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08/26/2018
Meggi
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Meggi
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Partial disturbance of the peace possible
It is not without a certain humour that from the Nimerè sample pack of ten (many thanks to Can777!) it is precisely the fragrance with the title "Freude" or "Vergnügen" (joy) that initially spreads the least of it that is titled.
That's a strong stink that opens here, more lily than jasmine, rather strict, only hesitantly softened by - despite acidity - warm, sweet-sugary orange tones (neroli) as well as a bitter almond leather memory sweetness (I'm thinking of 'Mahon Leather'). And as if that wasn't enough, there's also violet leather on top with detergent or even petrol attitude. I also think of the floral bitterness from 'Cuir de Lancôme'; and presumably the hawthorn was quite violent there.
After about half an hour, the verbena gradually releases me. She finds the idea with the candy exciting, it makes the thing mutate into a verbena neck candy, spicy-floral framed. This is sensually feminine on the one hand, but at the same time offers an airy-creamy freshness on the threshold to sun cream. But even the sting holds and green tuberose becomes plausible. Green should mean: rather less white blossom-like stinky, more the Nuit-de-Bakelite splint. Apart and sexy!
Ladies: This scent could at least partially cause disturbance of the peace. However, approaches by pubescent boys should be filtered out.
Towards midday, the fragrance becomes surprisingly creamy, quickly and completely. Nothing bites or stings anymore. An earthy-mineral touch in the underground ensures that the fragrance fortunately does not sink into musk, as many other cremlings do; the musk is noticeable, but not dominant. An afternoon hint of soap completes the pan. Warm, round, sweet and creamy, the fragrance glides into the evening.
Although I like 'Pleasure' - see previous paragraph - better than others of its kind in the second part, it cannot be denied that it was more characterful at the front.
That's a strong stink that opens here, more lily than jasmine, rather strict, only hesitantly softened by - despite acidity - warm, sweet-sugary orange tones (neroli) as well as a bitter almond leather memory sweetness (I'm thinking of 'Mahon Leather'). And as if that wasn't enough, there's also violet leather on top with detergent or even petrol attitude. I also think of the floral bitterness from 'Cuir de Lancôme'; and presumably the hawthorn was quite violent there.
After about half an hour, the verbena gradually releases me. She finds the idea with the candy exciting, it makes the thing mutate into a verbena neck candy, spicy-floral framed. This is sensually feminine on the one hand, but at the same time offers an airy-creamy freshness on the threshold to sun cream. But even the sting holds and green tuberose becomes plausible. Green should mean: rather less white blossom-like stinky, more the Nuit-de-Bakelite splint. Apart and sexy!
Ladies: This scent could at least partially cause disturbance of the peace. However, approaches by pubescent boys should be filtered out.
Towards midday, the fragrance becomes surprisingly creamy, quickly and completely. Nothing bites or stings anymore. An earthy-mineral touch in the underground ensures that the fragrance fortunately does not sink into musk, as many other cremlings do; the musk is noticeable, but not dominant. An afternoon hint of soap completes the pan. Warm, round, sweet and creamy, the fragrance glides into the evening.
Although I like 'Pleasure' - see previous paragraph - better than others of its kind in the second part, it cannot be denied that it was more characterful at the front.
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