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Demi-Jour 1929 Eau de Parfum

7.6 / 10 46 Ratings
A popular perfume by Houbigant for women, released in 1929. The scent is floral-sweet. The production was apparently discontinued.
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Main accords

Floral
Sweet
Woody
Spicy
Chypre

Fragrance Pyramid

Top Notes Top Notes
AldehydesAldehydes BergamotBergamot VioletViolet
Heart Notes Heart Notes
HeliotropeHeliotrope JasmineJasmine Lily of the valleyLily of the valley Orris rootOrris root RoseRose Ylang-ylangYlang-ylang
Base Notes Base Notes
CedarwoodCedarwood MuskMusk OakmossOakmoss SandalwoodSandalwood
Ratings
Scent
7.646 Ratings
Longevity
7.135 Ratings
Sillage
6.333 Ratings
Bottle
8.046 Ratings
Submitted by Lissy · last update on 04/06/2025.
Source-backed & verified
Variant of the fragrance concentration
This is a variant of the perfume Demi-Jour (Eau de Toilette) by Houbigant, which differs in concentration.

Smells similar

What the fragrance is similar to
Demi-Jour (Eau de Toilette) by Houbigant
Demi-Jour Eau de Toilette
Diamonds and Sapphires (Parfum) by Elizabeth Taylor
Diamonds and Sapphires Parfum

Reviews

4 in-depth fragrance descriptions
Lauser93

1199 Reviews
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Lauser93
Lauser93
7  
A Beautiful Women's Fragrance
Upon applying "Demi-Jour (Eau de Parfum) | Houbigant," it was love at first scent. The fragrance DNA is so lovely, beautiful, feminine, delicate, and heartfelt. I find the scent timeless and suitable for almost any occasion. The fragrance becomes intimate after about 5-6 hours and remains quite subtle in the background after 8-10 hours. Nevertheless, I can still detect a minimal trace on my hand even after almost 16 hours. The sillage is somewhat weaker and not overwhelming or bothersome.

The top note starts aldehydic, fruity, floral, and slightly green. I recognize bergamot, iris, violet, and a sweet, jam-like aroma. The heart note has a chypre, soapy scent and a floral sea consisting of heliotrope, jasmine, ylang-ylang, lily of the valley, and roses. The base continues to smell jammy, sweet, woody, balsamic, and animalic with musk, sandalwood, and cedarwood.

For me, this ultimately is a wonderful fragrance. Therefore, my miniature will stay with me. I also notice a similarity to "Diamonds and Sapphires (Parfum) | Elizabeth Taylor."
10 Comments
Minigolf

2540 Reviews
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Minigolf
Minigolf
Top Review 8  
Memories of the Past Summer-or a Preview of the Coming One.....
This autumn, it so happened that I got to know fragrances that I had never encountered before. Thanks to a lady who offers her perfumes in a consignment or "flea market hall" (Bring it to us, we sell it), and that at a very reasonable price. Unused scents from the 70s/80s. Also the "Demi Jour" by Houbigant. A round, ribbed bottle, just like the one pictured here, and the golden-brown contents. The scent: Delightfully late-summery, golden sunny, warm, but also a hint of freshly harvested hay and moss. At first, shortly after spraying, a kind of green hay note comes to my nose, which merges with-(strange sensation!?)-dark violet tones, which in turn are enveloped by citrus-green freshness. Much later, the transition is gradual, the flowers get to work, led by iris (very cool) and jasmine (warm and bright), rose lying in wait and lily of the valley in the background. It is somehow the scent of summer, which starts off very cool and can still bring ground frosts in some places at the beginning of June, transforms into a record-breaking heat bringer, and finally reaps a good harvest in the meadows (it has rained well a few times), and ultimately ends in a golden autumn. I can already sense the oak moss in the base, then smell it distinctly. Just like some fine woods and damp accords that announce the cooler and darker part of the year. ......Only to ultimately offer a little taste of the coming summer, as the flowers and blossoms, yes, even GRASS and HAY, come alive again and again in this long-lasting "Demi Jour" for me. A fragrance, perfectly made for many days, many occasions, and to simply carry summer and autumn on your skin all year round. To spread melancholy at times and cheerfulness at others. Or simply to relax olfactorily. "Demi Jour" carries much within itself.......
1 Comment
Palonera

467 Reviews
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Palonera
Palonera
Top Review 24  
on the bench
It had become autumn.
The sun still shone warmly, but its rays had lost their strength, their heat; they no longer penetrated through all the layers of clothing down to the skin.
In the mornings, he was no longer awakened by the concert of birds, which seemed to expand their repertoire daily and which he had listened to in a half-sleep until the beeping of the alarm clock finally put an end to the night.
They were not all gone, no, not all, but the orchestra had clearly shrunk.
When he left the house, the leaves rustled under his feet, a little more each day - he loved the sound since his childhood, the crackling and popping, the gentle scraping and the fluttering when the wind carried the leaves along.
They smelled golden and spicy, warm and a little salty, like some of the spices in grandmother's old spice cabinet.
She had scolded him when he had shuffled through the ankle-high leaves to play the music of the old leaves, had admonished him to lift his feet, to take care of his heels - the cobbler had been expensive back then in the village, they had had no money for that.
He smiled at the memory - she had been round and resolute, his grandmother, rarely had she held back her words and had what one called "a heart in the right place."
And she had baked the best apple pie in the world, he remembered again as he sat on the bench and lifted his face to the sun - now was the time for it, now she would be in the kitchen peeling apples, kneading the dough, asking him questions and chatting while he sat at the table chewing on his jam sandwich, when...
Yes, when she had not passed away one day in November, just like that.
They had found her in the barn, half under the cow she had just milked, the milk in the bucket still warm.

He sighed.
It had been a long time since he had been a boy, a very long time.
He no longer knew exactly which autumn it was that he was now experiencing.
It did not seem important, not as important as other things.
Soon she would come, he knew that.
He would hear her light steps, the approaching rustle of the leaves, which would end where he sat, where he sat every day, all spring long and summer, day after day, always at the same time.
He had been lucky, it had never rained in all those months, not at this time, not on this bench, where he sat and waited for her.
And she had come, every day, on Wednesday as on Sunday, always at the same time, had sat down beside him and remained silent, simply silent, for as long as it took for her to know that he had gotten used to her, that it was good, good and right.
He had sat beside her and known that it was she who sat there, not someone else, no stranger who had happened to pass by.
He had listened to her breath, calm and deep and as steady as a metronome.
When the wind was favorable, it had carried her scent to him, which was gentle and warm, light and bright like a breeze from the water and as sweet as the dried apricots of his childhood.
It mingled with the flowers close to the bench and far back in the park - they had been lily of the valley in spring and the powdery velvet of violets, which must have been very close, very close, because their scent did not carry that far, he knew.
In summer, it intertwined with the roses, which ranged from watery-rosy to the deepest black-red, she had told him.
With the buzzing of the bees came a hint of nectar, stirred up by the bright plumes of the fountain, grounded by the aromas of the rustling canopy of leaves above his head and the rough, dark wood of the tree trunk.
Now the air was different, no longer silky and floating like a delicate chiffon scarf - it seemed to crackle a little in the broken warmth of October, almost crispy from the brittle dryness of the fallen leaves.
Soon she would bring forth the blades, the narrow icy ones that cut into his face and hands - but there was still time, still...

Sometimes, when he could not sleep at night, he tried to imagine what she might look like, whether she was tall or motherly soft, whether her hair was curly or hidden under a scarf, whether her skin might be as warm as her voice.
She spoke softly and very clearly - he imagined that she could not be very young anymore, that she had seen many summers and some hardships.
She had always been kind and reserved, had sounded cheerful and sometimes only serious, a smile woven through vowels and syllables, nestled in the corners of his mouth.
It felt good to think of her, of the sound of her voice and the melody of her language, of her laughter as well as her silence.
And of the warm feeling in his belly that had come with her one day when he realized that he was waiting for her.
Just like now.
Any moment now, he would hear the soft clicking of her heels approaching, the leaves swirling closer and closer, to stop where he sat, where he always sat, the bench would creak softly under the weight that settled beside him.
He listened.
He was still listening when the park keeper began his last round.
17 Comments
Seerose

775 Reviews
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Seerose
Seerose
Very helpful Review 0  
Actually Masterful
I have a vintage and also an extrait of "Demi-Jour" - as a mini. And I am somewhat disappointed. So far, Houbigants have thrilled and delighted me. But with this midday scent, none of the impressions seem to set in. Unfortunately, there is no comment yet, so I first read only the comments on the "Dana" version of "Demi-Jour."
Demi-Jour is a perfect fragrance from the 80s of the 20th century. Perhaps that is the reason for my lack of enthusiasm. Because my first feeling was: "Ah, another rich floral-oriental chypre scent, one of many from that time."
The aldehydes do not push forward with penetrating soapiness; violet and bergamot form a distinct unit as an overture. The floral blend that follows as the heart note is complete and masterful. Neither the lily of the valley nor the jasmine "stinks." No, they also create a not overwhelming floral quality that develops into a distinctive Houbigant-type blend with heliotrope and rose, embraced by the slightly scratchy sweetness of ylang-ylang. Certainly, many more floral essences are incorporated. I perceive a subtly oriental spice blend and now also a slightly green touch.
This rather not overly sweet heart note persists and is then complemented by slightly soapy aldehydes.
The oak moss is even perceptible to me; woods and resins underpin the heart note in a pleasant way. The musk, one that can indeed be called that, is well-mannered and obedient. I would call this a restrained base.
Conclusion: Not too much of anything, not unbearable, not overwhelming, a certain citrus woodiness paired with spices gives "Demi-Jour" a bit of herbaceousness and still allows the chypre character to be recognized.
I think of Quelques Fleurs, Raffinée, Lutèce. In this order, I like the three, which I also have as extrait in minis and with which I am extremely sparing. They are lush, floral; Lutèce is sometimes a bit too musky for me.
Extraits do not have the sillage of an EdP, nor does "Demi-Jour."
I feel ambivalent about the scent. Certainly, "Demi-Jour" has the typical Houbigant character. On one hand, "Demi-Jour" is beautiful, masterful, and on the other hand, again and again, even in the third test, comes the thought: One of many scents of this kind. I somehow miss a little roughness, something that disturbs the perfection, something bitter, herbal, or more resinous with a hint of smokiness? Perhaps also a bit of animalistic civet that was obligatory in these scents and that has completely hidden itself in "Demi-Jour"?
Thus, it is an elegant feminine fragrance that lacks nothing. Aside from the mentioned Houbigant scents, many other fragrances from the perfume era come to mind that are quite similar, sometimes finer, sometimes more burlesque. While I ponder the final consideration indecisively, it occurs to me: "Demi-Jour" is an old-fashioned scent. And even though I liked and still like such scents: I would never wear "Demi-Jour" for interacting with other people, just as I never do with most scents from that time. I never did that back in the 80s because I did not want to stand out with such scents at any cost.
4 Comments

Statements

8 short views on the fragrance
27
34
Magic
from times gone by
a hint of soap
a noble floral perfume
skin contact
first cool, then warm and intimate.
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34 Comments
23
35
In the dim light of the wood-paneled room, two people, intimate and familiar, skin to skin. A cool breeze flows through the open window. °°°
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35 Comments
22
34
Vintage Houbigant. Blind buy because of the great bottle, unfortunately not my thing at all, cloyingly sweet artificial floral oils, suffocates me.
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34 Comments
14
12
Demi Jour knows the night
projects its light
into sensually pulsating depths
lightdarkflowers
expectantly powdery
in the musk canopy bed
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12 Comments
13
5
Very lush, overflowing floral chypre with almost narcotic potential. Interesting for vintage flower fans.
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5 Comments
12
6
Aldehyde-bellflower explosion is caught by woody violet. Then everything spins in a floral carousel until it feels quite sandy. Good!
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6 Comments
10
4
Dream sequences, colorful images in warm tones, enchanting classics. Abundance of blossoms and forest delight. Cool silence and warm murmurs. WONDERFUL
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4 Comments
7
2
Aldehyde in the opening, a frame of chypre and floral richness, with wood, moss, and for my taste, too much musk in the base: demanding.
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2 Comments
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