Date for Men Fragrance One 2019

The evolutionary stages are enormous. From the pubescent, imposing, overplayed boy, to the successful, elegant man with standing, to the old man who has run out of steam. The following anecdote illustrates this:

A perfume, in my imagination, gives you an extra flair, a scent that strengthens the characters you already have. When I enter the room, people see me, they hear me when I talk, they even feel me touching them when I say hello and hug them, am I gentle? am I strong and rough? Am I engaging?

Likewise, I want to give off the appropriate scent, as an amplifier of myself, of who I like to be or would like to be.

For me, fragrances reinforce what is there, then I like them. At best, they are perceptible, make space for themselves, but are not intrusive and invasive. They take over, but don't try to be the only thing that fills the room.

The Jeremy is somewhere between these disciplines. On the one hand, I find it too heavy, too intrusive, it wants its own space too much, completely. And crowds out everything else.

Nevertheless, he knows how to appear again and again (ONLY) in small scented sachets and simply give a pleasant, soothing treat that fits. A fragrance that doesn't shout too loudly, but simply appears sensual and pleasant and leaves enough space.

I find the first development after the drydown extremely exciting. It describes exactly the plight I'm in of not being able to make up my mind.

Young:
It started so intensely, I feel like I've jumped back 10 years into my 20s after spraying it. It's loud, fresh, sweet and just reminds me of my younger days. I smelled like this back then too.

Man:
Then it suddenly becomes more mature, more complex, more down-to-earth and more elegant. It becomes more "pleasant". It is worn by a man who has both feet on the ground. He is successful and shows this with understatement. I show that I've made it, but I also show that I'm not putting it on your bread. I am special and people notice me. But don't pose, stay calm.

Old man:
But an hour later at the latest, he becomes thin. It still stands out, is perceptible, but smells completely different. The complexity is gone and 2 - 3 faint notes remain. The air and the energy are gone. The successful man is getting tired. He is more frugal. But he would also no longer have the energy to show his elegant side in a blazer. I can't make up my mind here. Is it the weakness of the old man marked by life? There's not much left. Or is it a knowing and frugal calmness that he adopts, as he should?