Pennantis

It’s the scent of quiet happiness, of bright serenity, of that feeling when everything is in the right place for no particular reason. A clean, airy, lightweight floral, with the same kind of emotional grace I get from Catherine .
The star is a transformed tuberose: not fleshy, not nocturnal, not indolic. No excess, no “granny” vibes, no opulence. Just a clear, sunny tuberose.
A completely different face of such a bold flower!
And it’s not just tuberose, by the way. There’s lots of cleanness here — fresh, tidy, pretty florals. Fruity notes? Eh, maybe just a juicy hint that really intrigues me.
There’s a sense of emotional order, of comforting cleanliness.
It feels like a happy morning with no plans ahead

It is a floral fragrance built around three absolute protagonists: rose, jasmine, and tuberose. Three faces of love—romantic, sensual, carnal. Surrounding them is a green, aromatic, musky structure that completely shifts the register away from a classic opulent bouquet.
The opening is cold: galbanum and mint cut through the air, turning it into a sharp green freshness. The heart is a crystalline floral weave. The rose is expansive but not warm, the jasmine is luminous but not solar, the tuberose is sensual and carnal.
If Un Bel Amour d'Été is a blazing floral that sweats sun and desire, 3 Fleurs is its ice version. One is body, the other is light.
It is a spectral floral—not because it is emotionally cold, but because it has no weight. Like a garden at winter dawn, when everything is still, glossy, perfect… and precisely for that reason, incredibly sensual. I can truly feel the flowers as alive, vibrating, and radiating energies of peace and serenity.
It took me a while to review it and to understand that this, too, is love. Another undeniable crush from the brand.

After a lot of hesitation, I finally decided to go for this blind buy. Guys, it’s truly delightful.
It really gives me the feeling of an elegant sweetness with a rétro soul. The opening has a vintage vibe, powdery and softly floral: delicate white flowers (orange blossom / neroli-style), with a powdery touch that immediately brings out that old-school charm. The sweetness is there, but kept in check — more cosmetic than sugary.
Then a soft, enveloping sweetness comes through, more creamy than gourmand, which smooths out the classic side and makes it feel contemporary.
It has a vintage, slightly nostalgic and sweet soul, and I can confirm there’s absolutely no civet or animalic nuances: the drydown stays clean, warm, and well-composed. It’s a fragrance that feels like it’s wearing velvet and light, not excess.
It really is the 18th century reimagined through modern eyes.

Without beating around the bush, it’s an elegant mass-pleaser: almost a blind-safe, with a caveat (which is actually part of its charm): the real stars are orange blossom and ylang-ylang, bright and sunny, crossed by a very controlled, harmless indolic touch. And that’s exactly why I say “blind-safe with a caveat”. Anyone who truly loves indolic perfumes would probably spit in my face . I do smell it clearly, but it doesn’t bother me at all.
I like APOM because it plays with contrasts: it’s sharp and sweet, edgy and creamy, rough and smooth at the same time. It's dual, with a soft, almost skin-like sensuality.
I find A Part of Me feminine and kind of sexy too, I’d say it. I don’t know the Femme version, but honestly this one would be more than enough for me: balanced, luminous, reassuring, with just enough character to keep it from being boring.

It’s a refined, well-balanced fragrance, built around a not-so-simple dialogue between a luminous, creamy magnolia and a slightly nutty vetiver. On my skin, vetiver almost always brings out this sweet dried-fruit vibe (just like it happened with Vétiver oriental ), so we’re talking about a soft, smooth vetiver rather than a dry one. The magnolia stays airy, almost transparent.
There’s something interesting, though: when I smell my skin up close, I get about 80% vetiver. But in the air, it turns into this lovely little floral cloud.
It’s a composed fragrance, with a kind of quiet, understated elegance.
To me, it’s perfect for daytime. Season-wise, I wouldn’t call it a summer scent at all—actually, not really. Ideal for anyone who loves clean, chic fragrances with subtle nuances.