Vetiver
Bergamot
Sichuan pepper
09/07/2018
Apicius
224 Reviews
Apicius
Very helpful Review
5
Flanking a flanking perfume
Vetiver can stand for much different fragrances. The classics elegantly showcase the beautiful dark green note of this exotic grass root. However, more contemporary interpretations often show their own approach. Terre d'Hermès Eau Intense Vétiver is one of the latter.
The fragrance opens citrusy and fresh, whereas the note denominated as bergamot lasts unusually long. I sensed it somewhat differently, not completely typical. One may come to the conclusion that a synthetic fragrance ingredient may have been used instead of natural bergamot oil. Behind the citrus stands a fresh green note which I perceived as cucumber-like. A strange combination for a gents' fragrance.
By and by, the citric note becomes more rooted. The freshness steps back for a somewhat rough woodiness. This intermediate section of development will be passed through within an hour or so. A modern, dry wood note remains, partly still with a citric undertone. We already know that kind from another perfume flanking the original Terre d'Hermès : Terre d'Hermès Eau Très Fraîche.
Standing in the tradition of Ellena one may not expect overly complex perfumes by Hermès. A few well-chosen fragrance ingredients - and that should be it. Also Christine Nagel follows that path, but with some limitation. I find the head with its cucmber note quite quirky. It does not appeal to me.
Obviously, Ellena's Eau Très Fraîche was the blueprint for Nagel's Eau Intense Vétiver. In the base note, both meet in a presumably identical wood note. But whereas Ellena shows that a puristic concept - citrus meets dry wood - can be completely sufficient, Nagel's opus appears to me as a disimprovement.
By the way, whoever is looking for the characteristic aromatic note of the popular original fragrance may be disappointed by both. Dry and synthetic woodiness has taken its place. Both have nothing to do with the original.
And what about the intense vetiver? Well, I hardly smell any. If at all, I sense a certain roughness or robustness in the middle section of the fragrance development. This reminds me of a not so elegant aspect of vetiver. In many classic vetivers, the perfumers have successfully covered this aspect.
Vetiver always sounds good - this must be the reason for the use of it in the perfume's name. I am not fond of such a naming if the denominated note does not stand in the focus or is even hardly perceivable. This causes irritation, especially for perfume beginners.
We know beautiful fragrances by Chrstine Nagel. It seems to me she got the stipulation to closely relate to Ellenas Eau Très Fraîche. However, some things should be left as they are.
The fragrance opens citrusy and fresh, whereas the note denominated as bergamot lasts unusually long. I sensed it somewhat differently, not completely typical. One may come to the conclusion that a synthetic fragrance ingredient may have been used instead of natural bergamot oil. Behind the citrus stands a fresh green note which I perceived as cucumber-like. A strange combination for a gents' fragrance.
By and by, the citric note becomes more rooted. The freshness steps back for a somewhat rough woodiness. This intermediate section of development will be passed through within an hour or so. A modern, dry wood note remains, partly still with a citric undertone. We already know that kind from another perfume flanking the original Terre d'Hermès : Terre d'Hermès Eau Très Fraîche.
Standing in the tradition of Ellena one may not expect overly complex perfumes by Hermès. A few well-chosen fragrance ingredients - and that should be it. Also Christine Nagel follows that path, but with some limitation. I find the head with its cucmber note quite quirky. It does not appeal to me.
Obviously, Ellena's Eau Très Fraîche was the blueprint for Nagel's Eau Intense Vétiver. In the base note, both meet in a presumably identical wood note. But whereas Ellena shows that a puristic concept - citrus meets dry wood - can be completely sufficient, Nagel's opus appears to me as a disimprovement.
By the way, whoever is looking for the characteristic aromatic note of the popular original fragrance may be disappointed by both. Dry and synthetic woodiness has taken its place. Both have nothing to do with the original.
And what about the intense vetiver? Well, I hardly smell any. If at all, I sense a certain roughness or robustness in the middle section of the fragrance development. This reminds me of a not so elegant aspect of vetiver. In many classic vetivers, the perfumers have successfully covered this aspect.
Vetiver always sounds good - this must be the reason for the use of it in the perfume's name. I am not fond of such a naming if the denominated note does not stand in the focus or is even hardly perceivable. This causes irritation, especially for perfume beginners.
We know beautiful fragrances by Chrstine Nagel. It seems to me she got the stipulation to closely relate to Ellenas Eau Très Fraîche. However, some things should be left as they are.
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