Arie

The fragrance starts as aforementioned with a strong orange, but for me not tangy, rather fresh dried, fig gives again some life and a certain beguiling note. I can only agree with the previous speakers about the scent progression and notes, but fresh this fragrance is definitely not, it is warm and soft, opulent and speaks for itself. Cinnamon and rose can be perceived very well, rose a bit more subtle. The fragrance becomes very creamy and seems noble, we still have dry woods and a beautiful flattering vanilla here. A really nice autumn fragrance for woman and man, which gives you a comforting protective warmth.

Quite a static scent from start to finish, but I do not find it wrong in this case. Oud is synthetic here, slightly medicinal, which supports the birch with its balsamic smell. Definitely not a warm fragrance, quite fresh as in a damp cellar, pre-described property is caught by patchouli again. A good fragrance for winter but in my opinion, not for younger people. Durability and sillage are outstanding.

Comes as a very enveloping warm fragrance. Predominantly recognizable a whiskey note, the hazelnut is also there, but definitely the antagonist. Not a fascinating scent, but it smells good. Gentle is the tonka bean, woods give depth in the background. I don't detect iris at all. The progression is not really spectacular either, but you don't buy that here. A very nice fragrance for the colder days.

rabid sharp leather scent with the unmistakable DNA of Alessandro Gualtieri.

A bottle filled with vegetable tanned blank leather from cattle, comes quite unbridled hence with a subtle smoky wooden note, which for me rather reminds of old dusted floorboards of a Gründerzeit house and in the best sense! Here was also already smoked the one or other cigarette.

the durability of this masculine fragrance is very good, sillage is strong but not disturbingly strict.