Lily of the valley
StellaDiverF
213 Reviews
StellaDiverF
Very helpful Review
4
Modern animalic lily of the valley
I've had mixed feeling with Muguet Porcelaine until recently. I found it a transparent, watery, melon-infused lily of the valley very much in line with the general aesthetics of Hermessence. But there is also a strange fuzzy warmth that makes it surprisingly not as fresh and crisp as other green, aqueous lily of the valley.
It's not until I read the astute and poetic review from Patrice Revillard, the perfumer behind the blog Musque-Moi, that I finally realised : yes, it's the civet (or something with a similar effect)! From then on, everything just clicked and fell quickly into place.
Even though Mr. Ellena himself doesn’t specifically affirm, it’s now impossible for me to smell Muguet Porcelaine without referencing Roudnitska and Diorissimo. The iodine-infused melon can be found in quite a few Roudnitska’s creations, especially Diorella and Le Parfum de Thérèse, while civet-laden lily of the valley is one of the most intriguing characters of Diorissimo (although I perceive it more like an indolic jasmine, despite the intention of its creator).
That being said, the smell, the texture and the mood of Muguet Porcelaine are entirely different, notably because Ellena incorporates these tropes into his haiku “writing” style, contrary to the short story of Diorissimo. Arguably, Muguet Porcelaine doesn’t have much significant evolution. The fairly transparent and watery lily of the valley and melon can be perceived right away, with the civet purring in the background with its furry warmth and a touch of saltiness to complement with the melon. However, the tension between the animalic dirtiness and the floral and fruity innocence persists deep into the dry down, where the fragrance eventually manages to unify these two aspects into a sensual skin scent.
I got a 10-hour longevity and a soft sillage.
I have to admit that I’m not among the biggest fans of Ellena. I admire his vision and commitment to perfumery, and many of them are very enjoyable, but I was rarely awed or emotionally touched by his compositions, even though it must not be easy to transform heavy materials into feather-like airiness. But his latest creations for Hermessence, first Cuir d’Ange, and now Muguet Porcelaine, challenged my preconceptions that perfumes can’t be airy, watery or transparent, and sensual animalic at the same time. And the results are fantastic, even though they sometimes don’t seem apparent at first glance. Therefore, I would highly recommend giving Muguet Porcelaine a try, especially if you happened to be looking for a modern airy animalic floral.
It's not until I read the astute and poetic review from Patrice Revillard, the perfumer behind the blog Musque-Moi, that I finally realised : yes, it's the civet (or something with a similar effect)! From then on, everything just clicked and fell quickly into place.
Even though Mr. Ellena himself doesn’t specifically affirm, it’s now impossible for me to smell Muguet Porcelaine without referencing Roudnitska and Diorissimo. The iodine-infused melon can be found in quite a few Roudnitska’s creations, especially Diorella and Le Parfum de Thérèse, while civet-laden lily of the valley is one of the most intriguing characters of Diorissimo (although I perceive it more like an indolic jasmine, despite the intention of its creator).
That being said, the smell, the texture and the mood of Muguet Porcelaine are entirely different, notably because Ellena incorporates these tropes into his haiku “writing” style, contrary to the short story of Diorissimo. Arguably, Muguet Porcelaine doesn’t have much significant evolution. The fairly transparent and watery lily of the valley and melon can be perceived right away, with the civet purring in the background with its furry warmth and a touch of saltiness to complement with the melon. However, the tension between the animalic dirtiness and the floral and fruity innocence persists deep into the dry down, where the fragrance eventually manages to unify these two aspects into a sensual skin scent.
I got a 10-hour longevity and a soft sillage.
I have to admit that I’m not among the biggest fans of Ellena. I admire his vision and commitment to perfumery, and many of them are very enjoyable, but I was rarely awed or emotionally touched by his compositions, even though it must not be easy to transform heavy materials into feather-like airiness. But his latest creations for Hermessence, first Cuir d’Ange, and now Muguet Porcelaine, challenged my preconceptions that perfumes can’t be airy, watery or transparent, and sensual animalic at the same time. And the results are fantastic, even though they sometimes don’t seem apparent at first glance. Therefore, I would highly recommend giving Muguet Porcelaine a try, especially if you happened to be looking for a modern airy animalic floral.
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