Top Notes 
Rosa alba otto
Turkish rose otto
Taif rose
Heart Notes 
Cambodian oud
Chrysanthemum absolute
Osmanthus
Rosa centifolia absolute
Base Notes 
Amber
Indian oud
Musk
Siam benzoin
Leather
Mimosa
White ambergris
05/20/2025
ClaireV
969 Reviews
ClaireV
2
A rose-oud manifesto
Juriah is a rose-oud mukhallat so thick and so ropey that wearing it feels like placing your hands flat against a man’s densely-muscled chest and feeling the tectonic plates of muscle and tendon shift and grind under the smooth skin. There is not an inch of fat on this thing. Just the perfect dance between a Hindi oud oil that feels like it has just been milked from an animal’s bile duct – biting, feral, but rich and slippery – and the heady bloom of the finest Taifi rose oil, with its green, peppered-steak fizz.
The aged Hindi oud, in combination with the more mellow, fruity tones of the Cambodi oud and a silty ambergris give the mukhallat a salty, feline purr, like the sensation of wearing a vintage fur over bare skin. The lush, honeyed drip-drip-drip of Turkish rose smooths over the edges a bit, but really, you are never allowed to take your eyes off that central tandem of Taifi rose and oud. The musky leather drydown – some feature of the osmanthus perhaps – is a delight, as are the small floral and incensey touches that serve to soften the arrogant thrust of the rose and oud, without taking anything away from their grandeur. You can tell that synthetic musks have been added to roll the whole thundering wagon forward on the tracks, but their effect is not to broadcast or project (the rose and oud are themselves immensely strong) but rather to feather out any hard edges into a soft, musky haze. This has the effect of making the mukhallat more ambiguous in shape, more abstract.
Sultan Pasha himself calls Juriah his magnum opus, and I agree, except to add that perhaps Juriah shares that particular throne with the incredible Aurum D’Angkhor. Juriah is the archetypal rose-oud mukhallat but built with the finest raw materials in the world. Clearly a manifesto of sorts.
The aged Hindi oud, in combination with the more mellow, fruity tones of the Cambodi oud and a silty ambergris give the mukhallat a salty, feline purr, like the sensation of wearing a vintage fur over bare skin. The lush, honeyed drip-drip-drip of Turkish rose smooths over the edges a bit, but really, you are never allowed to take your eyes off that central tandem of Taifi rose and oud. The musky leather drydown – some feature of the osmanthus perhaps – is a delight, as are the small floral and incensey touches that serve to soften the arrogant thrust of the rose and oud, without taking anything away from their grandeur. You can tell that synthetic musks have been added to roll the whole thundering wagon forward on the tracks, but their effect is not to broadcast or project (the rose and oud are themselves immensely strong) but rather to feather out any hard edges into a soft, musky haze. This has the effect of making the mukhallat more ambiguous in shape, more abstract.
Sultan Pasha himself calls Juriah his magnum opus, and I agree, except to add that perhaps Juriah shares that particular throne with the incredible Aurum D’Angkhor. Juriah is the archetypal rose-oud mukhallat but built with the finest raw materials in the world. Clearly a manifesto of sorts.
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