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Barony Brazil - Coconut 2008

7.3 / 10 119 Ratings
A perfume by Village Cosmetics for women and men, released in 2008. The scent is leathery-floral. It is still in production.
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Main accords

Leathery
Floral
Spicy
Sweet
Gourmand

Fragrance Pyramid

Top Notes Top Notes
Cherry blossomCherry blossom CypressCypress Star aniseStar anise
Heart Notes Heart Notes
Bitter almondBitter almond MarzipanMarzipan MaltMalt KlimpzadurKlimpzadur
Base Notes Base Notes
LeatherLeather Tonka beanTonka bean VanillaVanilla Blond suedeBlond suede

Perfumer

Ratings
Scent
7.3119 Ratings
Longevity
7.799 Ratings
Sillage
7.2101 Ratings
Bottle
8.6116 Ratings
Value for money
6.826 Ratings
Submitted by Michael · last update on 08/03/2025.
Source-backed & verified
Interesting Facts
The fragrance is part of the Andalus collection.

Smells similar

What the fragrance is similar to
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Essence N°10: Amande Tonka by Elie Saab
Essence N°10: Amande Tonka

Reviews

6 in-depth fragrance descriptions
Diode

10 Reviews
Diode
Diode
1  
Beautiful almond scent
The best almond perfume I tried so far. Less "synthetic" than Tardes by Carner Barcelona, less "cosmetic-like" than Mandorlo di Sicilia by Acqua di Parma. It does remind of marzipan but not in a dessert-edible way. It's creamy and balanced, it doesn't scream sweetness. The florals keep it fresh and elegant. I can't smell the frangipani; if there is, then it's probably not the asian type of frangipani (with a very opulent smell), but rather the european one, which is fresher, "white". Overall a winner on my books. The bottle is gorgeous. The longetivity is not impressive, though.
0 Comments
Morgaina

51 Reviews
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Morgaina
Morgaina
Top Review 23  
A (Coumarin) Master Stands in the Forest, Quite Loud and Green
It is still May, and May is the time for woodruff punch. It grows and flourishes in our garden on the shady side and is still in full white bloom. For punch and syrup, it should not bloom yet and should therefore be harvested at the end of April/beginning of May. In its wilted and dry state, the plant, also known as cleavers, releases a lot of coumarin, which causes the characteristic scent of woodruff. (Freezing and thawing also creates this effect).

What does this have to do with "Tulaytulah"? A lot, because with every spray of the fragrance, I have the master of the forest in my nose. (My husband feels the same way). The scent starts with a lot of leather, almond-marzipan, and a hint of wet dog. Then I feel as if I am holding a giant bouquet of wilted woodruff wrapped completely in damp suede. The intense coumarin note weakens over time but never completely disappears. Vanilla, tonka bean, and a bit of floral notes partially temper the herbaceousness and make it softer. However, they do not bring harmony. According to the fragrance description by Ms. Bekkali, the included green bitter almond in combination with cherry blossom could be responsible for my coumarin perception. Longevity and sillage are good. The bottle is dreamy, and if it were my only purchasing criterion - it would not be a candidate for my wish list.

About the name: Tulaytulah is an old name for the Spanish city of Toledo and was once known - like some other Spanish cities - for the peaceful coexistence of different cultures and faiths (Christians, Muslims, and Jews).
With this naming, Majda Bekkali wants to show that peaceful coexistence in mutual respect is possible. (Source: Fragrantica)
9 Comments
Violett

63 Reviews
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Violett
Violett
Top Review 28  
Thousand and One
I have tested a thousand and one scents in the three years at Parfumo. And indeed many, many more.
Most of them have since been pushed aside and forgotten.
However, not Tulaytulah. This fragrance crept into my thoughts time and again over the months. It wouldn’t let me rest.
So I ordered another
sample of it to delve deeper into this
fascination I have for it.
*
Delphine Thierry has created a truly special scent here.
Dedicated to the Andalusian city of Toledo, where Muslims, Christians, and Jews lived peacefully together long ago. The city benefited from this harmonious coexistence of its inhabitants and became a flourishing center of art and culture. Nice and good.
But here’s the most important part: In this city on the Tajo, marzipan was invented! Well, at least that’s what the Spaniards claim.
And there are still traditional marzipan treats on every corner.
So far, so promising. No more hesitation. Let’s simply follow our noses into this wonderful city and immerse ourselves in the Thierry fragrance painting of Tulaytulah (Toledo in Arabic/Hebrew)!
Here, marzipan welcomes us. For me, it’s truly a nose-gasmic experience, this wonderful, sweet almond note at the beginning of the fragrance, which is then immediately mixed with something smoky. Somewhere in Toledo, there’s smoke. The wind sweeps over the green sparkling Tajo River and brings us a slightly rough-green, but also aquatic scent of
camphor/coumarin/wintergreen (?) into our noses. The cypress trees softly rustle in this tourmaline-shimmering, olfactory dark green. A clay-light brown background of tonka, vanilla, and especially a light leather nuance gently cradles us with a soft, earthy connection.
As perfume tourists, we practically pass through leather workshops, patisseries, and by the way, also a monastery where beer is brewed (which I just made up). A faint malt breeze in the air speaks of Andalusian barley juice. Meanwhile, we admire the tastefully reduced floral decorations on the café tables as we walk by.
Different aspects dominate this fragrance time and again. We let our nose and gaze wander in the colorful hustle and bustle of the city, sometimes into the (leather) shops, sometimes onto the river, then again onto the trees, the patisseries... The impressions that dominate the scent change constantly. Sometimes it presents itself as masculine, sometimes feminine. Sometimes fresh, sometimes warm and sweet, sometimes rough, sometimes soft, and finally ends in a quiet harmony.
Just like in the history of Toledo itself, very different elements ultimately unite in the perfume to create a vibrant, harmonious whole.
*
The bottle is, of course, a dream. Its organic shape resembles a polished pebble. The turquoise color draws attention to the greener, fresher aspects of the fragrance. The golden pattern is inspired by the geometric ornaments of the Alhambra. The cap is a gilded wooden sphere.
**
Tulaytulah is a fragrance that tells stories. As a storyteller and artist, Madja Bekkali also wishes to be understood. With the simple, yet comprehensible desire to "create beauty," and independent of the market, the lady from a Moroccan noble family, who had already been creatively active for various perfume houses for several years, founded her own brand in 2009.
I must say, the scents of the brand are not always easy. Some did not resonate with me.
Tulaytulah is also a fragrance with edges and corners, it doesn’t want to and doesn’t have to please everyone. Yet it is extremely captivating and above all:
absolutely unique.
35 Comments
Gschpusi

302 Reviews
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Gschpusi
Gschpusi
Top Review 8  
He was so different and quite strong!
My feelings about this extraordinary scent first:
*
The sea scent glows hotter and hotter in the black storm voice.
A glowing red moon rises in the roaring black night.
It rises purplish over the cliff edges. It pours blood into the crevices.
The storm crashes into the manor. The sea smell fills the hall heavily.
The black storm flames, the ice glow of the sea scent burn against the
snake columns, the dolphin chairs, against the carved oak leaves.
Only a bit of gold and dust flakes off and the leather wallpaper swells softly.
But the forced life on vaults and walls remains silent and cool.
Gold-flecked, sea green the sky. Stretched deep over ivy green waters.
Dark on the raging bare current drift leafless crystal green trees.
Pale anxious creatures. Human beings. Glassy blue like a mackerel jelly. Green-ray,
violet-ray feelers on foreheads and hips. They hang in the bare branches.
Black-ripped the branch skeletons whip the green crackling sky.
Torn away on gold-bright flood rails. Green fiery the roots.
Slitting the waters with blood-purplish fins.
The pale timid figures, their eyes rotating, slip on the long
light feelers like large, white spiders through the air. Whistling the
current carries them along. The dark wings of an enormous dragonfly stretched long.
Long, green-gray clouds shoot over the gold-green sky with the black waters…
(Excerpts from Max Dauthendey)
*
A light marzipan scent wafts into my nose. Not like sticky sweet marzipan potatoes, but gentle, soft. Cherry blossoms that bloom so delicately pink and have a dark interior waft like a light breeze around the nose. Then intensely this leather scent, like wild, rough, bright leather.
Tulaytulah has such an incredible scent blend that one would not think could possibly fit together at all.
But what is it that smells so extremely, requires getting used to, and is different? Yes, when you then smell more closely, it smells as if you are picking an unripe almond from the tree. The shell removed and inside the unripe, white almond comes to light. Green, bitter, yet velvety and soft. Almond, which is usually used in sweet, gourmand scents. Tulaytulah is not sweet. The top notes are unreal with a certain roughness and disharmony, until the almond appears. Then all the flowers, the green and aromatic nuances like cypress and star anise, the leather and vanilla nuances, brushed, stroked, and gathered around their leader. You simply cannot escape it, especially not a familiar note like the almond. Velvety and soft, green like spring. A summer scent of a special kind. Unisex for sure. It definitely seems particularly herbaceous, aquatic on men.
4 Comments
Spatzl

13 Reviews
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Spatzl
Spatzl
Helpful Review 5  
Another masterpiece by Delphine Thierry
Delphine Thierry is truly an artist. She dares to create completely different compositions. Everything is woven together like the finest silk. You really don't encounter something like this on every corner. This is true niche! I am very happy for her that her work has received a worthy packaging here, with this beautiful bottle. Since Delphine T. has already completely enchanted me with her "Akkad | Lubin," I am now testing more masterpieces from her hand.
However, Tulaytulah does not enchant me throughout the entire fragrance development.
At first, a lovely bitter almond hits my nose, like when baking cookies... we are continuously accompanied by a medicinal camphor-like note. I like that. It has something mystical. In between, an unreal sweetness emerges. I must admit, I struggle with naming and recognizing synthetic notes. My passion lies more with natural fragrance materials, as I have a mega collection of essential oils. So, what is that artificially sweet? Ambroxan? It definitely bothers me for a moment. But it quickly fades away. Hmmm... Now again the coniferous and camphor-like scent, that must be the cypress. That can stay. But it doesn't.
I strongly suspect a hint of oud, which in combination with cypress creates this leather effect. It leans a bit too much into the smoky for me in certain sections of the fragrance development. But then it adapts again. Really exciting what is happening there! Like a film.
A film from very old times. Very far north. Elves and other nature spirits dance wildly in the fog. They rise into the sky only to come crashing back down. They smile kindly, know everything, look very, very serious. And they laugh at the happenings in the world. It is damp, cool, smoky, and yet very warm by the fire. A back and forth. A rise and fall. A masculine, a feminine... I like it incredibly well and then again not. With the "malt," see fragrance notes, I rather recognize honey essence. I am quite sure of that.
In the dry down, the vanilla-tonka bed makes the fragrance more appealing. But it remains smoky until the end...
3 Comments
More reviews

Statements

46 short views on the fragrance
7 months ago
1
Yeah that's almond and leather alright. Love it. There's a bit of flower at the periphery.
0 Comments
28
22
The best peach marzipan in town
fully organic and fair
with tonka vanilla sauce
and decorative flowers
Be careful, don’t get it on the leather
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22 Comments
4 years ago
20
14
Almond, I had overlooked it. Very unpleasant for me, lightly scented like marzipan, leather gets completely lost in it. Slight roasted aroma.
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14 Comments
19
18
Exciting. Delicate almond sweetness beautifully blends with dark smoke and woodruff. Then green-mossy-aquatic soap, hard on the shower gel.
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18 Comments
16
4
Even the loud color of the bottle warns potential testers: patent leather, coumarin, various flowers, everything pulls... even on the nerves.
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4 Comments
6 years ago
15
7
"What are you wearing today?"
"TulaytulahMajdaBekkali"
"But so much."
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7 Comments
13
4
A wonderful bitter almond gourmand with a moderate powdery and vanilla sweetness and a hint of suede in the base. Very, very delicious.
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4 Comments
13
7
Bitter almond/cyanide unsweetened, almost toxic. Woodruff, even a hint of cinnamon, hay & tonka. Coumarin in all its facets. Crazy (and) good.
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7 Comments
11
6
A well-executed cherry almond combo.
Not too sweet, made more masculine with lots of leather.
I can't stop sniffing it!
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6 Comments
11
3
Woodruff + bitter almond, velvety-powdery.
Soft chamois leather and a splash of spirits in the cleaning water.
It's all in the mix.
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3 Comments
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