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When Names Are Just Smoke and Mirrors and the Eye Doesn't Eat Along.
Since I joined Parfumo, I have to be careful not to become a social nightmare. Not only because I always smell different and perhaps strange, no, I show signs of a narrow worldview.
What I sometimes find negative in others, such as newly minted parents, dog or car owners who know no other topic of conversation than the detailed description of the smallest trivialities concerning their favorites; self-proclaimed hobby athletes who view their lives and the lives of others solely through the lens of fitness and competition, up to foodies whose thoughts and words revolve exclusively around food - I am slowly starting to exhibit such quirks myself:
I have gotten into the habit of bringing a selection of fragrances to try out when invited to friends' houses. So that I don’t have to lug around 5 to 10 bottles, I usually take neutral travel atomizers.
Last weekend, when among the fragrances to be tested was also Monoï Eau des Vahinés by Yves Rocher, I had the realization: These neutral travel atomizers, on which only the name of the fragrance is written in my barely legible handwriting, turn the tests for my hosts into blind tests.
Besides Monoï Eau des Vahinés, I had six or seven other fragrances with me, all significantly more expensive, some niche brands.
And what was the result? The host had placed Imitation Woman by Amouage in first place and wanted to buy the fragrance for his wife, not knowing what it would cost him. However, the wife did not like Imitation and found Courtesan by Worth to be the best for herself. He, on the other hand, did not like that on her. So they decided to take the fragrance they both liked second best: Monoï Eau des Vahinés by Yves Rocher.
They both found it pleasantly soft and warm, without being cloying, well-balanced, floral and summery, without appearing artificial or flashy, yet something special that stands out from many everyday fragrances, but still not intrusive. A fragrance that gives its wearer naturalness, cheerfulness, and at the same time class.
I feel similarly about it: Tiaré, a flower that is often staged too cloyingly for my taste, is here presented in a pleasantly prominent way. I knew the older Tiaré fragrance from Yves Rocher, which was coconut-based and evoked an intense South Sea feeling that was great at first but became too much for me over time. Here, Tiaré is less traditionally staged with vanilla, and I like that much better. Even after long wear, nothing annoys me anymore, and the fragrance has transformed from a pure casual scent to one with an air of class.
This is also due to the type of vanilla, which blends very well with Tiaré and Ylang-Ylang, a vanilla that is rather light and not too sweet, even though Monoï Eau des Vahinés is overall a rather sweet fragrance. Another thing that is special about this scent: It has a uniquely creamy quality. The word "creamy" in fragrance descriptions always puts me off, as the cause in my nose usually turns out to be musk of the modern, boring, and stuffy kind. Here, it seems to be the Tiaré flower itself that creates the impression of cream, making the fragrance wonderfully soft. The longevity is good, at least 8 hours, with a rather linear progression. The sillage is quite decent, especially in the first hours.
I then revealed the results to my friends. What a surprise: No fragrance from Chanel or Bvlgari, but a Yves Rocher.
And what a joy: The price difference between first and second place is about €250.00 to Imitation Woman, and about €45.00 to Courtesan.
I am happy for my friend. And I wonder: How would the test have gone if I had brought the original bottles instead of the travel atomizers?
What I sometimes find negative in others, such as newly minted parents, dog or car owners who know no other topic of conversation than the detailed description of the smallest trivialities concerning their favorites; self-proclaimed hobby athletes who view their lives and the lives of others solely through the lens of fitness and competition, up to foodies whose thoughts and words revolve exclusively around food - I am slowly starting to exhibit such quirks myself:
I have gotten into the habit of bringing a selection of fragrances to try out when invited to friends' houses. So that I don’t have to lug around 5 to 10 bottles, I usually take neutral travel atomizers.
Last weekend, when among the fragrances to be tested was also Monoï Eau des Vahinés by Yves Rocher, I had the realization: These neutral travel atomizers, on which only the name of the fragrance is written in my barely legible handwriting, turn the tests for my hosts into blind tests.
Besides Monoï Eau des Vahinés, I had six or seven other fragrances with me, all significantly more expensive, some niche brands.
And what was the result? The host had placed Imitation Woman by Amouage in first place and wanted to buy the fragrance for his wife, not knowing what it would cost him. However, the wife did not like Imitation and found Courtesan by Worth to be the best for herself. He, on the other hand, did not like that on her. So they decided to take the fragrance they both liked second best: Monoï Eau des Vahinés by Yves Rocher.
They both found it pleasantly soft and warm, without being cloying, well-balanced, floral and summery, without appearing artificial or flashy, yet something special that stands out from many everyday fragrances, but still not intrusive. A fragrance that gives its wearer naturalness, cheerfulness, and at the same time class.
I feel similarly about it: Tiaré, a flower that is often staged too cloyingly for my taste, is here presented in a pleasantly prominent way. I knew the older Tiaré fragrance from Yves Rocher, which was coconut-based and evoked an intense South Sea feeling that was great at first but became too much for me over time. Here, Tiaré is less traditionally staged with vanilla, and I like that much better. Even after long wear, nothing annoys me anymore, and the fragrance has transformed from a pure casual scent to one with an air of class.
This is also due to the type of vanilla, which blends very well with Tiaré and Ylang-Ylang, a vanilla that is rather light and not too sweet, even though Monoï Eau des Vahinés is overall a rather sweet fragrance. Another thing that is special about this scent: It has a uniquely creamy quality. The word "creamy" in fragrance descriptions always puts me off, as the cause in my nose usually turns out to be musk of the modern, boring, and stuffy kind. Here, it seems to be the Tiaré flower itself that creates the impression of cream, making the fragrance wonderfully soft. The longevity is good, at least 8 hours, with a rather linear progression. The sillage is quite decent, especially in the first hours.
I then revealed the results to my friends. What a surprise: No fragrance from Chanel or Bvlgari, but a Yves Rocher.
And what a joy: The price difference between first and second place is about €250.00 to Imitation Woman, and about €45.00 to Courtesan.
I am happy for my friend. And I wonder: How would the test have gone if I had brought the original bottles instead of the travel atomizers?
Updated on 07/01/2018
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