08/01/2017

MadameVizard
13 Reviews

MadameVizard
Top Review
6
Snow White, Red Blood
Chanel Nº 5 has many ilustrious heirs, mainly, across the ocean. Among those, White Linen helds a honored place.
In spite its cold, brooding, abstract forefather, White Linen is pure romanticism, although in its simpler, less complicated way. It evokes images of inmaculate, freshly washed skin (it is said that one of the inspirations that Coco Chanel took from her famous Nº 5, was the perfect skin of the famous French courtisan Mimi D'Alençon), of Nivea Creme (the familiar accord of lemon, lily of the valley, rose and jasmin, also rebooted in Lorenzo Villoresi's Teint de Neige), clean sheets drying hanging at the sun, white dresses and expensive soap. I can easily imagine a Victorian, or Edwardian beauty wearing it. But, although romantic in spirit, this pale beauty of perfect manners hides a rebelious spirit. It could have easily been the perfume of Lucy Seward in the 1979 film version of Dracula. This is a passional woman, although polite and inteligent. Blood under the snow. Rosy warmth under the white coldness
The rose-lily-violet combo makes it very old-style, but the crisp aldehydes gives it a modern twist. One of the best perfumes of the last 40 years. One of the best rose-violet fragances in the market.
I only could wish that the sillage and lasting power were a bit stronger, and that the perfume version was still available.
In spite its cold, brooding, abstract forefather, White Linen is pure romanticism, although in its simpler, less complicated way. It evokes images of inmaculate, freshly washed skin (it is said that one of the inspirations that Coco Chanel took from her famous Nº 5, was the perfect skin of the famous French courtisan Mimi D'Alençon), of Nivea Creme (the familiar accord of lemon, lily of the valley, rose and jasmin, also rebooted in Lorenzo Villoresi's Teint de Neige), clean sheets drying hanging at the sun, white dresses and expensive soap. I can easily imagine a Victorian, or Edwardian beauty wearing it. But, although romantic in spirit, this pale beauty of perfect manners hides a rebelious spirit. It could have easily been the perfume of Lucy Seward in the 1979 film version of Dracula. This is a passional woman, although polite and inteligent. Blood under the snow. Rosy warmth under the white coldness
The rose-lily-violet combo makes it very old-style, but the crisp aldehydes gives it a modern twist. One of the best perfumes of the last 40 years. One of the best rose-violet fragances in the market.
I only could wish that the sillage and lasting power were a bit stronger, and that the perfume version was still available.