Top Notes 
Spices
Green mandarin orange
Sweet pea
Heart Notes 
Jasmine
Bourbon vetiver
Frankincense
Heliotrope
Ylang-ylang
Base Notes 
Musk
Amber
Cedar
Immortelle10/28/2021
Mörderbiene
42 Reviews
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Mörderbiene
Top Review
15
Gray bloomer
I have to agree with the previous speaker to a limited extent: I like to test first blindly, without immediately looking in here. And also my first impression was that of Tuberose.
However, the impression of a strongly alienated tuberose, which was robbed of its cheerful radiant opulence.
Oiro is a compact white flower fragrance, whose floral notes standing in the middle ground seem flanked by resins and smoke.
In terms of make, it reminds me of my old Galimards from the sixties. Here are also prominent white bloomers, which sound out the border to the Indolian.
If I didn't know better, I imagine I might have placed Oiro in that era as well. I like it when contemporary creations go so pleasantly far past trends and prevailing contemporary tastes.
While these old fragrances sing of savoir vivre with opulent, fruity floral sweetness - which, however, always remains tolerable - in strong, cheerful voices, Oiro, however, remains surprisingly tart throughout. The Parfumos who classify Oiro here as sweet I can not agree.
Just this resinous-smoky component - I have frankincense and vetiver in the suspicion - take the white flowers in a serious, darkened and almost 'gray' mood. This is further forced by the fact that the fragrance reveals little inner dynamism. Due to the lack of sweetness, I can imagine these white bloomers then also good on gentlemen.
Such a 'gray' interpretation of white bloomers I did not know so yet, so the concept I find at least exciting.
Whether I also like it, I have not yet conclusively decided - usually a good sign...
However, the impression of a strongly alienated tuberose, which was robbed of its cheerful radiant opulence.
Oiro is a compact white flower fragrance, whose floral notes standing in the middle ground seem flanked by resins and smoke.
In terms of make, it reminds me of my old Galimards from the sixties. Here are also prominent white bloomers, which sound out the border to the Indolian.
If I didn't know better, I imagine I might have placed Oiro in that era as well. I like it when contemporary creations go so pleasantly far past trends and prevailing contemporary tastes.
While these old fragrances sing of savoir vivre with opulent, fruity floral sweetness - which, however, always remains tolerable - in strong, cheerful voices, Oiro, however, remains surprisingly tart throughout. The Parfumos who classify Oiro here as sweet I can not agree.
Just this resinous-smoky component - I have frankincense and vetiver in the suspicion - take the white flowers in a serious, darkened and almost 'gray' mood. This is further forced by the fact that the fragrance reveals little inner dynamism. Due to the lack of sweetness, I can imagine these white bloomers then also good on gentlemen.
Such a 'gray' interpretation of white bloomers I did not know so yet, so the concept I find at least exciting.
Whether I also like it, I have not yet conclusively decided - usually a good sign...
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