Casamorati - Lira XerJoff 2011 Eau de Parfum

That's the question I asked myself after smelling it for the first time. But as the blood orange then comes through after a short while, a moderate haze forms, reminiscent of those orange and white lozenges from my childhood, peeled off by a bright rose. The choice of this said refreshing rose plays a crucial role in the wearability on days that tend to be warmer, although it is almost entirely swallowed up by the dominating scent of grapefruit, it commands unity to the sweetness of the scent and thus makes Lira wearable on spring days. Despite all of this, the scent strangely continues to smell like zirton pie near the point of application. The longer this fragrance is on the body, the more the velvety composition of vanilla and caramel comes to the fore. The fragrance becomes very cuddly with these two components and the projection cloud of a mixture between grapefruit and orange that competes with the creaminess fades at the same time until they are finally completely gone. This is the point at which the fragrance has shed its complete edges and, mind you, the stage in the fragrance's progression where Lira lingers longest, until it finally slowly disappears from the skin. The beautiful transitions and the ingredients that do not smell synthetic at all make this multi-faceted fragrance very classy. The fragrance is recommended at temperatures below 20 degrees, otherwise its balance threatens to disappear due to too penetrating developing sweetness