Mlleghoul

Daydreams of Trees is an olfactory landscape that defies botanical reality. Though violets are conspicuously absent from the listed notes, they emerge as unmistakable titans, ascending to arboreal majesty in a fantastical forest. In this otherworldly realm, violet blooms tower like gentle giants, their presence both awe-inspiring and benevolent. Colossal purple petals the size of skyscrapers, soft, velvety, and gossamer-thin despite their impossible scale, filter the sunlight, casting an ethereal glow that's mirrored in the scent's interplay of light and shadow. Beneath them, a tapestry of green unfurls - crisp, resinous, alive with the whispers of coniferous giants paying homage to their violet overlords. A cool breeze carries hints of herbal sweetness, mingling with the earthy richness of the forest floor below. These floral kaiju drift through the fragrance like benign Mothras, their movements sending waves of sweet, powdery aroma cascading through the air. The very essence of the forest seems to pulse throughout - a complex amalgam of woody warmth and floral opulence, as if the boundary between tree and flower has dissolved completely. Daydreams of Trees is a perfumed dreamscape of quiet grandeur, a world where towering floral sentinels stand watch over a woodland transformed by their vast, violet shadow.

Deathtrap is a smoky vanilla-incense-sandalwood-resin scent full of vaguely oracular pronouncements; it smells profound in some indefinable way. It wraps me in a nebulous aura of mystery and hazy hidden knowledge - though no one knows who hid this knowledge, why they bothered, or if anyone's actually looking for it. I go about my daily routine feeling like a walking enigma, a bearer of arcane secrets, while everyone else is probably just wondering why I smell like a dusty old pile of books or some such. Deathtrap transforms me into the keeper of a cosmic puzzle that nobody asked for; it has cast a spell on me, convincing me of its intense profundity while simultaneously robbing me of the ability to articulate why. Trying to explain its essence is like grasping at the fading wisps of a vivid dream. The words hover just out of reach, shimmering with meaning, only to dissipate the moment I open my mouth. I'm left with nothing but a lingering sense of having touched something mystically significant, even if I can't quite remember what or how.

Crushed Fruits from Regime des Fleurs shimmers and unfurls like an overripe reverie, fruit flesh and flowers awakening from brandy-soaked slumber; an ultraviolet tumble of plums, an infrared rush of raspberries, a kaleidoscopic cascade woven through the fold of a forgotten black velvet painting, glossy and dripping and beckoning with the urgency of a thousand hummingbird hearts. That 1970s canvas time-shifts into a 1990s dress, empire-waisted, bell-sleeved, phantom filigree choker at the throat, echoes of stompy boots, an ambery oxblood slash of Spice or Black Honey staining ghost-lips. A current of boozy bitterness and dusky incense, a smoky scent of hazy late neon nights bleeding into dawn, of kisses that taste like vintage lipstick from a dream you haven't had yet but always remember the moment before waking.

On The Wing from Arcana Wildcraft is an EDP flanker of their Moth Like Stars perfume oil, which I understand is meant to be a fancier, more luxurious version of the original. I haven’t tried Moth Like Stars, but I can tell you that On The Wing is a confoundingly gorgeous study in contradiction.

It opens with a balsamic sheerness, a paradoxical shimmering shadow. When you think of skin scents, you probably think subtle, delicate, and intimate... but what of, say, Maleficent's skin scent? It's not just clean, soft, and simple.

Imagine a fragrance that embraces both light and shadow, a scent that sighs and susurrates with complexity and depth, that embodies the beautiful…and the terrible. Take what you thought you knew of skin-like fragrances and remix it with the most masterful, barest glimmer of midnight glamour and gothic opulence. As it unfurls, this effervescent richness ebbs and flows - champagne bubbles rising through inky depths or the cold vapors of the void with an incandescent vein of cosmic dust.

This juxtaposition of light and heavy is disorienting, an olfactory illusion that tricks the senses. You're wearing a scent as weighty as a motheaten cloak, yet as insubstantial as mist. It's the broken-winged beating of the hollow heart, the devastating language of wounds, the darkness that embraces everything.

On The Wing rasps a silken truth: you do not have to be whole or perfect or even good to claim your own skin. Your wild darkness and your luminous scars are part of your magic, so wear it like you mean it, in all that contradictory glory.

Lilac and Gooseberries is an uncomplicated tumble of tart, tangy berries against a delicate floral backdrop. It’s not as sharp or bitter as I would have expected... nor as interesting. It smells more like the idea of a person than a person. Like someone is describing his amazing sorceress girlfriend, and she's so perfect and wonderful and never farts or eats onion sandwiches or draws blood or makes mistakes, and he leaves out all the nuance and complexity of what makes his beloved so intriguing. It's like someone fed all their perfect girlfriend material into an AI machine, and it produced a robot to their specifications, but she has no personality and hasn't yet become self-aware. And yet…there are some days when I really need that blank slate to build myself up to be pretty and put together and ~definitely very normal~ because this is what the world expects of me.