Mineral notes
Tiaré
Gobetthomas
27 Reviews
Gobetthomas
1
It doesn't break three legs to a duck, but it's a really nice addition to the Jardin line !
I've been waiting for MONTHS now for this fragrance because the Jardins is my favorite collection and releases a new scent every three years when Ellena was at the command of Hermès, and every four years since Nagel took over. I was afraid of being disappointed as I reserved the last spot in my perfume collection for this Jardin, but I'm pleasantly surprised. I've only tested it twice so far, so take my opinion with tweezers, but I already like it a lot.
I read a lot of articles in the last two weeks, mainly Christine Nagel's interview with Vogue. I tried to imagine the scent and I was expecting something really marine but not marine in the classic mainstream men-freshie-marine-fragrance sense, more in the fishy-market way or something like that, so I was a little bit afraid of what it would be like, especially since Nagel has much more "grain" than Ellena in her work, she likes to create more textured smells than him, and some kind of synthetic-modern ideas (but I love her work too, she's one of my favorite nose).
Anyway, I tested the Jardin under the sea on paper and on my skin, and it was a pleasant and really nice surprise.
In my mind, it's a cousin (but not too close, maybe a second, third, or even fourth cousin) of Wood Sage & Sea Salt (for the salty, iodine-rich air, sea breeze aspect), as well as Un Air de Bretagne by L'Artisan Parfumeur (for the seaweed, kelp, sandy beaches on the edge of a northern sea with a cold sea breeze, in Bretagne or on the Irish/Scottish coasts). But the whole thing is made much more sunny and "paradise island" with the tiare flower (which I personally love, but it's a note that is apparently difficult to like, from what I can see when reading reviews of certain perfumes that contain a note of tiare).
As for the tamanu nut note (which is supposed to be a mix between coconut and walnut in terms of smell from what I found online), I was afraid it would smell too nutty, but in the end it didn't at all. I have trouble distinguishing the note because I'm not familiar with it, but nothing in the fragrance shocks me, so I've deduced that this note is a good one lol.
And FYI: for anyone who has the same problem as me with fruity-sweet/coconut/milky notes, which change on my skin and smell less like coconut or peach and more like burnt synthetic plastic, there's no problem here. My skin makes C14 and C18 aldehydes/gamma-undecalactones (used in perfumery to create peach or coconut notes) turn, but here nothing turns into synthetic moldy plasticky mess; it stays natural, just like on the test strip, so yeay, good news !
The only difference I notice on my skin compared to the test strip is that my skin brings out a very salty aspect of the fragrance that is not very noticeable on the test strip, but this is not a problem; on the contrary, I find that it makes the fragrance even more appealing. (Then again, I'm a fan of salty notes in general, so my opinion is biased), but this is a fragrance that absolutely must be tested on the skin because I find that the scent is really more beautiful that way.
The opening of this fragrance is really beautiful, it's extremely fresh, much more than I expected before testing it, quite floral, and ultra-luminous. It's really an ideal fragrance for summer (to the point where I can't imagine wearing it in winter). I don't think tiare is the only flower used, but everything is well balanced.
I kept the scent strip, and it's been in my apartment for 48 hours now. I've smelled it 3-4 times since I came home from the store on Monday when the fragrance was released, and the very fresh, floral, and luminous opening has transformed into something very similar (I'd say a first cousin now) to Air de Bretagne by L'Artisan Parfumeur. It's very salty, quite seaweed-like, but not dirty, and absolutely not fishy. Fortunately, it doesn't smell like a fish market, it just smells like the seaside with seaweed, but in the form of a pleasant fragrance, and I'm a fan of that. It's quite interesting how the development of this fragrance resembles a journey from Tahiti to Bretagne or Scotland. We are along the coast or the ocean the whole time, but we go from the ocean of a paradise island where you stay in shorts all day in the opening of the fragrance, to the ocean of a cold and windy place where you almost need to wear a sweater when you go to the beach.
If you like the iodine smell of the sea when you go to the beach, I think you will love the closing of this perfume :)
Anyway, all this blabla to say:
It is certainly the most "bizarre" fragrance in the garden collection from Hermès (it's not a bizarre one, just the *most* bizarre), but that's what makes it all the more interesting. It's different, quite unique, adding something intriguing to the collection without being redundant (because I was afraid of a salty and woody white flower redundancy from the Jardin sur la Lagune).
It doesn't break three legs to a duck (no idea how to translate that in English), and does not reinvent the wheel, but it's very intersting, it's almost experimental, you could say ?
I think it will possibly be the most polarizing fragrance in the Jardin collection and it would not suprise me if the rating isn't the highest in the following months : either you love the almost bizarre side of this fragrance, or you hate it.
Personally, I will definitely be adding it to my collection as soon as I have the opportunity to buy it, and I advise everyone reading this to go and test it, on a strip and on your skin, if only for your general olfactory culture, or just to try something different !
And last thing before I head out : I try to find a music to match every perfume I have in my collection based on vibes, kind of a perfume-music synesthesia, and for this new Jardin, the closest match I can find is Music to Watch Boys To by Lana.
I read a lot of articles in the last two weeks, mainly Christine Nagel's interview with Vogue. I tried to imagine the scent and I was expecting something really marine but not marine in the classic mainstream men-freshie-marine-fragrance sense, more in the fishy-market way or something like that, so I was a little bit afraid of what it would be like, especially since Nagel has much more "grain" than Ellena in her work, she likes to create more textured smells than him, and some kind of synthetic-modern ideas (but I love her work too, she's one of my favorite nose).
Anyway, I tested the Jardin under the sea on paper and on my skin, and it was a pleasant and really nice surprise.
In my mind, it's a cousin (but not too close, maybe a second, third, or even fourth cousin) of Wood Sage & Sea Salt (for the salty, iodine-rich air, sea breeze aspect), as well as Un Air de Bretagne by L'Artisan Parfumeur (for the seaweed, kelp, sandy beaches on the edge of a northern sea with a cold sea breeze, in Bretagne or on the Irish/Scottish coasts). But the whole thing is made much more sunny and "paradise island" with the tiare flower (which I personally love, but it's a note that is apparently difficult to like, from what I can see when reading reviews of certain perfumes that contain a note of tiare).
As for the tamanu nut note (which is supposed to be a mix between coconut and walnut in terms of smell from what I found online), I was afraid it would smell too nutty, but in the end it didn't at all. I have trouble distinguishing the note because I'm not familiar with it, but nothing in the fragrance shocks me, so I've deduced that this note is a good one lol.
And FYI: for anyone who has the same problem as me with fruity-sweet/coconut/milky notes, which change on my skin and smell less like coconut or peach and more like burnt synthetic plastic, there's no problem here. My skin makes C14 and C18 aldehydes/gamma-undecalactones (used in perfumery to create peach or coconut notes) turn, but here nothing turns into synthetic moldy plasticky mess; it stays natural, just like on the test strip, so yeay, good news !
The only difference I notice on my skin compared to the test strip is that my skin brings out a very salty aspect of the fragrance that is not very noticeable on the test strip, but this is not a problem; on the contrary, I find that it makes the fragrance even more appealing. (Then again, I'm a fan of salty notes in general, so my opinion is biased), but this is a fragrance that absolutely must be tested on the skin because I find that the scent is really more beautiful that way.
The opening of this fragrance is really beautiful, it's extremely fresh, much more than I expected before testing it, quite floral, and ultra-luminous. It's really an ideal fragrance for summer (to the point where I can't imagine wearing it in winter). I don't think tiare is the only flower used, but everything is well balanced.
I kept the scent strip, and it's been in my apartment for 48 hours now. I've smelled it 3-4 times since I came home from the store on Monday when the fragrance was released, and the very fresh, floral, and luminous opening has transformed into something very similar (I'd say a first cousin now) to Air de Bretagne by L'Artisan Parfumeur. It's very salty, quite seaweed-like, but not dirty, and absolutely not fishy. Fortunately, it doesn't smell like a fish market, it just smells like the seaside with seaweed, but in the form of a pleasant fragrance, and I'm a fan of that. It's quite interesting how the development of this fragrance resembles a journey from Tahiti to Bretagne or Scotland. We are along the coast or the ocean the whole time, but we go from the ocean of a paradise island where you stay in shorts all day in the opening of the fragrance, to the ocean of a cold and windy place where you almost need to wear a sweater when you go to the beach.
If you like the iodine smell of the sea when you go to the beach, I think you will love the closing of this perfume :)
Anyway, all this blabla to say:
It is certainly the most "bizarre" fragrance in the garden collection from Hermès (it's not a bizarre one, just the *most* bizarre), but that's what makes it all the more interesting. It's different, quite unique, adding something intriguing to the collection without being redundant (because I was afraid of a salty and woody white flower redundancy from the Jardin sur la Lagune).
It doesn't break three legs to a duck (no idea how to translate that in English), and does not reinvent the wheel, but it's very intersting, it's almost experimental, you could say ?
I think it will possibly be the most polarizing fragrance in the Jardin collection and it would not suprise me if the rating isn't the highest in the following months : either you love the almost bizarre side of this fragrance, or you hate it.
Personally, I will definitely be adding it to my collection as soon as I have the opportunity to buy it, and I advise everyone reading this to go and test it, on a strip and on your skin, if only for your general olfactory culture, or just to try something different !
And last thing before I head out : I try to find a music to match every perfume I have in my collection based on vibes, kind of a perfume-music synesthesia, and for this new Jardin, the closest match I can find is Music to Watch Boys To by Lana.
Updated on 02/25/2026
mono22
Sveti
Nst85
