In 1996, Lorenzo Villoresi's "Patchouli" hit the market, and it must have been around this time that my first close encounter with this fragrance material sent me running.
At the height of the hippie movement, I was too caught up in my world as a teenager and young woman, a world of romance, floral, and rose scents, and had not looked beyond the "plate" of my own life.
Later, in the first half of my twenties, I wrapped myself for a long time in the light blue powdery coat of Elizabeth Arden's "Blue Grass" and lived in my pastel-hued scent boudoir.
Thus, it happened that I only very late descended the steps to the "Third World Store" at the foot of the tower ruins of the Kaiser Wilhelm Memorial Church, where I was greeted by rather peculiar light and where a strong, powerful scent immediately hit me: This scent was very unpleasant to me!
I just wanted to get away and suddenly felt as if I were being embraced, held back, and prevented from escaping by the multitude of colorful scarves and shawls in the entrance area!
The next day, a colleague said, "Ah, so you were in the Patchouli cave!"
I swore to myself back then: "Never again Patchouli!"
But as it often goes, it turned out here too: "Never say never!" and in recent years, I discovered a true "Patchouli fragrance world" with countless facets, in which I feel very, very comfortable and from which I can't get enough.
However, my rose and floral phase is also behind me, so there is plenty of room for new, previously completely unknown experiences.
Of course, I couldn't pass by Lorenzo Villoresi's "Patchouli" given my background: Curiosity beckoned, and right after the first sprays, I experienced a dark golden-brown aromatic fabric, interwoven among other things with scent wafts of lavender flowers, leaves, stems, and warm earth.
Dark, but not overly heavy patchouli clouds with golden edges, interestingly lavender-scented at the outset, dominate this fragrance composition.
And, although patchouli richly runs through the entire scent progression, it is neither monotonous nor boring:
When was that ever the case?
This mentioned aromatic fabric spreads delightfully and multifacetedly on my skin, gaining warmth, depth, and sensual weight.
This is ensured by a classic base combination consisting of not overly adapted oak moss and sandalwood with its tried-and-true partner vetiver:
There were far too many fragrance creations without these three during this era, which was so rich in diversity.
For Lorenzo Villoresi's rich, slightly damp, lightly animalistic, and smoky-resinous patchouli mélange, they are also ideal companions and harmonize surprisingly well with the aforementioned lavender scent fabric.
Here, the deep dark truffle, cocoa, or chocolate-heavy patchouli scent path is not taken; this leads to the herbal floral spice of lavender and thus to the light and air of the sunny south.
With a magnificent sillage and longevity, this creation makes a statement that I gladly follow.
Patchouli scent newcomers may feel more comfortable here than with the slightly dirty-animalistic compositions, which I love so much for their primal, earth-connected aura.
Once again, it shows:
Our fragrance world has such a vast variety of variations, even around a single scent note, that every nose can find something suitable, and it never gets boring to browse here.
(By the way, I've been browsing for the last few days and am already announcing a journey to delicious and sometimes sinfully warm vanilla creations!)
Updated on 02/11/2024