11/27/2024
Tealight10
9 Reviews
Tealight10
2
Geology, moonlight, and sandalwood bliss
Stora Skuggan fragrances lead with evocative narrative briefs and Moonmilk succeeds in conveying its namesake mineral substance, nighttime caverns, and a quiet geological-lunar awe. This is, by itself, a novel pleasure I associate with Stora Skuggan. What astonishes me (and moved me to purchase a full bottle) is that Moonmilk stands on its own simply as a beautiful, versatile fragrance.
With the first sniff I did get the sensation of damp limestone and cool dark spaciousness. I am transported to Gessner’s alpine a cave and feel a timeless wonder at this sparkling white mineral milk leaking from the grey walls. How this particular combination of notes and molecules achieve this is striking, though certainly the narrative is highly suggestive.
What draws me back to Moonmilk after this initial impression is the uplifting elegance I have long associated with sandalwood ever since I found an intricately cut sandalwood fan in my grandmother’s dresser as a child. I remember returning to the drawer again and again, unfolding the fan, and falling back as I fanned my face in pure bliss.
Sandalwood is the dominant note in Moonmilk to my nose after a bright tea and lime opening. The cardamom is also a cool presence. The other notes are not as distinct but the overall effect is a fragrance that evokes sandalwood’s characteristic otherworldly creamy-woodiness—without sweetness. It feels like a dry, utterly soft and smooth sandalwood.
I have tried other sandalwood fragrances and this one is my favorite. Others unfortunately have brought dill/vinegar to mind in a way that I sadly cannot escape. Moonmilk avoids this, perhaps with the leather, spices, and/or lily-of-the-valley. The result is gorgeous, uplifting, serene, and cleansing to wear. Moonmilk leaves no doubt as to why sandalwood is held sacred.
The scent is suitable for many occasions. I find it fairly linear after the initial opening notes. And it hovers pleasantly within arms distance for several hours. I do reach for it at the full moon in recognition of the story and the lunar cycle but also for a relaxing afternoon, focused work, or festive occasion. Absolutely unisex in my opinion.
With the first sniff I did get the sensation of damp limestone and cool dark spaciousness. I am transported to Gessner’s alpine a cave and feel a timeless wonder at this sparkling white mineral milk leaking from the grey walls. How this particular combination of notes and molecules achieve this is striking, though certainly the narrative is highly suggestive.
What draws me back to Moonmilk after this initial impression is the uplifting elegance I have long associated with sandalwood ever since I found an intricately cut sandalwood fan in my grandmother’s dresser as a child. I remember returning to the drawer again and again, unfolding the fan, and falling back as I fanned my face in pure bliss.
Sandalwood is the dominant note in Moonmilk to my nose after a bright tea and lime opening. The cardamom is also a cool presence. The other notes are not as distinct but the overall effect is a fragrance that evokes sandalwood’s characteristic otherworldly creamy-woodiness—without sweetness. It feels like a dry, utterly soft and smooth sandalwood.
I have tried other sandalwood fragrances and this one is my favorite. Others unfortunately have brought dill/vinegar to mind in a way that I sadly cannot escape. Moonmilk avoids this, perhaps with the leather, spices, and/or lily-of-the-valley. The result is gorgeous, uplifting, serene, and cleansing to wear. Moonmilk leaves no doubt as to why sandalwood is held sacred.
The scent is suitable for many occasions. I find it fairly linear after the initial opening notes. And it hovers pleasantly within arms distance for several hours. I do reach for it at the full moon in recognition of the story and the lunar cycle but also for a relaxing afternoon, focused work, or festive occasion. Absolutely unisex in my opinion.