
Yannifuu
1 Review
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Yannifuu
Helpful Review
10
Sultanate of Paris
Basically, I am anything but a great writer of reviews or other elaborate texts. While I occasionally try to express my impressions through words, I am soon reminded that it is simply not my forte.
Nevertheless, I would like to try once more to write something about a fragrance. A fragrance that, in my opinion, deserves to be written about!
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Recently, a friend suggested to me to view fragrances as a complete work and to dissect them less mechanically into their individual components. After all, one perceives other works of art, like paintings, as a whole and does not break them down into their individual color molecules.
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Five sprays and a new resolution later, I got to work and realized that this resolution is, in fact, obsolete. The blend is too dense, the blending of the individual raw materials too perfect.
Similar to the fragrance Emerald from the same house, this one also comes in an opaque volume that captivates precisely because of this.
Top, heart, and base notes merge into a complete work. The components go hand in hand, creating transitions that are unparalleled. So smooth that one does not understand whether they have been wearing the fragrance for 10 minutes or 10 hours.
It simply does not matter, as time is turned back, back to the 20th century. Back to a state visit of Parisian politicians in the Sultanate of Oman. A time and a place where French perfumery art and Arab values shake hands.
There is dancing. The Sultanate alternately dominates, only to then give attention to the guests.
Monotony is sought in vain. There is no stagnation.
Dynamics in perfection is the motto of the event.
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The lights go out, the dancers stop spinning.
What remains is the memory. The memory of the origin of perfumery art.
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I take my hat off to this achievement. With this fragrance, a statement has been made. A statement that no comparisons to others are needed. This one does not require it!
KIKI KORO and the brand behind it are different! Unique!
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So far, Frederic's most unique work!
Nevertheless, I would like to try once more to write something about a fragrance. A fragrance that, in my opinion, deserves to be written about!
------------------
Recently, a friend suggested to me to view fragrances as a complete work and to dissect them less mechanically into their individual components. After all, one perceives other works of art, like paintings, as a whole and does not break them down into their individual color molecules.
------------------
Five sprays and a new resolution later, I got to work and realized that this resolution is, in fact, obsolete. The blend is too dense, the blending of the individual raw materials too perfect.
Similar to the fragrance Emerald from the same house, this one also comes in an opaque volume that captivates precisely because of this.
Top, heart, and base notes merge into a complete work. The components go hand in hand, creating transitions that are unparalleled. So smooth that one does not understand whether they have been wearing the fragrance for 10 minutes or 10 hours.
It simply does not matter, as time is turned back, back to the 20th century. Back to a state visit of Parisian politicians in the Sultanate of Oman. A time and a place where French perfumery art and Arab values shake hands.
There is dancing. The Sultanate alternately dominates, only to then give attention to the guests.
Monotony is sought in vain. There is no stagnation.
Dynamics in perfection is the motto of the event.
------------------
The lights go out, the dancers stop spinning.
What remains is the memory. The memory of the origin of perfumery art.
------------------
I take my hat off to this achievement. With this fragrance, a statement has been made. A statement that no comparisons to others are needed. This one does not require it!
KIKI KORO and the brand behind it are different! Unique!
------------------
So far, Frederic's most unique work!
3 Comments



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