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Unheimlich 2017

7.3 / 10 70 Ratings
A perfume by WienerBlut for women and men, released in 2017. The scent is resinous-leathery. It is still in production.
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Main accords

Resinous
Leathery
Woody
Animal
Spicy

Fragrance Notes

CostusCostus CistusCistus LavenderLavender Birch tarBirch tar CardamomCardamom CastoreumCastoreum CocoaCocoa SuedeSuede VetiverVetiver AmbergrisAmbergris CivetCivet CuminCumin IrisIris Jasmine sambacJasmine sambac OpoponaxOpoponax Red pepperRed pepper

Perfumer

Ratings
Scent
7.370 Ratings
Longevity
8.061 Ratings
Sillage
7.264 Ratings
Bottle
8.061 Ratings
Value for money
7.023 Ratings
Submitted by Michael · last update on 01/04/2026.
Source-backed & verified

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Obsession (Eau de Parfum) by Calvin Klein
Obsession Eau de Parfum

Reviews

5 in-depth fragrance descriptions
Kurai

388 Reviews
Kurai
Kurai
2  
This Wiener has a fur, but no teeth
Buxton could have gone insane with these animalic notes, but he chose to subdue them. You can sense they are here, but these killer notes do not come to life. Wiener doesn't bite.

At first I get a bucket of herbs. Prickly dry and bitter. I like that. There is a little cardamom in the back and some other spices too. A little coco powder that maintains a certain dry feeling, even when the leathery notes emerge. Things do not go wild here, this animal is tame. The only note note that does not hold back is the costus root. Okay, it is not so hairy this time, but very recognizable and shining from begin to end.

The bitter-dry character and the subtle animalism are nice and all, but where is the drama? I would not mind a huge floral accord at this point. Either that or full-on animalics. Now I am just dozing off to sleep.
Updated on 03/06/2023
0 Comments
incensewhore

3 Reviews
incensewhore
incensewhore
1  
Very interesting
I honestly love this. I was expecting and sort of hoping for heavier animalic notes and a bit less iris and lavender, but I actually really appreciate the balance in this fragrance. I have read a bit of German literature that centers "das Unheimliche" and it's so fun to see the concept used in fragrance. It's something unfamiliar, elusive, and usually disconcerting. Caused a bit of confusion for me at first, but in a pleasant way, and that's part of what I enjoyed so much about it. Very nice experience. Probably wouldn't wear every day, but I would love to smell it again.
0 Comments
NuiWhakakore

110 Reviews
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NuiWhakakore
NuiWhakakore
Top Review 49  
Heite grob ma Tote aus
Today we celebrate again. Carnival in the cemetery. Goth disco in the crypt. Like animals, we crowd into the shadows. Warm, but gentle. The world outside is brutal, there is no room for that here. The residents greatly appreciate the peace. We rub our leathery bodies against cold marble. The resinous torches spray lavender sparks. The scent of the night is sharp. Sweet flowers sprout through spicy tar. The party ends quickly after all. There is no room for joy now. Home early to bed. Alcohol is not a solution, but it helps. Lights out over Europe Central.

---------------

I really like Wiener Blut, just like I like Vienna, the charm, the slightly morbid, the black humor, the evil served with a smile. So it has also been quite easy for Unheimlich to find a place with me. It fits very well in Vienna for me. Vienna in winter, when the wind whistles icy through the streets and it is not cozy outside at all, and you prefer to quickly duck into the nearest café.
It starts for me with pretty much everything that’s in it at the same time. A beautiful wild leather note, spices that are not individually recognizable, sweet resins, and a hefty portion of animalic (civet, castoreum, cumin). The whole thing is kept quite dark, yet very gentle and warm, rather cuddly. Floral notes are recognizable but do not play a major role. A very slight freshness is also present. I would attribute that to the lavender and perhaps also the vetiver, but that is also subordinate. I also detect a sharp note, which I would attribute to costus. What I do not perceive at all is cocoa, which I am not sad about. I would like to positively mention the birch tar, which usually drives me away very quickly, but here it is so subtle that it does not bother me. The scent does not have much development (in fact, none at all), but that does not bother me further. It is a gentle companion for over 8 hours. A beautiful scent, certainly with a dark, but not eerie character.

Thanks to Delighful!

The sound to the scent comes from Voodoo Jürgens:
https://www.youtube.com/watch?v=PvJ9L9gmJSs

The book for the situation:
William T. Vollmann - Europe Central
Updated on 03/07/2022
40 Comments
FioreMarina

29 Reviews
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FioreMarina
FioreMarina
Top Review 32  
Uncanny! Or: The Art of Being a Man
He could not see the men, but he could feel them. Their presence filled the room with the crackle of expectation. The warrior kept his eyes closed. They would have been of no use to him behind the blindfold that let no beam of light through. The master truly understood his craft.
But he would not have been a warrior his entire life without his senses being sharpened. Even without using his eyes, he knew he was underground. He had left the sounds of the night behind, the screech of the owl, the wind, light as cool fingers brushing against his cheeks; the scents of the field still lingered in his nose; ghost flowers, long gone, memories from a world where it was now spring, and yet a shadow of their sweetness wafted here to this place.
He felt stone beneath his feet; the echo of his steps had been confined from the moment they left the field, it must have been a passage, the coolness of the walls palpable on the march into the womb of the earth. Then the echo widened, and finally, they came to a stop.
It was no longer cool. The warmth of fire and living bodies filled the room; it smelled of the resinous tar of the torches and the smoke they emitted; someone had burned herbs; their fine aroma mingled in the air. It also smelled of leather; of the leather vests of the invisible men, which, worn in countless battles, had long since merged with the body scent of their wearers. The warrior could feel the presence of their bodies without seeing them, and beyond that, another, distinctly stronger, powerfully pulsating scent, exuding the comforting aroma of stable warmth and animal. He heard the clinking of a chain being tugged. Another scent was in the air, making the warrior tense with every sinew, for it was unmistakable and unforgettable: the smell of blood dried on sweet grass.
"Here is one who desires initiation," said the master's voice behind him. A tug at the back of his head; almost casually, the blindfold fell away. Blinking, the warrior looked into the cavernous space, illuminated by the dancing light of the torches, golden, orange, and black. On the stone benches rested the men to his right and left before the altar. They had their eyes fixed on him, as old as life and dark with mystery. In the flickering light, he recognized the figure of Julius Caesar, twenty-three cuts, cleanly outlined in red, adorned the otherwise snow-white senator's robe. Next to him was Brutus, with whom he seemed to have no grievances, as they both knew the game they were playing and the stakes involved. On the other side of the room, facing the two, was King Arthur, the sword Excalibur lying across before him, and the light danced over its blade. He had Lancelot at his side, a dark lock falling into his even face. The two looked weary from the eternal search for the Grail and also relieved to be in a place where it would not, not even in the background, be about Guinevere.
And further in the background, was that Mozart? The warrior was not quite sure, for the man was not wearing his wig and had set aside the powder. A subtle smile played around his lips, as if to say: Not a chance Freemasons - they know nothing!
The warrior was, however, quite certain about the man who first lay down: Che had removed his ammunition belt and was letting it glide through his hands like a rosary. He regarded the warrior with a furrowed brow as if he were continually annoyed that his handsome face had turned him from a partisan into a teen idol.
In the middle between the stone benches stood the altar; a massive iron chain was attached to it, holding a powerful bull that snorted and stomped, awaiting its fate.
"Then he must pass the test," said King Arthur, the highest-ranking in the room, even though that annoyed Caesar and Che saw it differently.
Brutus rose and, having received the nod of consent from Arthur, took Excalibur.
Somehow, it does not surprise me that he takes over with the butcher's knife, thought the warrior as Brutus held the sword out to him.
He took it, weighed it in his hand, then followed the master along the trough with dried sacrificial blood towards the bull.
"Pass the test!" shouted the master, and the echo of his voice ghosted over the cavern walls. "You are a warrior. Now become a man!"
The warrior approached the bull. In his right hand the sword, he stroked with his left over the powerful neck, the smooth hide, and felt the pulse of the artery beneath his hand. It was a quick death, he knew that. A merciful death. Whatever that may mean. He closed his eyes, inhaled the scent of the animal, so comforting, so strong.
Then he looked into the bull's eyes, dark and gentle. Something about that gaze seemed familiar, but he could not remember right away until it finally dawned on him. That was his gaze. It was his eyes that looked back at him.
The warrior drew back. Then he thrust the sword into the stone before the bull.
"I am a man," he said. Then he turned and walked out of the cave, without a glance back, out of the scent of smoke, leather, spice, and animal, into the night that was growing brighter and beginning to smell of cocoa, and as he walked, he understood that he had passed the test, and it said:
"Good morning!"
When he opened his eyes, she was sitting on the edge of the bed, a steaming cup of hot chocolate between her hands, smiling down at him.
"Oh God!" he mumbled, his voice still hoarse from sleep, "I must have dreamed wildly... Mithras cult, animal sacrifice, Che Guevara..."
"That's from the stuff you sprayed on yourself last night," she said. "I smelled it all night long."
He brought his wrist to his nose and sniffed. "You can still smell it," he noted. "Intense." And masculine. And very archaic.
He smiled as he sank back into the pillows. He would probably get a bottle of that if he could still snag one. A little archaic masculinity is certainly allowed, at least on the wrist. You don't have to overdo it.
20 Comments
Gschpusi

302 Reviews
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Gschpusi
Gschpusi
Top Review 2  
Moonlit Night
It was as if the sky
Had quietly kissed the earth,
So that in the shimmer of blossoms
She must only dream of him.

The air moved through the fields,
The ears swayed gently,
The forests whispered softly,
So clear was the night.

And my soul spread
Its wings wide,
Flew through the quiet lands,
As if it were flying home.
(Joseph Karl Benedikt Freiherr von Eichendorff)
.
Uncannily beautiful and soothing like this deeply touching poem by Eichendorff. A dream, a free soul, a letting go. Seductive with a good portion of sensuality. It is "Uncanny" how this fragrance touches you. Opoponax, sweet and resinous, slyly circles around your nose. A myrrh scent that, despite its sweetness, has something earthy and gnarly about it. Balsamic and almost healing already.
Dry cocoa, almost dust-dry and bitter like a 90% dark chocolate. A little sweet-chocolatey, but just enough that you don’t think about calories that cling to your hips.
Costus is certainly responsible for the long-lasting effect. It smells like violets and iris, becoming creamy and a bit woody. Like an oily film, it holds all the fragrance notes together. None can escape or dominate. I don’t perceive metallic notes, and they wouldn’t really fit into this fragrance composition for my nose. Amber-colored amber, warm and animalistic, wrapped in a new, slightly roughened leather coat gives "Uncanny" a lot of self-confidence. It is an "Uncanny" beautiful, oriental fragrance. Very present, never intrusive, and a compliment catcher.
12 Comments

Statements

44 short views on the fragrance
2 years ago
2
Castoreum and some florals dominate the top. Dries down to a chocolatey, musky, animalic kind of scent somewhat like Tonka 25. Undefinable.
0 Comments
1
Floral/spicy opening, then hairspray, greasy scalp, wet carpet, a dog owner's car...Maybe this is what Freud's famous couch smelled like.
0 Comments
1 year ago
1
Off-putting and compelling, soft and bitter, a balance of opposites. Definitely funky up front, but mellows a lot in the dry down.
0 Comments
43
54
Cardamom lights up the jasmine lamp in the tomb, earthy cocoa swirls beneath its feet. Dark creatures in the shadows. Sweet death.
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54 Comments
39
43
Harmless little creatures in lavender
leave a spicy resin trail
and disappear on their way to jasmine.
How eerie.
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43 Comments
31
30
Harleys rumble
Hair flutters
Leather jackets sing in the wind
a song of
Costus and civet
poured into
tar
balanced with
resin and flowers
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30 Comments
30
22
In the secret shadow
Spicy shrubs
Resin lanterns
Cistus and amber
Flowers entice glowing tar
Like white webs among the grasses
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22 Comments
31
26
Eerie brew
all sorts of creatures in the shadows
spicy sparks from resin lanterns
flowers on wild leather
long live the central cemetery
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26 Comments
29
42
In the twilight, everything is gray
leather animals rub against each other in knee-high vetiver grass
spice dust on the ground
so it is written
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42 Comments
28
26
Iridescent Moonlit Night
over the Central Cemetery
Lavender incense
Cardamom sparks
in the resin
A warming coat
until I gently sweat
Cozy.
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26 Comments
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