01/19/2020
Serenissima
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Serenissima
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14
the golden pineapple
Admittedly, the "Golden Pineapple" is not an award that anyone wants to win.
Unless he needs to be noticed at all.
This golden pineapple, however, will not be mentioned here.
The pineapple, with whose fragrance the Eau de Toilette "Burmese" opens, is golden. Not so fruity pale yellow, but as under the influence of light in the late afternoon, when the now gentler sun caresses the fruit with long fingers and paints fine patterns golden.
To say it right away: "Burmese" is sweet, a sweet feminine scent; just as the memory of the first kiss will always remain sweet. (Although maybe he was just a wet slob.)
Here appears a fruity sweetness, which neither sticks the nose hairs nor the trunk.
"Burmese" as an eau de toilette is not only "sweet stuff" in fragrance form; it is stylish and at the same time very elegant.
The pineapple, which is immediately present and never loses itself completely, is joined by bergamot and a fine lemon; both ensure a light freshness and a certain effervescence The noble rosewood, on the other hand, is in my opinion far too rarely found. Its aroma is fruity-sweet with a pleasant light spicy note. So very appropriate at this point.
According to common fragrance lexicons, rosewood stands for trust and tranquility. It awakens the sweet pain of expectation and hope. - How nice! Br /> Thus I enter a summery, light but not superficial world of fragrances, which flows around me like a delicate cloak.
The dark notes of orchid and heliotrope have been muted a little, taken a step back. They do not power with full force, but open the flower gate wide for the beauty of the ripe, full-bloomed rose scent.
I like to step into their midst to be caressed with scent The base note here was designed for warm, enticing sensuality: Musk, tonka bean and vanilla show that they are in the service of Aphrodite - they spread unexcited eroticism.
A contradiction in terms? No! eroticism does not always have to be loud and breathtaking: it is precisely in its subtlety that the true seduction lies!
Thus the complex scent of sandalwood opens heart and feeling; mysterious and, as always, a bit harsh.
It is enchanting how the scent of "Burmese" changes over time: from the delicate organza, in which every thread/scent stands alone and in which the one behind it is still clearly recognizable, to the fine, somewhat more opaque, cuddly voile As if all those present had made themselves known in the meantime, approached each other and finally held each other lovingly by the hands or embraced each other!
Out of this embrace a sweet, but quite wearable charming fragrance emerges, which was probably created just to flatter us women.
It therefore lives up to the great name of its manufacturer!
For me, "Burmese", already as an eau de toilette, is very well suited to give a grey and maybe even sad day (can days actually be sad?) beautiful golden lights Like small luminous dots, they run through the hours: softly flickering, gracefully floating and smiling heartily!
Unless he needs to be noticed at all.
This golden pineapple, however, will not be mentioned here.
The pineapple, with whose fragrance the Eau de Toilette "Burmese" opens, is golden. Not so fruity pale yellow, but as under the influence of light in the late afternoon, when the now gentler sun caresses the fruit with long fingers and paints fine patterns golden.
To say it right away: "Burmese" is sweet, a sweet feminine scent; just as the memory of the first kiss will always remain sweet. (Although maybe he was just a wet slob.)
Here appears a fruity sweetness, which neither sticks the nose hairs nor the trunk.
"Burmese" as an eau de toilette is not only "sweet stuff" in fragrance form; it is stylish and at the same time very elegant.
The pineapple, which is immediately present and never loses itself completely, is joined by bergamot and a fine lemon; both ensure a light freshness and a certain effervescence The noble rosewood, on the other hand, is in my opinion far too rarely found. Its aroma is fruity-sweet with a pleasant light spicy note. So very appropriate at this point.
According to common fragrance lexicons, rosewood stands for trust and tranquility. It awakens the sweet pain of expectation and hope. - How nice! Br /> Thus I enter a summery, light but not superficial world of fragrances, which flows around me like a delicate cloak.
The dark notes of orchid and heliotrope have been muted a little, taken a step back. They do not power with full force, but open the flower gate wide for the beauty of the ripe, full-bloomed rose scent.
I like to step into their midst to be caressed with scent The base note here was designed for warm, enticing sensuality: Musk, tonka bean and vanilla show that they are in the service of Aphrodite - they spread unexcited eroticism.
A contradiction in terms? No! eroticism does not always have to be loud and breathtaking: it is precisely in its subtlety that the true seduction lies!
Thus the complex scent of sandalwood opens heart and feeling; mysterious and, as always, a bit harsh.
It is enchanting how the scent of "Burmese" changes over time: from the delicate organza, in which every thread/scent stands alone and in which the one behind it is still clearly recognizable, to the fine, somewhat more opaque, cuddly voile As if all those present had made themselves known in the meantime, approached each other and finally held each other lovingly by the hands or embraced each other!
Out of this embrace a sweet, but quite wearable charming fragrance emerges, which was probably created just to flatter us women.
It therefore lives up to the great name of its manufacturer!
For me, "Burmese", already as an eau de toilette, is very well suited to give a grey and maybe even sad day (can days actually be sad?) beautiful golden lights Like small luminous dots, they run through the hours: softly flickering, gracefully floating and smiling heartily!
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