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When the days took on colour
In the past, when there were only three television stations, they were accompanied by a clear number of programme guides. My weekdays, by the way, have practically the same colours as the "Hörzu" to this day: Monday is yellow, Tuesday green, Wednesday blue etc
In the Hörzu, the actual entry was always written in smaller letters under the actual entry when a feature film had already been broadcast. With older or reliably popular films like "Pillow Talk" this could be a quite impressive series of dates. Maybe the increasing space requirement in the annual cycle had forced the end of this strange custom sometime.
If there were a list of other scents of the Em-eukal candies of the wild cherry variety, I would spontaneously include two names: the Lucas plant 'Black Gemstone' and 'Une Nuit à Bali - Suma Oriental', although I can no longer check either, because the corresponding specimens have long since been distorted. And also in this case a single test has to be sufficient, the sample tube (many thanks to Ergoproxy!) only gave out a tiny droplet.
These sweets are underlaid with cowhide leather oud after about half an hour. Aha - a quite extravagant composition. Soon the oud note comes across so rough and leathery (it even says hello to 'Epic Man') that one might think of a somewhat over-exaggerated, yet not un-original variation of the raspberry-leather-idea.
A hint of heliotropic bitter-mandy-like sweetness gradually dissolves the sweetness before our em-eukal receives reinforcement within two hours: of morello cherries from the glass - sour is that. In the further course of the morning the... "fruit" takes over a more reserved, simpler sweetness (vanilla above all, almond if you like). The calming effect is good. The development is supported by a certain reduction in content to a sweet leathery texture with a hint of candy, with patchouli cocoa. This doesn't seem as contrived as before, the abundance of information is fortunately misleading in this respect.
As I progress, I get a little carried away. A distant memory of the older fruit from 'Red Hoba' by XerJoff comes to mind and the cherry theme remains present. From the afternoon on, a softly oiled sweetness is whispering silently, maybe a somewhat lame "Finishing Part 1", which is essentially over after eight hours. After all, there is - unfortunately, apparently only as a bouncer - a carpet of dark musk, softly fructified sweet and sweet like candy, as a conclusion of part 2 until the evening. Nice! The rearmost end or part 3 is musk on a rest of vanilla.
Conclusion: On balance appealing, but not completely my construction site.
In the Hörzu, the actual entry was always written in smaller letters under the actual entry when a feature film had already been broadcast. With older or reliably popular films like "Pillow Talk" this could be a quite impressive series of dates. Maybe the increasing space requirement in the annual cycle had forced the end of this strange custom sometime.
If there were a list of other scents of the Em-eukal candies of the wild cherry variety, I would spontaneously include two names: the Lucas plant 'Black Gemstone' and 'Une Nuit à Bali - Suma Oriental', although I can no longer check either, because the corresponding specimens have long since been distorted. And also in this case a single test has to be sufficient, the sample tube (many thanks to Ergoproxy!) only gave out a tiny droplet.
These sweets are underlaid with cowhide leather oud after about half an hour. Aha - a quite extravagant composition. Soon the oud note comes across so rough and leathery (it even says hello to 'Epic Man') that one might think of a somewhat over-exaggerated, yet not un-original variation of the raspberry-leather-idea.
A hint of heliotropic bitter-mandy-like sweetness gradually dissolves the sweetness before our em-eukal receives reinforcement within two hours: of morello cherries from the glass - sour is that. In the further course of the morning the... "fruit" takes over a more reserved, simpler sweetness (vanilla above all, almond if you like). The calming effect is good. The development is supported by a certain reduction in content to a sweet leathery texture with a hint of candy, with patchouli cocoa. This doesn't seem as contrived as before, the abundance of information is fortunately misleading in this respect.
As I progress, I get a little carried away. A distant memory of the older fruit from 'Red Hoba' by XerJoff comes to mind and the cherry theme remains present. From the afternoon on, a softly oiled sweetness is whispering silently, maybe a somewhat lame "Finishing Part 1", which is essentially over after eight hours. After all, there is - unfortunately, apparently only as a bouncer - a carpet of dark musk, softly fructified sweet and sweet like candy, as a conclusion of part 2 until the evening. Nice! The rearmost end or part 3 is musk on a rest of vanilla.
Conclusion: On balance appealing, but not completely my construction site.
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Meggi
