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Vol de Nuit 1933 Eau de Toilette

8.2 / 10 522 Ratings
A popular perfume by Guerlain for women, released in 1933. The scent is spicy-floral. It is being marketed by LVMH.
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Main accords

Spicy
Floral
Chypre
Woody
Powdery

Fragrance Pyramid

Top Notes Top Notes
GalbanumGalbanum Orange blossomOrange blossom BergamotBergamot LemonLemon Mandarin orangeMandarin orange OrangeOrange
Heart Notes Heart Notes
AldehydesAldehydes IrisIris VanillaVanilla NarcissusNarcissus
Base Notes Base Notes
OakmossOakmoss MuskMusk Orris rootOrris root SpicesSpices SandalwoodSandalwood

Perfumer

Ratings
Scent
8.2522 Ratings
Longevity
6.9397 Ratings
Sillage
6.2371 Ratings
Bottle
8.5360 Ratings
Value for money
7.4127 Ratings
Submitted by Kankuro, last update on 11/12/2025.
Interesting Facts
Vol de Nuit ("Night Flight") is a tribute to the homonymous novel published in 1931 and to its author Antoine de Saint-Exupéry who is said to have been a close friend of Jacques Guerlain. For the first time, a significant content of galbanum was used. Vol de Nuit is said to be the archetype for other classic fragrances like Miss Dior, Vent Vert and Chanel No.19, which also used considerable amounts of galbanum.
The fragrance is part of the Les Légendaires collection.

Smells similar

What the fragrance is similar to
Vol de Nuit (Extrait) by Guerlain
Vol de Nuit Extrait
Vol de Nuit (Eau de Cologne) by Guerlain
Vol de Nuit Eau de Cologne
Miss Dior (1947) (Eau de Toilette) by Dior
Miss Dior (1947) Eau de Toilette
ES Elena Sofia Ricci by Strega del Castello
ES Elena Sofia Ricci
N°5 (Parfum) by Chanel
N°5 Parfum
Sourire / スーリール (Eau de Parfum) by Shiseido
Sourire Eau de Parfum

Reviews

45 in-depth fragrance descriptions
Jones

22 Reviews
Jones
Jones
Top Review 12  
Vol de Nuit Eau de Toilette by Guerlain
This is the ultimate balsamic green oriental chypre. It opens up with a fleeting note of bergamot, the same stinky grade of bergamot used in Jicky and Shalimar, but it is gone before your brain even registers it properly. Then, the greenness comes. Let me be clear about this type of greenness. It is not green as in the sappy, spring green of scents such as Le Temps d'Une Fete, or sharp and citric as in Cristalle. It will not put a spring in your step or keep you awake. It is not a shot of vitamins to your arm. The galbanum here is not used to create that ice-picky sharpness and unfriendliness you get in the opening of Chanel No. 19. Rather, it is the homely smell of winter greens simmered long and slow on the stove. It is the gray-blue green of the shadow cast by an oak tree in the middle of a forest. It is all softness and collapsing warmth. Oakmoss adds character, but it is not the inky, bitter blackness that provides other chypres with their backbone - here it is a sprinkling of woodiness and salt in the gentle green.

The heart is a shimmering accord built mainly out of narcissus absolute, specifically the jonquil type, or common daffodil. The smell is earthy, green-gold, and slightly animalic. The jonquil is supported by a smattering of aldehydes, just enough to provide a subtle lift to the general earthiness, and a sprinkle of spices (I would guess a gentle warming spice such as nutmeg or clove). Interestingly, the narcissus absolute itself can throw out little shoots of what feels like jasmine and hyacinth. It is not an overwhelmingly floral smell, to be honest. Vol de Nuit is always quite earthy, mulchy, brown leaf green and gently spicy/woody.

What's more, despite the small shifts in tone owing to the jonquil absolute, Vol de Nuit remains essentially the same from top to bottom - a gentle, earthy green balsamic fragrance. It doesn't evolve much. I see what Luca Turin means when he says that Vol de Nuit is a somewhat boneless fragrance, because it seems to be entirely composed of heart and base notes, all of which rise to your nose pretty much at the same time. The chypre dressings here are either too brief (the fleeting bergamot) or too soft (the gentle use of galbanum and oakmoss) to provide much of the traditional iron rod backing to the fragrance. This is a positive, to my nose - the inky bitterness of traditional chypres is not missed here. But is it an oriental? I am not entirely sure of its oriental credentials either, to be honest - the supposed vanilic amber and sandalwood in the base is not at evident to my nose at all.

Anyway, enough about the notes. I don't want to miss the woods for the trees. The moving parts of Vol de Nuit don't matter, it's the total effect and feel that's important. This fragrance, out of all the great Guerlains, is the most "me". It is not as challenging or as shape-shifting as Mitsouko, but it is nonetheless complex. It is not as sweet or as smoky as Shalimar, but it is still sexy in its own earthy way. It is outdoorsy and natural, but at the same time, impossibly grand. It is gently green-grey, calming, grounding - almost motherly in its embrace - and therefore acts an a magic elixir on frazzled nerves. It feels ancient and modern at the same time, both co-existing with everyday activities and zoning out the white noise of life. I love it and don't ever want to be without it. I have small samples of the EDT and the parfum, which is use layered with each other for body and longevity, and I plan to get larger decants when I run out.
0 Comments
Leonoor

1 Review
Leonoor
Leonoor
Helpful Review 7  
A Midsummer night’s dream
Wow…just wow! To me, this is perfumery perfection. Stemming from a different timeline.
Effortlessly and endlessly beautiful.

Last decade I’ve been traveling back and forth between designer, niche and indie. Always looking for ‘that one perfume’. During that period, I always thought (after trying many) that ‘vintage perfume’ was not my cup of tea. Although I could appreciate them, they never suited me. Until I tried Vol de Nuit a couple of weeks ago…and now I feel like I have found ‘my long lost love’ again.

This perfume evolves and evolves, revealing itself bit by bit. Like an elegant lady who knows what she’s worth. She doesn’t need to prove you anything, but she will reveal her deepest secrets, if you show sincere interest in her. She is not afraid to show her scars and that’s what makes her so strong.

This nightflight is almost too gorgeous to describe. In terms of notes I’m also not going to try. But it does smell as calming and as sensual as a summer night.

Vol de Nuit is actually very wearable for me. Even though it reminds me of the smell of my sweet grandmother a bit. So definitely some feelings of nostalgia too. But it doesn’t smell dated, or modern for that matter. It smells timeless. As if time stood still that night. It also smells very natural somehow. I don’t get any synthetics on my skin, while I’m very sensitive to that. And I easily get 5+ hours out of this. No massive sillage, but subtle wafts of a dreamy scent. And I think it was supposed to smell like that: airy and dreamy. And that’s exactly what I’m getting, so I consider myself lucky.

I would also say that I think you need some life experience to be able to wear and understand Vol de Nuit. No age/gender whatsoever. But life experience: yes. It is, imho, for the ones who live through their pain, and observe it, in stead of identifying with it. And whose heart is big enough to embrace it all.

This is what perfumery is all about. Vol de Nuit has a soul. And I am truly grateful to have found this mesmerizing beauty. Somehow it smells like Guerlains best kept secret. And she has been patiently waiting for me to discover her, like a self confident, loving woman would do.

Midsummer night’s dream comes to mind too. And I think I should leave it at that…
2 Comments
Coutureguru

237 Reviews
Coutureguru
Coutureguru
Helpful Review 8  
Cosmetics on a shelf ...
I have a sample of Vol de Nuit sent to me by one of the lovely members here at Parfumo. I find myself rather obsessed of late by Iris … both as an individual note and the way it smells in unison with other notes. I've realized that it is very different in older fragrances when compared to the same note in recent releases.

This fascination with Iris came about after watching an interview with Christopher Sheldrake on how the roots of the Iris are treated for the extraction of their essence in the production of No.19 Poudre, and how vast a harvest has to be to make just one kilo of Iris absolute (my review of this fragrance refers).
That being said, there are actually very few Iris heavy fragrances that I enjoy … Prada's Infusion d'Iris falls short of the mark, as does Villoresi's Teint de Neige. The latter of those is completely wearable but smells to a hair exactly the same as a few of the Clean fragrances, which also present my nose with a very synthetic 'powder' note. I do however love Prada's Infusion d'Homme and love smelling Dior Homme which is used as a signature by a good friend of mine … but I digress!!

Vol de Nuit is probably as classic a Guerlain fragrance as one can get … from an accessibility point of view, that is. I've tried L'Heure Bleu and Mitsouko from Guerlain's past and didn't really like them on my skin. I confess that I felt a little like a fragrance philistine after discovering this, but I have to say that Vol de Nuit is probably one that I would wear if I had it in my collection … at least while my fascination with powder runs its gamut.
This fragrance reminds me of how cosmetics departments in grand stores used to smell when I was very young, trailing around after my mother in my best outfit (as one did for Saturday shopping in the late 60's) with my little blue safari suit shorts still filled with nappy. Face powder, lipstick, rouge … all manner of enchanting things heavily laced with the smell of Iris! It's no wonder that I became a fragrance junkie :).
I'm continually amazed that so many fragrances from earlier times marketed towards women could very easily be relocated to the men's department today … how the wheel turns!!

In Vol de Nuit I find classic beauty that will never decline. This little piece of fragrance history should surely be a 'must try' for serious parfumisti.
2 Comments
LiliumLibido

51 Reviews
LiliumLibido
LiliumLibido
Helpful Review 6  
Jacques Guerlain's excellent adventure
This review is for the vintage parfum.

The galbanum opening in VdN is one of the best renditions of the aromatic resin in an oriental theme, imho. It makes me close my eyes and take a deeper breath. While galbanum is far from appealing on its own, it imparts a green, spiciness to blends that is hard to beat.

But the scent is not called Vol de Nuit for nothing:
At its heart lies the key to its flight, a simple yet creative combination of powdery flowers and aldehydes, flavored with just the right blend of vanilla, which, in Guerlain language, translates as vanilla + vanillin, it's that much more flavorful and ethereal.

Now, it may not be listed but this fragrance has a superb hit of leather nestled right into its base, though I can usually start to detect it somewhere in the heart development. And what a leather it is! It's the bomber jacket left behind by the pilot, I have no doubt on that. ;) I also detect amber, thick, resinous and full of mystery.
What is most prevalent, at least to my nose, in the base, are the oakmoss and the spices, surprisingly, but that may just be how *I* perceive the fragrance.

It's a phenomenal creation from a very different world, conjures a feeling of deep emotion, core stillness and flight of thoughts, haunting in its evocative imagery.
An absolute stunner.
0 Comments
ScentFan

336 Reviews
ScentFan
ScentFan
Helpful Review 5  
Late to Love
I am a focuser and it has served me well in life. I brought that approach to my perfume journey, stepping my way through the basic notes and then genres and then houses. One thing at a time. This is why I am late to great and overwhelming loves like Vol de Nuit. A few days ago it was Jardin de Bagatelle, a massive OMG! Scents this gal would drop to her knees and crawl on the floor for. I should have known. Hadn't I swiftly acquired Mitsouko and L'Heure Bleu? But, wanting to give it its due, I left the rest of the house of Guerlain for later. I am late to love this celebration of galbanum and oakmoss, narcissus (one of the three wicked stepsisters in the flower garden) taming potentially too-sweet Iris and Vanilla. Only today while reading monsierguerlain.com did I learn that what my nose noticed about the use of narcissus, lily-of-the-valley and hyacinth is called counterpointing--a technique in which perfumers deliberately counterbalance notes that on their own are less than lovely. Here, narcissus is on one end of the seesaw and Iris/vanilla on the other. Vol de Nuit's citrus top, heavy with Bergamot is made sublime by the green of Galbanum, elevated by the brilliant heart, made glorious by the base in which Oakmoss thrillingly stars. This perfume so substantially exceeds its parts, as do other Guerlains, that's it's easy to see why Guerlain addicts exist. Thank goodness I ordered Nahema before it was discontinued. For now I am in love again, seduced by Galbanum, Iris and Oakmoss, exquisitely counterpointed to and beyond mere perfection.
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Statements

100 short views on the fragrance
2
Melancholic mist of the usual Guerlain notes, yet sublime.
0 Comments
7 months ago
2
Melancholy romance. Film noir courtship. Unbelievably feminine, yet simultaneously unisex by today's standards. Signature scent-worthy IMO.
0 Comments
1
Medicinal green opening, sharply bitter; hint of citrus; gradually softened by powdery vanilla. A scent with a serious, poised feel.
0 Comments
9 months ago
1
This is powder in the dry-down, and really nothing is left of it after just a few hours other than powder and the florals, maybe the iris?
0 Comments
10 months ago
Has an "old timey" feel, yet doesn't feel dated. Beautiful fragrance.
0 Comments
I love this perfume but lives shortly on me in this concentration. It used to be stronger.
0 Comments
57
51
Antoine
Your words
Silken petals
Veil traces of aldehyde soaps
Sprinkling root dust in mossy hairs
Drifting in white clouds
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51 Comments
48
37
Shadow butterfly with velvety wings glides into the green night. Powdery harmonious stars twinkle. A balsamic silence remains.
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37 Comments
46
75
When I glide through your dreams at night! I lose my resinous-green plumage. Feathers in a spicy-mossy web. Melancholy!
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75 Comments
45
30
Antoine alone in the cockpit
Engine roaring
He sees stars twinkling and his prince waving
He smiles - I'm coming to you my friend, forever
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30 Comments
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