Jade of Chama – A Soft Oriental Story
Jade of Chama is one of those fragrances that slowly pulls you into its world. From the very first spray, I could feel a familiar atmosphere — it carries some beautiful vibes of both Kyara No Bara and Purple Majestic. There’s that bittersweet, spicy-earthy elegance, but wrapped in a softer and more comforting aura.
The rose, in its different shades, blends beautifully with touches of honey and delicate florals, creating something incredibly smooth and comforting. At times, I also catch that slightly bitter facet reminiscent of Purple Majestic, balanced by a light floral sweetness and a soft tea-like nuance.
There’s a subtle tea accord running through the fragrance: lightly aromatic, slightly soapy, earthy, and elegant without ever becoming sharp. As it develops, everything becomes more velvety — pink flowers, soft oud woods, and the calming earthiness of tea staying close to the skin.
What I really love is how comforting it feels. This perfume is a true cuddle.
Adill doesn’t simply create fragrances — he tells stories through them.
The sillage is intentionally restrained, never loud or overpowering, perfectly in line with the refined aesthetics of traditional Chinese and Eastern perfume culture. Quiet beauty rather than force.
And this is only a first impression after wearing it once. I’m pretty sure it will continue to surprise me more and more with every new wear.
Rauque – Worn Elegance
Rauque by Roberto Greco is one of those fragrances that instantly transports you to another era. It carries a deeply vintage, sensual, and refined soul, evoking the image of a mature, impeccably dressed man — confident without ever needing to show off.
The fragrance has a warm, slightly retro charm reminiscent of classic masculine perfumes from the past: elegant, enveloping, and full of character, yet never loud. Everything feels carefully balanced, creating a sophisticated and highly personal trail — more about presence than projection.
Wearing it reveals a calm, almost cinematic sensuality. It isn’t modern in the commercial sense, but rather timeless. One of those scents that feels like it already carries stories within it.
The bottle also deserves a special mention: beautiful, with a vintage aesthetic perfectly aligned with the fragrance itself, as if it came from another era.
A perfume defined by style rather than trends — and precisely for that reason, incredibly captivating.
Citrus jiz
One of MALLO's first works. A very scratchy raw style with these citrus starters and these nice and warm spices!!!!!! The dry down is always I feel it.. nice straight from the beginning to the end….. I suggest you listen to all three of them... jiz sez and hoz... a show. Now hard to find.. my favorite? Definitely SEZ.
Black Gris – Dark, Mineral, Uncompromising
The opening is strong, bold, and definitely challenging: a dark, mineral ambergris right from the start, smoky and almost feral. Black Gris doesn’t try to be polite—it’s deep, shadowy, and unapologetically intense.
To me, it feels like the stronger, rougher brother of Sultan Black Rose. Where Sultan Black Rose is more rounded and smoothed out, still dark and smoky but elegant, Black Gris stays harsher, more mineral, and more aggressive throughout its development. They share a similar DNA, but with very different attitudes.
Personally, I find myself reaching more often for its brother, but there’s no denying that Black Gris is a must-have in the Ensar Oud universe. It’s a statement fragrance, raw and powerful, made for those who truly love the darker side of ambergris and aren’t afraid of a bit of challenge.
Musk Jardin – The Garden of Narcissus
Everything here revolves around the narcissus, a flower I personally adore, which dominates the composition from the very start. Musk Jardin is intensely floral and powdery, but never overwhelming or clumsy. The opening is bright, with grape, jasmine, tuberose, and above all this beautiful, elegant, almost velvety narcissus.
The heart introduces Chinese oud and a subtle leathery touch, but it never takes over—remaining in the background to support the florals. The musk is generous, yet never too animalic; in fact, I find it surprisingly wearable, probably one of the easiest to wear in the entire Faizal collection.
The base, with Kashmiri and Siberian musks, oakmoss, patchouli, and tobacco, keeps the fragrance soft, elegant, and coherent until the end. I mostly wear it in summer, where it truly shines: airy, refined, with a beautifully floral and powdery sillage.
