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Notes07/03/2019
Serenissima
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Serenissima
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9
Virgin Gold Lacquer
She jumps happily through the summer garden. The blonde curls fly, the dress bulges in the light summer wind, the eyes are bright and shining - always waiting to see something new!
A garden girl who enjoys freedom and life.
The father calls her "Jungfer Goldlack"; with her cheerfulness she reminds him again and again of this yellow-golden garden flower, which is as frugal as it is graceful.
That's better than Dad thinks. He doesn't know that for some time an unknown longing has been burning in his "golden-lacquer girl": the longing to finally grow up!
And gold varnish stands for longing in the language of flowers. Even if the plant is poisonous, let it say: "I long for you!"
This fragrance by "L'Artisan Parfumeur" awakens a longing in me: the longing for the summer gardens of the past.
There was a time when the gardens of summer flowers were still alive; each season their colours and scents, insects, colorful butterflies and small animals had a home.
The carnation, for example, has become almost unfashionable; despite its wonderful spicy scent (it is really reminiscent of the kitchen spice of the same name), this ornament has almost disappeared.
In this fragrance composition, she shares her beauty with the fragrant rose, which is not overgrown here, not proudly separated into rows and links, but colourfully and equally between her flower colleagues.
This alone creates a wonderful melange of flower scents.
The noble White Lily also generously gives off its noble aroma, and Ylang-Ylang wraps its golden scent arms around everyone - the result is authentic, does not seem to have been created in a type case or laboratory.
However, the bitter, natural scent of the gold varnish offers a big surprise: whole fields cover the ground: from rust-red gold, to golden yellow, to the sunny, glowing flowers.
You may find it hard to believe that these are poisonous flowers that decorate a garden or a border like this.
"L'Artisan Parfumeur" adds here a nice portion of black and the more tender pink pepper.
That's how this slightly rustic garden scented idyll gets its special kick: it's not only beautiful as a flower; it also becomes racy!
The silvery shimmering cedar may once again provide the final rounding off of a fragrance.
Your musk is put aside as a very pleasant companion here.
I meet a nostalgic-natural scent that awakens in me a longing for the world of large, unspoilt farm gardens.
Paintings e.g. by Claude Monet and Max Liebermann, both great painters of colourful gardens, come to my mind. It is these works that I dwell on for a long time and wish I could enter them and become a part of them.
The durability is adequate and the Sillage meets my requirements: it is summery scents that have been combined here. They come along light-footed and barefoot, not stomping with wooden shoes!
"L'Artisan Parfumeur" gives me great sensual pleasure with this fragrant painting: fragrances and colours come alive and shine here!
A garden girl who enjoys freedom and life.
The father calls her "Jungfer Goldlack"; with her cheerfulness she reminds him again and again of this yellow-golden garden flower, which is as frugal as it is graceful.
That's better than Dad thinks. He doesn't know that for some time an unknown longing has been burning in his "golden-lacquer girl": the longing to finally grow up!
And gold varnish stands for longing in the language of flowers. Even if the plant is poisonous, let it say: "I long for you!"
This fragrance by "L'Artisan Parfumeur" awakens a longing in me: the longing for the summer gardens of the past.
There was a time when the gardens of summer flowers were still alive; each season their colours and scents, insects, colorful butterflies and small animals had a home.
The carnation, for example, has become almost unfashionable; despite its wonderful spicy scent (it is really reminiscent of the kitchen spice of the same name), this ornament has almost disappeared.
In this fragrance composition, she shares her beauty with the fragrant rose, which is not overgrown here, not proudly separated into rows and links, but colourfully and equally between her flower colleagues.
This alone creates a wonderful melange of flower scents.
The noble White Lily also generously gives off its noble aroma, and Ylang-Ylang wraps its golden scent arms around everyone - the result is authentic, does not seem to have been created in a type case or laboratory.
However, the bitter, natural scent of the gold varnish offers a big surprise: whole fields cover the ground: from rust-red gold, to golden yellow, to the sunny, glowing flowers.
You may find it hard to believe that these are poisonous flowers that decorate a garden or a border like this.
"L'Artisan Parfumeur" adds here a nice portion of black and the more tender pink pepper.
That's how this slightly rustic garden scented idyll gets its special kick: it's not only beautiful as a flower; it also becomes racy!
The silvery shimmering cedar may once again provide the final rounding off of a fragrance.
Your musk is put aside as a very pleasant companion here.
I meet a nostalgic-natural scent that awakens in me a longing for the world of large, unspoilt farm gardens.
Paintings e.g. by Claude Monet and Max Liebermann, both great painters of colourful gardens, come to my mind. It is these works that I dwell on for a long time and wish I could enter them and become a part of them.
The durability is adequate and the Sillage meets my requirements: it is summery scents that have been combined here. They come along light-footed and barefoot, not stomping with wooden shoes!
"L'Artisan Parfumeur" gives me great sensual pleasure with this fragrant painting: fragrances and colours come alive and shine here!
3 Replies
DamaBianca
