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JCC No. 2 1988 Eau de Parfum

7.1 / 10 28 Ratings
A perfume by Jean-Charles de Castelbajac for women, released in 1988. The scent is chypreartig-spicy. The longevity is above-average. It was last marketed by Mülhens.
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Main accords

Chypre
Spicy
Floral
Woody
Animal

Fragrance Pyramid

Top Notes Top Notes
AldehydesAldehydes Fruity notesFruity notes BergamotBergamot GardeniaGardenia LemonLemon GalbanumGalbanum
Heart Notes Heart Notes
CarnationCarnation JasmineJasmine RoseRose SandalwoodSandalwood Ylang-ylangYlang-ylang IrisIris Lily of the valleyLily of the valley
Base Notes Base Notes
AmberAmber LabdanumLabdanum MossMoss PatchouliPatchouli CastoreumCastoreum FrankincenseFrankincense LeatherLeather
Ratings
Scent
7.128 Ratings
Longevity
8.125 Ratings
Sillage
7.523 Ratings
Bottle
6.623 Ratings
Submitted by DonVanVliet, last update on 08/31/2023.

Smells similar

What the fragrance is similar to
J'ai Osé (Eau de Toilette) by Guy Laroche
J'ai Osé Eau de Toilette
JCC No. 2 (Parfum) by Jean-Charles de Castelbajac
JCC No. 2 Parfum
JCC No. 2 (Eau de Toilette) by Jean-Charles de Castelbajac
JCC No. 2 Eau de Toilette
Diva (Eau de Toilette) by Emanuel Ungaro
Diva Eau de Toilette

Reviews

3 in-depth fragrance descriptions
Jezebel

6 Reviews
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Jezebel
Jezebel
6  
Apartment Clearance
Impatiently, I shuffle from one foot to the other... I can hardly wait for my encounter with the Grand Dame. Much has been said about her; the audience chose to either whisper in awe, faint in admiration, or remain in standing ovations. Today, she will graciously receive me. I've dressed quite elegantly, adorned myself with sophistication. Well aware that I can never even come close to being worthy of the luxurious and educated artist. Here we go, I will pay my respects to the diva. Surely, she will extend her ringed hand for a kiss. On my way to her, I listen reverently to her latest opera recording, closing my eyes in pleasure (almost) - I have to drive, to better concentrate on her arias. Upon arriving at the villa, I nervously check my hair, touch up my lips. And then I ring the bell. Silence. I ring again; has the staff really become hard of hearing over time? Nothing. Disappointed and hoping to perhaps catch her attention through a gesture at the terrace door, I wobble in my heels through the somewhat dilapidated garden. The veranda door is closed. The brocade curtains are drawn. Disappointed, I make my way back. I decide to ring once more, and when I accidentally bump against the ornate door, it gives way. With a pounding heart, I step inside. "Madame, Madame Perfectio," I call out. "Madame Perfectio, are you there? We have an appointment." Nothing. No response. With a guilty conscience and curiosity, I sneak through the house, my shoes leaving a trail in the dust. The furniture is covered. Carefully, I open a door that leads into what must have once been a magnificent bedroom. I muster my courage and step inside. Madame is not there. Documents lie on the table. I read a contract for admission to a senior care home. There's something else. A crystal vase with fine gold engravings. Withered roses and mushy carnations hang their drooping heads; perhaps a dead mouse is hiding among the slimy stems in the murky flower water. Am I sensing ammonia? Cautiously, I stick my nose into the floral graveyard. A piercing jab directly to the face. I stagger, fighting with hands and feet against a tentacled monster that maliciously and mockingly claws at my throat, driving its sharp teeth into my neck. I scream in horror, gasp for air, wipe the goo from my eyes, and fight with hands and feet for my life. Finally, I regain the upper hand over this flower vase creature. I fling off my uncomfortable heels and slip and slide down the spiral staircase towards the exit. In the car, I lock the door and stare in horror at the mirror. I am as pale as yellow wax, with dark circles under my eyes. Wrinkles cover my face. Suddenly, I have turned gray.
4 Comments
Unchaned

10 Reviews
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Unchaned
Unchaned
Very helpful Review 9  
The Sister
Today it has arrived, Jean Charles Castelbajac's No.2, the somewhat lesser-known Chypre sister of the beautiful classic "Premiere." Also a child of the 80s. What might it have to offer? I stumbled upon it by chance in the bay and it immediately piqued my curiosity. I snagged it because the fragrance is practically off the market.

Right after spraying, the scent welcomes me with the wonderfully wide-open arms of the classic Chypre with bergamot and fruity notes, captured in a small aldehyde cloud that gently wafts around me.

Compared to "Premiere," this opening is, however, less bright, already a shade darker here. If one wants to enjoy this start, the top note is already hiding around the next corner, and a wonderful, huge bouquet of flowers appears and exudes its captivating scent. We are not talking about bright or budding fresh flowers here, but rather velvety dark roses and fully bloomed carnations can be perceived, with a hint of jasmine. Not sweet, noble, a touch elegant.

Now a distinctly noticeable, fine sandalwood note joins in, along with a nice soapiness that remains until the end. It gives the fragrance hold and structure and prevents it from slipping into any heaviness. Also, a pleasant, not overly assertive leather note wafts over from time to time.

The base of JCC No2 is infinitely soft, warm, and wonderfully beautiful! I have never sniffed such an infinitely gentle, almost tender base in a Chypre. Actually, this is what I like best about this fragrance.

If one imagines that "Premiere" is the radiant, somewhat loud, extroverted sister, then No2 is the quiet one, sitting a bit off to the side. A little shy, perhaps dreamy. She plays softly on her instrument and in minor.

If she hadn't long since disappeared from the perfume shelves, she would quietly stand in a narrow spot ... and wait for us ...
5 Comments
Fran

253 Reviews
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Fran
Fran
Very helpful Review 2  
Warmer Aldehyde
Long ago - but I really enjoyed wearing this fragrance when I was around 10. It was the late 80s, I liked Magie Noire, Trussardi Donna, Paloma Picasso, Coco, L'Arte di Gucci - and Jean-Charles de Castelbajac fit perfectly into that lineup. A chypre full floral scent with a slight "sweet-sour" duality, which I liked very much. The "sweetness" came from the opulent flowers as well as from the warm base, while the "sour" or the sour-spicy-chypre aspect mainly came from the top notes with aldehydes and hesperidic nuances.

I even found the fragrance notes:

Top notes: Aldehydes, bergamot oil, fruity notes, galbanum, gardenia, lemon
Heart notes: Clove, jasmine, lily of the valley, iris, rose, sandalwood, ylang-ylang
Base notes: Amber, castoreum, labdanum, leather, moss, incense, patchouli

Olfactorily opulent as only the 80s could be.

JCC No. 2 was very grown-up, rather ladylike, opulent and contemporary aldehydic-chypre. However, in a very warm and sweet-floral and slightly spicy way. I had left behind the Janine D. and My Melody era, and I only liked the advertisement for LouLou - I was into these more mature, chic fragrances. And of course, I wore them to indie concerts or in our punk rock club. After all, I went to school with Magie Noire. At 16. Just teenagers. The 80s. A dangerous combination.
2 Comments

Statements

3 short views on the fragrance
7 years ago
2
1
It has something in common with Tuscany Donna for me: a hint of divine jasmine blossoms every time, and each time ruined by the...
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1 Comment
6
Aldehyde hammer down on your head and nerves. It's well done (like all Castelbajacs), but also a bit too much classic style.
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0 Comments
5
A classic, herb-floral chypre. The top note is bursting with aldehydes, and in the base, it becomes mossy and subtly animalic.
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0 Comments

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