantastic; after 5 hours, the rose has not faded even slightly, and I can still perceive it well after 10 hours. A sweet fruit basket like "Erba Pura | XerJoff" may last an hour longer, but it can also become annoying at some point.

Lastly, the bottle is the aspect of Atomic Rose that receives the least favorable rating from me in relation to the rest. This may be a matter of perspective, but I find it visually not particularly appealing. Nevertheless, it does appear high-quality, and I see the gigantic advantages of dark, opaque bottles. I prefer the purple one over the black, but I find it disadvantageous that Initio stores at least four fragrances in similarly looking bottles (e.g., Psychedelic Love; Side Effect). Perhaps I simply have not yet discovered the nuances that distinguish these similarly colored bottles and therefore cannot appreciate them.

A conclusion is hardly necessary - I think it has become more than clear that Atomic Rose could hardly do anything better for me. It is an absolutely stunning unisex fragrance (and I truly mean unisex; in my opinion, it is not too feminine for a man to wear), which can be worn in practically any season for special occasions or evenings.
I envy anyone who can call an entire bottle of Atomic Rose their own and ensure that I soon belong to the lucky ones too!
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Nikolai 4 years ago 5
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The Zenith of Citrusy Olfaction, the Pinnacle of Emotions
On a cool March night, during a visit to a friend, a revelation occurred that would profoundly and impressively shape my position and my emotions towards olfactory creations, which I do not shy away from but rather allow and even enjoy, almost threateningly, had it not been so moving.

This friend - also a companion on my journey through the enchanting world of fragrances - generously offered me a few spritzes of Zesten Mandarine Pamplemousse that night, which burned particularly into my memory due to a starry sky and a crisp, yet clear frost. It may be the associations that make this scent so special for me. The memory of how much we are subject to nature and how fate shapes our decisions creates a deep emotional bond to this magnificent fragrance creation.

The application. The rich, cold clear bottle of Zesten. The well-shaped cap. All of these were the first tactile signals it was meant to send me. Even before I placed my finger on the sprayer, I felt what a special experience awaited me, whether it was the atmosphere or indeed the characteristics of the bottle itself that I attributed it to - the emotional connection was created in this groundbreaking moment, just as the Lord created the earth in seven promising days.
Even though I was not yet aware of it at that time, the notes, the fine nuances that would dance around my olfactory senses, would redefine my view of fragrances and their effects.

The top note - citrusy. Intense. Powerful. Appearing fruity.
Bergamot enveloped by mandarin, gently kissed by a bittersweet grapefruit.
Mighty.
But only for a moment. It immediately transforms into a perfectly balanced blend that neither asserts itself nor submits. Here, bergamot remains permanently dominant, yet it faces significant competition from mandarin, which dances ambitiously around the bergamot. The grapefruit remains protected by the strong bergamot. It is rounded.

At least until a floral, bright, and gentle inconsistency intervenes. It occasionally shines through, evoking associations with an untouched, lovely flower valley in the Alps. Clear air and fragrant flowers. They only occasionally stand out, submitting to the ever-dominant bergamot. The blossoms provide a change - there is no exhausting permanence due to them. Refreshing. Almost exhilarating. This absence awakens euphoria. An exuberant optimism that runs through the outstanding longevity of the fragrance and brightens the day, intensifying the night.

Personally, however, I do not smell amber. It may be overshadowed by the grandeur and aesthetic superiority of the prevailing ingredients, or it may consciously submit. I do not perceive it, which in no way detracts from the enchanting fragrance.
Qui tacet, consentire videtur - seems to be the motto of the amber note in this creation. And this is more than justified.

After more than a full 12 hours, the gradual decline promises a soon farewell. It means sorrow. Sorrow over the end of the emotional journey. Sorrow over how the zest of one turns away, shaping the departure slowly and painfully. Yet the sorrow gives way to euphoria. The awareness of the intoxication that was experienced. The joy of it. The anticipation of a possible next time. The disbelief over the unrestrained emotions and attractions that a fragrance can evoke.
Partir, c’est toujours mourir un peu!

More than 2000 years ago, Marcus Tullius Cicero noted the following, which @Niccoboeddeke aptly captured.

Omnia praeclara rara

Indeed, the excellent is rare. So rare that I could only find the most excellent so late.
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