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Rumba 2009

Version from 2009
7.2 / 10 48 Ratings
A perfume by Ted Lapidus for women, released in 2009. The scent is floral-chypre. The longevity is above-average. It is being marketed by Groupe Bogart.
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Main accords

Floral
Chypre
Spicy
Oriental
Fruity

Fragrance Pyramid

Top Notes Top Notes
BergamotBergamot BasilBasil Green notesGreen notes RoseRose
Heart Notes Heart Notes
OakmossOakmoss Mirabelle plumMirabelle plum JasmineJasmine Orange blossomOrange blossom
Base Notes Base Notes
PatchouliPatchouli AmberAmber Animalic notesAnimalic notes SandalwoodSandalwood
Ratings
Scent
7.248 Ratings
Longevity
8.040 Ratings
Sillage
7.640 Ratings
Bottle
7.447 Ratings
Value for money
8.917 Ratings
Submitted by Autunno · last update on 12/20/2025.
Source-backed & verified
Interesting Facts
According to our information it seems this is a slightly reformulated version of the Balenciaga scent for which Ted Lapidus obtained the rights in 2009.

Smells similar

What the fragrance is similar to
Rumba (Eau de Toilette) by Balenciaga
Rumba Eau de Toilette
Randa (Perfume Oil) by Al Rehab
Randa Perfume Oil
Roselyn by Dorall Collection
Roselyn
Parfum de Peau / Montana (1986) (Eau de Toilette) by Montana
Parfum de Peau Eau de Toilette
Diva (Eau de Toilette) by Emanuel Ungaro
Diva Eau de Toilette
Caesars Woman by Caesars
Caesars Woman

Reviews

6 in-depth fragrance descriptions
ScentFan

336 Reviews
ScentFan
ScentFan
Helpful Review 7  
Kidnapped
My nose was minding its own business engaging in routine smelling when Rumba kidnapped it, not allowing separation from the back of my hand for a good while. Add musk and it's a classical oriental, but this has something better — seductive orange blossom, rich oakmoss and rose. Next morning, a warm trace is still on my skin. Though it’s not listed, there must be something animalic here. There’s just a little:,"I’ve gone to the circus in my mink and I’m eating popcorn." Just a tad. Rumba is at once luxurious and exciting. One proviso. Lapidus must have been using a chemical something-or-other by this time, perhaps an aldehyde. I detected it more strongly in Lapidus Woman. Here, the rest is so successful I have to overlook the chemical, but it does prevent the depth of scent immersion offered by other great near-orientals.
0 Comments
3Scent
Kleopatra

229 Reviews
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Kleopatra
Kleopatra
Top Review 25  
Latin Lover with False Teeth and Bad Breath
This little dance mouse here is my second blind buy alongside the successful Eau de Rochas Fraiche. While I was at it, the Rumba simply made a little shimmy into my shopping cart. Since I not only enjoy something punchy but also Latin American dance, it was somehow no surprise, as it had been on my wish list for a long time. Unfortunately, I am not familiar with the "original" from Balenciaga, although the fragrance pyramids differ quite a bit. Maybe I'll have the chance to test the Balenciaga scent someday. My Rumba is definitely danced by Ted Lapidus.

By the way, the Rumba was crowned Dance of the Year 2013 and symbolizes the flirtation between man and woman. So the atmosphere is allowed to heat up quite a bit. But as this fragrance shows, punch, sorry, oomph is unfortunately not automatically erotic. And so my blood is unfortunately NOT boiling here, caramba! The opening hits hard (bam!) and I am eagerly anticipating what else is to come. But unfortunately, there are no positive surprises left for me. I smell fruity notes, with only old mirabelles listed. There are also many more flowers in it than are mentioned (fraud!). And I strongly suspect that it is once again the orange blossom that, like so many other fragrances, ruins this one for me. Because it has the unpleasant characteristic of developing on my skin not creamy but extremely soapy. No eroticism arises from that. And otherwise: It's loud. It's intrusive. It clings to you and won't shake off.

Whether the basil with the orange blossoms or the fruits with the flowers dance Rumba, Tango, or whatever, I couldn't care less. I only like basil on tomatoes and orange blossoms (exclusively) on trees. Fiery passion and a heated, sultry-erotic atmosphere work differently for me. With a tiger in the tank and a tie in the door... Maybe the Balenciaga is different. For me, this loud fruit-flower mix unfortunately awakens no passion. This Rumba comes across like a sleazy Latin lover with false teeth and hair. Bad breath and sweaty hands...

So, hopefully, someone else will soon invite me. Someone with more glow in their eyes and fire in their butt. For a lively samba. For a sexy mambo. Or salsa. Otherwise, I might just fall asleep...
17 Comments
Minigolf

2541 Reviews
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Minigolf
Minigolf
Top Review 19  
Moss-Patchouli-Chypre, Floral. .....
....and rhythmically swinging.
I ordered this Lapidus fragrance cheaply in the "Souk," and now I have to realize that only a few "Parfumos" know "Rumba," or can call it their own.
Although it has been around since 2009. However, this still "young" scent olfactorily has many more years under its belt than its release year would suggest.
First: The intensity of the EdT is reminiscent of fragrances from the 70s and 80s.
Second: There is still real oak moss in it, which was significantly reduced as an ingredient in perfumes by the "IFRA" a year later. It’s as if Ted Lapidus' perfumers seized the last chance and worked "properly" with oak moss, making the scent "extra-mossy."
Third: "Rumba" radiates a true "vintage" aura; longevity and sillage are very good.
Furthermore, flowers play a significant role in "Rumba," which do NOT shyly hide behind their green leaves or "go to the cellar to laugh." Everything is there, all relatively unsweet,
Jasmine is certainly present, roses too, but isn’t there also the pungent scent of the garden carnation, which boldly presents itself and makes the other flowers "jealous"?
I also believe I can detect "dust-dry-powdery" iris.
Some things are not listed "above," but are truly present to my nose.
Patchouli plays an equally important role alongside flowers and moss, as it conducts the entire scent progression and, in the end (you have to wait a long time), plays its earthy melody on a double bass.
With a fine accompaniment of musk and civet, which nonetheless show no "claws," but purr like a tame "house cat."
A hefty "retro-chypre" despite its "youth."
3 Comments
Serenissima

1226 Reviews
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Serenissima
Serenissima
Top Review 12  
Time changes everything, and that applies to fragrances too
In 2009, changes were on the horizon for the fragrance line of the Ted Lapidus brand:
The wonderful “Création” in its beautiful bottle, a dark chypre with its edges and contours, was revised, as was Balenciaga's fragrance “Rumba”; for this, Ted Lapidus had acquired the rights.

I have both the classic and the modern version of both fragrances and am now, of course, very curious to see how the changes in the scent notes will affect me and how I will cope with them.
As is well known, I can be a bit fussy at times if I don't feel comfortable with a fragrance.

The new version of “Rumba” has first been freed from the ripe summer fruits that I had come to love. (A pity, but let's wait and see! We are just at the beginning.)
Instead, the opening has become lighter, fresher, and greener.
With fruity bergamot, bunches of spicy, slightly peppery basil, plenty of green herbs and leaves, and a pleasant rose scent, the transition from the opulent seductress in the fragrance close to the luxury segment to the beautiful, slightly green floral chypre has been successful.
On my skin, however, the younger “Rumba” version already loses part of its sensuality, its alluring eroticism; the fragrance becomes more everyday, but thus, of course, also more wearable in today's time.
And so, the tropical night with its romantic charm under the starry sky transforms into the hall of a dance school with parquet flooring and mirrored walls.
Well, such things can happen when you compare too soon!
But let's look at the further development:
Ah! Here they are again, the tried and true beloved scent notes that make each composition so special!
With their appearance, everything changes immediately: The previously sober hall is illuminated not by bright neon lighting but by some chandeliers adorned with sparkling glass facets, with which the softer light plays and vainly repeats itself in the floor-to-ceiling mirrors.
The initially impersonal music is replaced by a combo that plays for dancing, and the South American flair is already peeking around the corner; even the rumba balls are back. Do you hear their rhythmic rattling?
Such changes in mood can be achieved by a successful arrangement of scent notes, and this is truly no magic but just good craftsmanship!
Countless white jasmine blossoms and just as many sensual, delicate orange blossoms are, fragrant and foamy, added to the always somewhat rustic oak moss, which loses some of its edges and corners and comes across not as roughly as before, but a bit tamed. I love its barbs in the scent that scratch at the senses to awaken them and prepare them for all the beauty that develops around it, so that it can be fully enjoyed when it then spreads indulgently on the skin and shines brightly.
Now, a sensual feeling of well-being has also returned; small round and light yellow-green mirabelle plums leave a fruity scent trail through this mélange of heart notes.
However, the base has now been adjusted a bit to the times: Spicy leather has been replaced by animalistic, creamy sandalwood and a bit of pleasantly dirty patchouli, while the erotic warm vanilla (which was still generously and enticingly present in the classic version) is transformed by amber into a smoky, resinous veil that lays over everything.
A successful, rounded conclusion to the composition.

Here, “Rumba” rhythms resonate in a different league; less opulent and tropical-romantic under a wide starry sky, but rather at an “After Work Party,” and these notes change on my skin over the course of the rather long time spent there, more and more into the pleasant scent of a very nice soap, with which one enjoys surrounding oneself.
So please, not too much eroticism at the After Work Party!

“Rumba” is modern here, beautiful, although differently beautiful than its luxurious predecessor with all its opulence and seduction.
Had a different name been chosen and thus a comparison of both fragrances avoided, it would have been better for all of us.
For with this “Rumba,” despite all its floral chypre beauty, it shows that “the better is indeed the enemy of the good.”
And that is, for me, with all due respect, Balenciaga's more charismatic original version.

Conclusion:
Each of the two fragrance versions represents a fragrance generation, and had it not been for the adopted name, I would have found it easier to appreciate this fragrance creation.
But it is well known: I love luxury soaps with their special flair!
That’s why I am wearing "Rumba" from 2009 again today!
8 Comments
8Scent
pudelbonzo

2405 Reviews
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pudelbonzo
pudelbonzo
Very helpful Review 11  
Wiegeschritt
Today, while rummaging, I discovered a bottle of Rumba that I immediately secured.
The Lapidus fragrances established my affinity for scents - just thinking of the beautiful Vu that faithfully accompanied me in the 80s.

But the full, lush Rumba also has that 80s attitude - my youth.
Perhaps that's also a reason why I enjoy this type of fragrance.

Rumba naturally reminds me of my exciting dance school days, where, alongside the dance steps, we also practiced flirting.
There was physical contact with the young "gentlemen" and we engaged in polite conversation.
My tall blonde dance partner Peter had already taken several courses, and I loved dancing with him.
Especially the emotional, smooth Rumba I enjoyed dancing with him on the floor, supported by the chanting: Wie - ge - schritt of our dance teacher.
And we swayed our hips vigorously.

This smoothness and emotional rhythm are also embodied in the fragrance.
One wants to truly sway into its fruity floral character.
The green notes have momentum, and the mirabelle adds a pleasantly sweet freshness.
Rose and jasmine are elegant - and the soft basic step is represented by amber and sandalwood.
The animalic notes surprise with a touch of sensuality, which is also very much present in the dance.

I feel like slipping in Gilberto and letting my husband sway his hips.
1 Comment
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Statements

14 short views on the fragrance
2
The raw passion of a wild movement,the warmth and pleasure of an interchange,the sweet side embrace the animal side of it perfectly,love it!
0 Comments
12 months ago
1
First impression: less 80's, more 90's. Pretty white & yellow florals sweetened by honey & propped up by a sturdy woody-mossy backbone.
0 Comments
1
Holy cow, what a power! Fantastic and bombastic. Take the features of florals from the 80's and turn it up to 11. Only for bold women.
0 Comments
27
21
Tango Rumbatica
Black fruit laughter
in twilight mist
Flexible hip sways
Stomping on mossy soft ground
Patch leads in the haunted house
wordlessly
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21 Comments
27
39
Instead of a spicy-crackling rumba, a cozy and well-groomed sway. Floral-fruity-woody composition with a plausible mirabelle on a light....
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39 Comments
24
32
Softened, but well-crafted. Delicate fruity notes, beautiful floral bouquet, on a mossy resinous base with a hint of civet.
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32 Comments
18
9
Ted Lapidus typical with a lot of impact: sweet-scented bouquet of flowers, civet, green, spicy, woody, euro-oriental amber, mossy base.
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9 Comments
15
6
Classic chypre, made special by interesting additions of basil and mirabelle. Alluring pulsation in the rhythm of a southern night.
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6 Comments
15
14
Chypre pyramid a bit swirled, oak moss heart. Mirabelle + basil a bit outspoken. Not your average scent, interesting and good!
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14 Comments
13
3
Old-school nostalgia. Argentine patchouli rabbit fur cape with mirabelle pom-poms and moss fringes. Slightly naughty Latino lady. GOOD
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3 Comments
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