Top Notes 
Bergamot
Buchu
Cardamom
Lemon
Petitgrain
Turmeric
Heart Notes 
Celery seed
Clary sage
Jasmine
Osmanthus
Saffron
Base Notes 
Peru balsam
Fir balsam
Green vanilla
Indole
Tobacco05/31/2025
Blasius
10 Reviews
Blasius
1
Le cri blanc du jasmin
Some perfumes take their time to make an impression. Others impose themselves instantly — not with violence, but with a striking presence. Bangla Yasaman (litt: Bengali Jasmine) falls into the latter category. It doesn’t whisper; it speaks out — with confidence, with density, with a kind of elegance that borders on provocation.
This jasmine is a white scream in warm air. It doesn’t shy away from its indoles — it sculpts them. It doesn’t hide behind transparency — it incarnates itself. And this is where Isabelle Larignon achieves something remarkable: she holds a classic floral note by its most carnal, riskiest edge without ever falling into cliché or laziness.
The construction of the formula is almost surgical in its precision. Every facet of jasmine — green, fruity, animalic, solar — is held in tension with an environment that reveals it. One senses a jeweler’s care in the raw materials: aldehydes, a champaca-like note, a quasi-tannic treatment of certain woods, and a leathery depth that lends the whole a surprising richness. This is not just perfume — it’s olfactory architecture.
Where most soliflores collapse into linearity, Bangla Yasaman evolves. It lives. It rises, it blooms, then it settles with the majesty of a Bengali bride — adorned in gold, flowers in her hair, eyes steady and strong. We are far from contemporary minimalism here: this is refinement through controlled opulence.
And it must be said: you don’t often see this kind of technical mastery in what brands are releasing these days. The longevity is excellent, the sillage assertive but never invasive, and the clarity of the notes — admirable. This isn’t just a “pretty jasmine.” It’s a great jasmine. A jasmine with something to say — and it says it with flair.
In a word: Bangla Yasaman is character in a bottle. It proves that a floral can still move us, surprise us, and even command silence. Bangla Yasaman stands among the most refined and well-executed jasmine fragrances on the market today.
This jasmine is a white scream in warm air. It doesn’t shy away from its indoles — it sculpts them. It doesn’t hide behind transparency — it incarnates itself. And this is where Isabelle Larignon achieves something remarkable: she holds a classic floral note by its most carnal, riskiest edge without ever falling into cliché or laziness.
The construction of the formula is almost surgical in its precision. Every facet of jasmine — green, fruity, animalic, solar — is held in tension with an environment that reveals it. One senses a jeweler’s care in the raw materials: aldehydes, a champaca-like note, a quasi-tannic treatment of certain woods, and a leathery depth that lends the whole a surprising richness. This is not just perfume — it’s olfactory architecture.
Where most soliflores collapse into linearity, Bangla Yasaman evolves. It lives. It rises, it blooms, then it settles with the majesty of a Bengali bride — adorned in gold, flowers in her hair, eyes steady and strong. We are far from contemporary minimalism here: this is refinement through controlled opulence.
And it must be said: you don’t often see this kind of technical mastery in what brands are releasing these days. The longevity is excellent, the sillage assertive but never invasive, and the clarity of the notes — admirable. This isn’t just a “pretty jasmine.” It’s a great jasmine. A jasmine with something to say — and it says it with flair.
In a word: Bangla Yasaman is character in a bottle. It proves that a floral can still move us, surprise us, and even command silence. Bangla Yasaman stands among the most refined and well-executed jasmine fragrances on the market today.
JoM68
