Top Notes 
Orchid
Peony
Rose
Lily
Lily of the valley
Mock-orange
Heart Notes 
Eucalyptus
Jasmine
Blackberry
Lilac
Pear
Base Notes 
Sandalwood
Tonka bean
Musk
Sherapop
1239 Reviews
Sherapop
Very helpful Review
6
Nuages Verts-Grisâtres
It has taken me about, let's see, fourteen years to figure out Calvin Klein CONTRADICTION, but I do believe that I just had a breakthrough: this perfume is an aromatic pseudo-chypre! This evening I decided to pull out from the back of my armoire the long languishing cylinder hiding quietly in its sleek matte aluminum sheath, having been reminded of its existence by a soothing eucalyptus-spearmint bath courtesy of the BBW Aromatherapy line. Since I even used the eucalyptus hair conditioner, which remains fragrant long after rinsing, my compatible perfume choices were severely limited. But then it popped into my mind: Calvin Klein CONTRADICTION, the only perfume in my collection with a significant eucalyptus component.
There's probably a reason why perfumers do not often reach for eucalyptus, and the mixed reception to this creation, the sole member of the classic CK collection to have been discontinued (at least to my knowledge...), may have a lot to do with it. CONTRADICTION is so unexpected and just plain weird that I strongly suspect that were it poured into a Serge Lutens bottle with a new label slapped on, say, NUAGES VERTS-GRISATRES, it would be sought out and perhaps even worshipped by countless niche-ees (no, not Nietzsche, though my understanding is that he did spend some time in Eze, along a path that I myself walked to Grasse—so who knows? Perhaps he, too, really loved perfume and his pilgrimage to the environs of Eze led to the perfume capital of the world as well? On ne sait jamais.) But I digress...
While coming to terms once again with CONTRADICTION, the donning of which is always an event in itself because it is so very ODD, it dawned on my that the extreme eccentricity of this composition reminds me very much of SJP COVET. No, not the notes or even the structure of the compositions: the two are completely different. But they are united in their extreme, obstinate refusal to respect the orthodox genres of perfume, in addition to their fundamentally "challenging" demeanor. It takes some time to come to an appreciation of these perfumes. Those who are looking for instant gratification need not apply, because these creations are really quite demanding. I have no doubt that many a sniffer gave them a quick whiff and then summarily dismissed them, relegating them forever to their own private dustbin of olfactory history. In the case of CONTRADICTION, the orchid, lily, eucalyptus, and about a million other notes together produce an utterly unique creation, like nothing else I've ever smelled. Yet it's not the perfumic equivalent to a garbage pizza. No, not at all. An appealing chypre texture and strangely harmonic effect ultimately arise out of what might at first seem to be sheer cacophony.
Surprise: I was delighted to discover just now (after having compared the two C's in my mind...) that the perfumer who produced this radically other perfume is none other than...drum roll...Ann Gottlieb: the creator of COVET! Brava, cara! I am truly impressed!
Ordinarily, according to my own explicitly stated evaluation criteria (in my profile at Creednotes), I would only be able to give a thumbs up to a perfume in my collection which I had every intention of replenishing, but my 100ml bottle of CONTRADICTION remains one-third full after, well, fourteen years. No matter: I'm going to contradict my own evaluation scheme in honor of this splendidly original perfume.
There's probably a reason why perfumers do not often reach for eucalyptus, and the mixed reception to this creation, the sole member of the classic CK collection to have been discontinued (at least to my knowledge...), may have a lot to do with it. CONTRADICTION is so unexpected and just plain weird that I strongly suspect that were it poured into a Serge Lutens bottle with a new label slapped on, say, NUAGES VERTS-GRISATRES, it would be sought out and perhaps even worshipped by countless niche-ees (no, not Nietzsche, though my understanding is that he did spend some time in Eze, along a path that I myself walked to Grasse—so who knows? Perhaps he, too, really loved perfume and his pilgrimage to the environs of Eze led to the perfume capital of the world as well? On ne sait jamais.) But I digress...
While coming to terms once again with CONTRADICTION, the donning of which is always an event in itself because it is so very ODD, it dawned on my that the extreme eccentricity of this composition reminds me very much of SJP COVET. No, not the notes or even the structure of the compositions: the two are completely different. But they are united in their extreme, obstinate refusal to respect the orthodox genres of perfume, in addition to their fundamentally "challenging" demeanor. It takes some time to come to an appreciation of these perfumes. Those who are looking for instant gratification need not apply, because these creations are really quite demanding. I have no doubt that many a sniffer gave them a quick whiff and then summarily dismissed them, relegating them forever to their own private dustbin of olfactory history. In the case of CONTRADICTION, the orchid, lily, eucalyptus, and about a million other notes together produce an utterly unique creation, like nothing else I've ever smelled. Yet it's not the perfumic equivalent to a garbage pizza. No, not at all. An appealing chypre texture and strangely harmonic effect ultimately arise out of what might at first seem to be sheer cacophony.
Surprise: I was delighted to discover just now (after having compared the two C's in my mind...) that the perfumer who produced this radically other perfume is none other than...drum roll...Ann Gottlieb: the creator of COVET! Brava, cara! I am truly impressed!
Ordinarily, according to my own explicitly stated evaluation criteria (in my profile at Creednotes), I would only be able to give a thumbs up to a perfume in my collection which I had every intention of replenishing, but my 100ml bottle of CONTRADICTION remains one-third full after, well, fourteen years. No matter: I'm going to contradict my own evaluation scheme in honor of this splendidly original perfume.
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