Midnight in Paris 2010 Eau de Toilette

Midnight in Paris (Eau de Toilette) by Van Cleef & Arpels
Bottle Design Brandimage
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7.6 / 10 704 Ratings
Midnight in Paris (Eau de Toilette) is a popular perfume by Van Cleef & Arpels for men and was released in 2010. The scent is powdery-sweet. It was last marketed by Inter Parfums. Pronunciation
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Main accords

Powdery
Sweet
Spicy
Leathery
Oriental

Fragrance Pyramid

Top Notes Top Notes
BergamotBergamot LemonLemon RosemaryRosemary
Heart Notes Heart Notes
LeatherLeather Maté teaMaté tea Lily of the valleyLily of the valley
Base Notes Base Notes
Tonka beanTonka bean AmberAmber FrankincenseFrankincense

Perfumers

Ratings
Scent
7.6704 Ratings
Longevity
7.3531 Ratings
Sillage
6.6535 Ratings
Bottle
9.1559 Ratings
Value for money
7.581 Ratings
Submitted by VERIT, last update on 22.03.2024.

Reviews

21 in-depth fragrance descriptions
10
Bottle
6
Sillage
6
Longevity
9
Scent
PBregovich

23 Reviews
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PBregovich
PBregovich
Helpful Review 19  
Unisex
This fragrance is one of the first I tested motivated by Parfumo. I read a lot about him and when I smelled him for the first time I was very surprised. Neither positive nor negative. I just expected something completely different.

What you get is a fragrance that I think is completely unisex. This positioning seems to become clear to all those here at Parfumo who see the classification as "male", but then read the comments that describe him as more "feminine". He's neither. I think it depends more or less on the wearer himself. A woman could wear it without a problem. Also I wear it very gladly and mean that it suits me well.

It is a very sweet fragrance that has a very interesting leather aroma. However, this is not leather, as with Tuscan Leather, Ombré Leather 18 or Colonia Leather. Here the leather is very soft, soft. I always think of brown suede bootees with that smell. I like to wear it with them, too. This fragrance has a light elegance in it, one could almost say delicacy, which in my opinion should also be reflected by the wearer. I don't imagine Midnight in Paris on my hoodies, rather on my clean shirts and soft turtlenecks. Not so much on a wide jogging trousers but on those with long, slender legs and slightly tighter trousers (I don't mean skinny jeans!). It's a little hard to put into words what I'm trying to say. The scent is not loud, it is not "in your face" and the wearer should not be either. Does not mean, of course, that it can only be worn by very feminine men. Quite the opposite: a man who wears this fragrance self-confidently will look all the more masculine. But it's more about self-confidence than fragrance.

It's not a scent for the freezing cold. It's not a scent for the breeding heat. It's somewhere in between. Just like the gender classification.
This fragrance is best suited to the afternoons and evenings of the warmer season. When I think of Paris, I think of white wine, of cigarettes in front of the restaurant, of temperatures that are neither cold nor hot - just pleasant. I'm thinking of slightly smacked-up conversations that don't deal with overly serious topics. I'm thinking a cup of coffee in sunny weather.

The fragrance is something very special in its own way. It is not revolutionary and the durability and SIllage are also quite weak. But it gives the wearer a pleasant and casual feeling. And I like him for that.

PS: The bottle is also fantastic and unique.
2 Comments
9
Bottle
7
Sillage
8
Longevity
8.5
Scent
Serenissima

608 Reviews
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Serenissima
Serenissima
Top Review 18  
here's the name program
"Midnight in Paris" - that sounds tempting.
Even those who were not allowed to experience this magic themselves remember at least this scene from "Charade", in which Cary Grant and Audrey Hepburn undertake this nocturnal cruise.
In nocturnal Paris, the unobstructed view to the starry sky is certainly as impossible as it is with us in the middle of the city.
And yet it is easy to conjure up the nocturnal impressions of a stroll through the Marais or a nocturnal walk through the Bois de Boulogne: to smell and taste - just to feel!
To stroll along the banks of the Seine, to watch the booksellers putting their stalls together, to listen to the rustling of the leaves of the old trees is a special highlight.
We all sit under the starry night sky in a small street café at Montmartre (there's almost no more cliché here), drink wine, eat a nice snack and chat relaxed.
Of course we also watch the strolling passers-by.
The lovers on the stairs are also part of these nocturnal pictures.
I'm just thinking of the only representational painting by Pablo Picasso that I know: it depicts a night scene in front of a street café in Paris.

But back to "Midnight in Paris" by Van Cleef & Arpels:
The bottle in its deep blue with the starry sky alone promises a lot: a special magic is already offered here.

The first spraying spreads a complex whole: from the beginning it is difficult to break this harmony down into individual fragrances. Maybe that would even be a shame!
The complete arrangement opens with a mature yet subtle citrus aroma with spicy rosemary.
Fine, rosemary in the fragrance is always welcome to me: I love this prickly, somewhat bristly fellow!
Noble leather, which even my "leather scent allergy" takes for granted, and bitter mate tea set sophisticated scent tips, which elegantly smooth the lily of the valley in its earthy sweetness and distribute a proper, yet skilfully dosed portion of flower aroma.
In "Midnight in Paris" nobody dominates: everyone plays equal in this fragrance concert!
Tonka bean delivers its unmistakable sweetish note (appearing muted here); amber and frankincense - oh, what sensual delight!
Here simply all notes of a fragrance symphony were composed in the most wonderful way!

My nose may not separate at all and asks itself only: Why only for gentlemen?
Are we women not allowed this full-bodied experience?
What's that? What's that? Male chauvinism?
And I don't leave the classification "powdery-sweet" unchallenged.
"Midnight in Paris" gains a spicy component through the rosemary and especially through amber and frankincense; which drifts a little bit into bitterness through mate tea: not long, but already perceptible.

I was totally captivated by this scent.
He arouses the desire to get to know this interesting and entertaining city better after all.
Because so far I've only been hanging around in my beloved Italy.
Art and culture and "savoir-vivre" I would surely find in Paris too.
But in the meantime, I once again revert to the pages of Cristina Caboni's perfume novel "The Rose Women", which not only tells the story of the perfume, but also the story of life and love in Paris The two of us will now take a sunbath on the balcony, surrounded by large rosemary plants that generously give off their aromatic scent.
So not "Midnight in Paris", but "Summer in the City"!
7 Comments
8
Bottle
6
Sillage
6
Longevity
7
Scent
Chizza

273 Reviews
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Chizza
Chizza
Very helpful Review 15  
Midnight in bath nickel
It's one of those things with hypes. Sometimes an attitude of a perfume leads to the saying that the dead live longer is true. So - similar to works of art - some fragrances become really desirable once they have disappeared from the market. This is undoubtedly also true of Midnight in Paris by Van Cleef & Arpels. A perfume that cost little at that time and can be purchased today for about 200 Euro in the Souk (EdP version).

The EdP is far more desirable than the EdT, no question about it. Today, however, it is supposed to be about the EdT. Basically the scent is very linear. At the beginning it is much denser and more present, but at some point it becomes weaker and weaker. This happens quite quickly. If the sparkling and fresh start can be explained by the top note, it becomes sweet or powdery almost immediately, as I was told. For me this is a mixture of both, I find the scent quite sweet but yes, everything was powdered as well. Relatively unspectacular and not very cosmopolitan.

The leather is actually perceptible but it is not leather as it is often presented but rather this smooth, grassy leather, covered with a layer of powder because of me. Similar to Tomo Vetiver or also in Agua Fresca Vetiver, as I think. Only there less powdery-sweet but more grassy. The astringency of the mate tea almost disappears, can be guessed at the edge and there would have been more advantageous because the note smells very fine.

The base notes explain what is offered to me and I am not able to recognize the incense.
Be that as it may: Midnight in Paris is a nice fragrance and at that time for the price it was certainly absolutely successful. For today's partly called prices the performance is not right as well as the quality of the ingredients. Midnight in Paris is too harmless, too smooth for that. By the way: that's not how I imagine Midnight in Paris, but rather in a small town in the Ruhr area, exaggerated and slightly spiteful
1 Comment
ColinM

516 Reviews
ColinM
ColinM
Top Review 11  
Easy to underrate
Midnight in Paris falls within that category of scents which start just wrong, but then become more than remarkable. I mean, most of the times it’s rather the contrary – scents which are good and rich at first, then easily lose the magic soon. The first minutes here are a blast of almost nauseating sweet and kind of “bread-ish” Oriental notes comprising powdery resins, almond, something like hay, a generic “clean-smoky” synthetic wood (I guess the “incense” note) and something musky-floral, with rubbery suede lying underneath. I also get the “tea” especially on the drydown, which is quite similar to the tea in Gucci pour Homme II or Tea for Two by L’Artisan. Also if you know Equistrius by Parfum d’Empire, Midnight reminded me that a bit (I guess because of hay, suede and powdery notes). But at the beginning, all of that is quite loud, quite more on the sweeter-edible side, and overall not exactly the most elegant smell around. Still, as minutes pass Midnight in Paris tames down and “tilts back” to a more pleasant balance, becoming more and more enjoyable and finally reaching a truly remarkable drydown. At this final stage – which luckily arrives quite soon – the blend focuses on a really sophisticated sort of velvety, rubbery suede-woody base with a sprinkle of Oriental powdery-gourmand notes – just a sprinkle, now. A couple of key nuances make this quite distinctive and really pleasant: suede, hay and powder (I call it “powder” but actually think more of almond and tonka; it just smells really dusty, slightly floral and kind of “feminine” as if there was some orris - precisely like powder, shortly). Classy, really “velvety”, warm and cozy, basically a sort of hybrid between Bulgari Black and Dior Homme; sweeter and brighter than Black, but darker, drier and more “grey” than the Dior’s. Give it a chance!

8/10
0 Comments
10
Bottle
9
Sillage
9
Longevity
9.5
Scent
Profuma

73 Reviews
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Profuma
Profuma
12  
Border beings
Male, not too harsh, not too strong but still masculine, the fragrance starts. Not a typical spice flavor and herbal start that many men fragrances have. Rather slightly spicy, not tingling, but here still dancing clearly on the circle with the arrow pointing upwards.
After a few minutes and a few laps on the circle, however, he follows the arrow and climbs over it and out of the sign. The change that is taking place here is phenomenal. As if one being would leave its sex to taste of the other. Only that the change is not so completely carried out. One remains a bit far in the posture, which makes the way on both sides possible for one. There is skilful dancing in the middle and at the border, always ready to step back into one or the other circle of the sexes according to your mood.
Rosemary and lemon, which, together with bergamot at the beginning, certainly contributed the masculine and at the same time short fresh note, spent their time in the air, wearily lie down in soft leather and sip a cup of tea for refreshment. At least you want to scout out the party on the other side later. As a present there is a bouquet of flowers and as you set off there are fine, dense and deliciously ambered fog wafting towards you. The host is delighted with the flowers and invites the new arrivals to join the other invited guests, serving tonka beans with incense. The effect of the snacks is almost intoxicating. Slightly dazed by the fog and the delicacies, at midnight it's back to the circles, animated again, where you can't really decide where you want to go. The vote finally falls at five past twelve to the middle in between. After all, it is she who is the centre of the fragrance, his heart, his soul, not what he was before but what he is...And the aromas of this creation? They are their mysterious, blurred and intangible border creatures, dancing night after night under the starry sky anew between their worlds...!
4 Comments
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Statements

5 short views on the fragrance
ManzoorManzoor 8 months ago
Beautiful scent.
Poor sillage.
you get the powdery sweet whiffs for a long long time.
Beautiful bottle poorly manufactured,
Always has sprayer issues.
0 Comments
MickanMickan 9 months ago
8
Bottle
6
Sillage
4
Longevity
9
Scent
This is so good, too bad its gone.
One of the best perfumes!
Bulgari Black but better and more complex.
0 Comments
OmardoOmardo 1 year ago
9
Scent
really really similar to Bulgari Black, I love them both, too bad they are not produced anymore.
0 Comments
HugoMontezHugoMontez 2 years ago
9
Bottle
7
Sillage
7
Longevity
8
Scent
A cross between Bvlgari Black and Arpège pour homme. A powdery-leathery feel with rosemary and tea. Smells like baby wipes up close. 3/5
0 Comments
HajuvanaHajuvana 7 years ago
So very Menardesque it's my favourite Menardo composed by outside perfumer.
0 Comments

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