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7.6 / 10 122 Ratings
A popular perfume by Unknown Brand / Unbekannte Marke for women and men, released in 2011. The scent is woody-spicy. Projection and longevity are above-average. The production was apparently discontinued.
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Main accords

Woody
Spicy
Oriental
Smoky
Resinous

Fragrance Pyramid

Top Notes Top Notes
MyrrhMyrrh CedarCedar ThymeThyme
Heart Notes Heart Notes
CoffeeCoffee LabdanumLabdanum PatchouliPatchouli Sweet cloverSweet clover
Base Notes Base Notes
Gaiac woodGaiac wood
Ratings
Scent
7.6122 Ratings
Longevity
9.180 Ratings
Sillage
8.680 Ratings
Bottle
7.269 Ratings
Submitted by DonVanVliet · last update on 09/04/2023.
Source-backed & verified
Interesting Facts
Due to an ongoing dispute between the production facilities in Paris and UAE, triggered by a quarrel of the two founders of Montale, this fragrance is currently not officially recognized as a Montale product.

Smells similar

What the fragrance is similar to
Black Afgano (Extrait de Parfum) by Nasomatto
Black Afgano Extrait de Parfum
Fate Man by Amouage
Fate Man
Gao by Xerjoff
Gao
Tobacco Oud by Tom Ford
Tobacco Oud
Bowmakers (Eau de Parfum) by D.S. & Durga
Bowmakers Eau de Parfum
Scandinavian Crime / Unique Russia (Extrait de Parfum) by LM Parfums
Scandinavian Crime Extrait de Parfum

Reviews

8 in-depth fragrance descriptions
Palonera

467 Reviews
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Palonera
Palonera
Top Review 73  
"You smell like home!"
said the young man sitting across from me on the old carpet, between us the hot tea, in his eyes a "How can this be?".
Home was far away in Afghanistan, in a country he had left, had to leave with the girl who was now his wife, and the child she was carrying.
That was three years ago, almost four.
They had to leave when the killing came closer, when the nights exploded in a cacophony of noise and light, when more and more houses became ruins and the inhabitants buried beneath them.
"How could we have stayed?" he asked, looking at me as if I actually had an answer.

For a while we were silent, watching the boy who played obliviously with the colorful blocks that had been in the bag that always came with me, which made his eyes shine in the face of the treasures it contained time and again.
He was the reason for my visits, the reason I sat here, here with him and his father, who was so young yet already so old, only twenty years old, yet already twenty years, whose eyes had seen more than was good for him.
"He would not survive," he said, "not where we come from. There is no life for children like him there."
For children who did not hear, who could not walk and did not speak, children who were different and just like him.
The boy, who was now searching for my eyes, inquisitive, questioning, waiting for my smile, the reassuring, teasing one, with which I took a block and held it behind my back until he laughed and tugged at my sleeve.
"Give me! My - want to play!" he gestured - slowly, uncertainly, so very clearly.
I gave him the block, took two others, built a tower with him, higher and higher, until it fell and the stones rolled to his father's knee.
He smiled, lovingly and proudly at his son: "It is good that he is here, that we are allowed to be here. I am grateful. And I miss Afghanistan so much. It was not always like this, you know?!"

And he began to tell about his village with the six houses, about the people who lived there and the livestock with them - "everyone had a few sheep and chickens, some even had cattle, for which there was not much feed near the village.
In summer, when it was very hot and no rain fell, we went up into the mountains with them, my father, my uncle, and I. To where it was a bit cooler, where grass still grew, salty, spicy grass, brown and gray from dust, but feed for the animals.
Sometimes we had to walk far until we found something, so far that we did not return home at night. We stayed with the animals on the mountain and sat in the evening around the fire, which smoked and smoldered and almost suffocated us, but warmed us and on which we brewed coffee in old tinware.
We chewed on licorice and smelled the warm, dusty fur of the animals, the dry herbs and the rocks, the smoke of the fire and ourselves in the coarse clothes that are so different from what one wears here.
The men told stories and I, still a boy, listened to them, stretched out by the fire, arms crossed behind my neck and my gaze in the stars, which were so bright and so close and so many, so many, you cannot count them, never, ever.
It was very quiet up there, only sometimes you heard one of the animals in the darkness and another that answered - and the wind of course, the wind that was always there.
It was beautiful there, you know?! Wild and beautiful and peaceful - no one ever thought of war or of not being there anymore. I thought it would always stay that way, I would always stay there like my father and his father and all the fathers before. And now I am here," he concluded, still looking at the boy, his son.

His wife had been in the room while he was telling, quietly, unobtrusively, lighting a little incense in the corner, the scent drifting over to us and mixing with the dark tea.
We were silent again.
It was time for me - the next child.
In my bag, I found "Kabul Aoud," the tube still half full.
I placed it next to his tea and left.
29 Comments
Meggi

1018 Reviews
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Meggi
Meggi
Top Review 23  
ASLSP
After applying it, as has been reported variously, the thought of Black Afgano indeed immediately comes to mind, just with more coffee. Thyme is also plausible. Strong and concentrated. Myrrh, if you will. Otherwise, it is truly no wallflower, in this case, however, at best playing second fiddle.

That’s it for now. Kabul Aoud is quite a static scent. Like a chord from the endless piece ORGAN²/ASLSP by John Cage on the organ in the St. Burchardi Church perhaps. ASLSP stands for as slow as possible, and the people in Halberstadt took 639 years for the performance. Well, that doesn’t quite fit; when it comes to the changes in Kabul Aoud, we prefer to talk about hours.

For by “around” noon, the coffee note recedes, without disappearing, leaving the field to sweet-caramel (and presumably cashmeran) guaiac. The similarity to one or another Gualtieri, including the respective oud announcement, is thus further enhanced. However, I find that here and there the reference to oud is characteristically - not in terms of volume! - rather tame. Nothing stings or pricks, the cow barn is far away.

Throughout the afternoon, Kabul Aoud becomes peaceful and draws closer to the skin, especially regarding the behavior, oh what: the fury of the patriarch. This need not necessarily be a disadvantage; some might not want to spend two days with the Black Afgano family after a single spray. It’s a matter of taste. Against the backdrop of the partial gourmand behavior (sweet espresso, optionally these coffee pralines), I think the silence does it good.

Indeed, the resemblance to the Black Afghan is too great to be considered a coincidence. Comparable calculations could now be made as for Cuirs by Carner Barcelona, whether the purchase is worth it in relation to the 118 euros that are sufficient for the original. Above all, however, the apparently complicated procurement from abroad due to the Montale brand frictions is likely to weigh heavily on Kabul Aoud.

Nevertheless, the I-can’t-be-a-Montale has rightly found its own community. It is more gourmand (without coming across as flat-edible/drinkable), friendlier, and cozier than the Afghan. And particularly less overloaded.

I thank Ergoproxy for the sample.
12 Comments
BackToBlack

112 Reviews
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BackToBlack
BackToBlack
Top Review 31  
A Thousand Splendid Suns
Kabul Aoud .. What a bold name for a perfume. I have been very skeptical about fragrances from this house and have actually avoided Montale for a long time. I received Kabul Aoud in a small TZ from an acquaintance who had just returned from vacation, before I went to Portugal. I really enjoyed my vacation, even though I had to go to the hospital for a short time. This did not stop me from engaging with this magnificent specimen.

The name stirs many thoughts in my mind. I immediately thought of the book by Khaled Hosseini, my favorite author. A Thousand Splendid Suns. Afghanistan was once one of the freest and most flourishing countries in Asia. Filled with laughter, magnificent spices, the finest tobacco, and a pride that not even the fiercest war could crush. A country that has been so long divided, so often destroyed, like no other in our century. Khaled brought the lives of the people in Afghanistan closer to us in the West with his books. Often, one has a different image of such a country, but one must always look in the mirror and be honest - we are all human, and in each of us beats a heart that cries out for reflection, peace, and love. If it weren't for some who instead have a block of wood inside them. When I read A Thousand Splendid Suns, I really had to pull myself together not to lose faith in humanity.

But still - where frost makes its way, the sun cannot be far behind.*

A country that is so multifaceted and interesting .. However, long demolished by war, looting, and abuse. A good friend from my family was stationed in Afghanistan for a long time. He is no longer the same person he once was. A sad certainty of our society. Sad facts that we humans inflict upon ourselves. This suffering.

I must personally say that I looked at Kabul Aoud with respect when I first saw it in a small perfumery. It was displayed in a completely dark window. There sat a simple Montale bottle on a black pedestal and appeared terrifying in my imagination. I immediately associated the name with something, and I saw ruins before me. At best, I could not imagine a beautiful shining moon, let alone the rays of the sun that often appear in Khaled's books. Khaled said in an interview that Afghanistan received more sunlight than any other country and that honey once flowed through Kabul. Nowadays, it is war that holds the country in its grip, and the tears of the past fill the rivers even more until they finally overflow.

I walked past and ignored it when it was no longer in the window. Then came the little gift.

The perfume is a class of its own. It transports you directly into an Oud universe full of blooming, crisp roses, mixed with the finest coffee beans. All this spectacle glides through the cells of the body with a gentle scent of incense. It is right there - this wonderful Oud scent. Noble, finely crafted, and yet so captivating. I pondered for days whether I could smell honey in it. It has a tiny bit of sweetness in it.. Is it the honey that once flowed in Afghanistan? This must be it, I reassured my conscience. Or was it some sweeter resin? I cannot decide where my senses lean.

Kabul Aoud lingers long on me and does not change much, and I naturally perceive the Oud the strongest. I must say that the other components blend well and truly support each other. Not too intrusive, not too flashy, and definitely not too boring. Kabul Aoud is long-lasting, captivating, noble, and has that certain something. I have rarely perceived such a fine note of incense in perfumes. I am someone who mercilessly immerses myself in all these incense oriental things and absorbs it like a greedy bloodsucker.

The scent itself lasts a long time on me. I can still clearly perceive it late at night, even though I had it on and around me for over 10 hours by then. Its sillage probably exceeds the universe. When I leave a room, a second soul remains inside, filled with Oud. Such power is rarely seen, unless it is Dior's Poison and overdosed a hundred times :D

High quality and a pleasure for the senses. A magnificent specimen.

When I apply it, it seems to me as if a cool wind envelops me, flowing through the hairs of my body and bringing frost. It feels cool, but one should not be put off by that, as it is only like this at the beginning. Later, the rays of the sun come, and it becomes warmer, more harmonious, and more personal.

For me, one of the most beautiful, if not the best, Oud fragrances I have been able to try.

In terms of price, it is not the cheapest, but since I got to know it, I have been contemplating acquiring it. However, I will take my time and will still write down my thoughts on this perfume.
10 Comments
Dobbs

100 Reviews
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Dobbs
Dobbs
Top Review 20  
Fine Fabric
Montale is often criticized here, which I can understand given the vast number of fragrances the company releases, the frequent lack of refinement, and the multitude of hardly distinguishable rose-with-something-else creations. But since the guys introduced my then inexperienced nose to an unexpected yet incredibly successful trip to the Baltic Sea with “Sandflowers” and gifted me my favorite chocolate scent with “Chocolate Greedy,” they have won me over.

So, after reading enthusiastic words about Kabul Aoud somewhere in the forum, I had to get a sample of this fragrance, of which I had no prior knowledge - with currently 110 fragrances, it’s easy to lose track.

KA starts off powerfully, unmistakably, but without the typical synthetic undertone that many Montales have. The defining oud, which is immediately noticeable, lacks the piercing medicinal quality I’ve encountered in other fragrances; it comes across rather mild, almost gentle. My nose picks up strong, pitch-black coffee with a hint of chocolate, dry wood, resin, and smoke. All of this quickly melds into a well-balanced scent where no single note stands out. A small delicate rose joins in, but it doesn’t overshadow the fragrance composition; instead, it integrates and adds a fine, bright note to the previously darker concoction. In the background, I think I detect amber, which adds a subtle sweetness. I can’t deny a certain similarity to Black Afghano, but unlike the Nasomatto, which I like but eventually finds its heavy, resinous sweetness annoying, Kabul Aoud envelops me in a fine smoky-woody-resinous veil that doesn’t overwhelm.

The scent trail is, as expected from Montale, quite substantial, but it doesn’t overpower the wearer or those around them, making it quite suitable for everyday wear. I had my ordering finger hovering over the buy button, but then my husband’s question about whether I had burned something here held me back from purchasing. Perhaps I can desensitize him by carefully and discreetly using my sample... I certainly haven’t removed the seller from my watchlist.
13 Comments
5Scent
MrWhite

84 Reviews
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MrWhite
MrWhite
Top Review 17  
Curry Chicken Kabul Style
I have rarely been so excited about a scent as I was about "Kabul Aoud". Much has been written about it, even more has been praised, and those who managed to get a sample or even a whole bottle could truly consider themselves lucky. After a long wait, my sample of "Kabul Aoud" finally arrived. Many thanks to Meiringer for the great sharing!

So I quickly sprayed it on and brought my nose to my wrist: the opening is surprisingly peppery, something similar has come my way more frequently lately. "Journey Man" or "Brutus" also start off similarly peppery-spicy. However, the pepper from Montale is perhaps the most convincing and impactful among these three. But soon the pepper transforms into another spice that we all know well, namely curry. I really expected everything, but not this. "Kabul Aoud" thus has a strong resemblance to "Fate Man"; I estimate the similarities to be around 60-70%. Recently, there was a small discussion about this in the forum, and I was pretty sure it couldn't be true. But it is! And quite clearly...

The curry does not weaken significantly as it develops; it remains until the bitter end. Only the characteristic, sweetish oud note is added, which you know from "Black Afgano" and its at least five imitators. Most closely, it resembles the somewhat hayloft-afflicted, sour note from the "Stercus" imitator. Then add a bit of very dark, roasted coffee, and "Kabul Aoud" is complete. Overall, in my opinion, the dominant note is the curry!

My disappointment is truly immense, as I already have "Fate Man" and "Black Afgano" and would never have thought to layer the two. I simply do not like the scent, and nothing helps. Not even referring to the "rumors" on the internet, such as that "Kabul Aoud" is supposedly just a counterfeit according to Montale Paris or that the scent was reformulated in 2014 (new bottle) or that Egyptian and Indian chemists are responsible for the Arabic Montale perfumes. I have no idea if any of this is true; there is plenty of reading material on Google. But to be honest, I don't want to know anymore....

Addendum 10.10.2014:
I have now compared it with a sample of Vanilla-Buddy Mezzanine; it is the same scent as mine. Apparently, everyone has a completely different perception, see his comment. I now have no choice but to downgrade this terrible brew by another 10% (and of course, go take a shower immediately).
16 Comments
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Statements

12 short views on the fragrance
10
1
The Dark Matter, imaginary and endless, and the flash of galaxies within it. Everything dissolves. But before that comes eternity.
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1 Comment
9
1
Soft, not medicinal, no coffee for me, the finest velvet oud, unisex, always wearable for me + everywhere. Lasts like glue. Not overpowering.
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1 Comment
8
1
My darling described it perfectly: "Honey, you smell like an unwashed goat herder!"
Where there's truth...
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1 Comment
8
4
I've rated it ages ago! But writing lines is tough... The scent is amazing! Sillage on top! And longevity is great! I like it!
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4 Comments
7
2
Black woodsy coffee. A strong Black Afgano lookalike.
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2 Comments
5
3
Blind test: Leather, resins, and Javanol or synthetic fruity woodiness, artificial oud, sweetness. Smells like Cuirs by Carner. Killer sillage!
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3 Comments
4
3
BA after the re-socialization program. While the former must report and cannot leave the city on probation, KA can go anywhere. Curry? Nonsense.
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3 Comments
10 years ago
4
Deep dark soft leather scent. A toned-down intensity of "Cuir d'Arabie". A pleasantly wearable leather fragrance with balsamic resinous accents!
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0 Comments
10 years ago
4
1
Very linear scent, the better Black Aoud for me without rose.
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1 Comment
9 years ago
3
Very good, great, dark, coffee-infused, woody, rare scent with incredible sillage and longevity. Definitely give it a try.
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0 Comments
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