Genius: Here, "my sin" does not lead to ruin, but directly to heaven, to a very sensual fragrance heaven, at least. What more could one need?
The word "sin" has nothing to do with sense or sensuality, but rather with "but," to separate oneself, to close off. In this sense, it would indeed be a sin to ignore or push aside sensuality! The theologian and mystic Teilhard de Chardin holds the view that the refinement of the senses is a divine task. So, feeling, tasting, seeing, smelling, experiencing everything as intensely as possible... This fragrance invites me to do just that.
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Even the tingling of the top notes makes me feel the scent. Later, it becomes so sensual-powdery that I want to feel more and more with and on my skin and can’t get enough… Like smooth dry silk on the skin, which has a certain weight but glides over the body gently like a tender touch. The jasmine and ylang-ylang used here create a tactile olfactory experience, like soft lips touching warm skin.
And I imagine tasting precious flower nectar from your lips… Literally drinking and savoring the scent of your skin…
For the eyes, there are many beautiful old advertising images; many of them show a black cat, first as a drawing, later as a photograph, always with a mysterious gaze, sometimes almost lurking. In the photos, the black fur looks so inviting that I would love to stroke it, but I can’t be entirely sure what would happen then…
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My precious version is the EdT from 1969… Strong aldehydes are not present at the beginning, but there is beautiful clary sage and a bit of dark bitter citrus peels and neroli. Quite soon, flowers appear, and what flowers they are… definitely beautiful lilac, daffodil, soft jasmine, lily of the valley, just a tiny bit of rose, so that I have the colorful hues of a lush large bouquet in my mind. Later, through body heat, the extroverted-bright-cheerful notes gradually recede, becoming initially indolic, lush, overripe, decadent, and then increasingly powdery with very beautiful iris root. And again, I think of soft skin. The clove here is truly spicy-clove-like, never sharp, while styrax brings a resinous quality, later I have dry-powdery unsweet vanilla and soft fine musk. It doesn’t become very woody for me; the sometimes indicated reference
Bois des Îles Eau de Toilette (due to the aldehydic beginning against a woody background) I cannot confirm. Rather, there is a kinship to "Narcisse Noir (Eau de Cologne) | Caron," because of the beautiful civet-colored flowers. Because of these wonderful animalistic flowers, I understand why the fragrance has been marketed since 1924 as the "most provocative perfume."
My Sin is so sensual that it must have been shocking back then. It is stunningly animalistic. I almost want to say it is a very sexual scent, yes, even naughty - but these words do not quite fit its sophistication.
It is very complex - and yet quite simple.
Light as silk lingerie, heavy as longing desire.
Wild and exquisitely refined.
A floral beast.
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"One must see, touch, live in the present, drink existence hot in the midst of reality itself. […] You need oil for your limbs - blood for your veins - water for your soul - […]. Bathe in matter [...]. Dive into it, where it is most violent and deepest! Struggle in its stream and drink its flood! It has once rocked your unconscious - it will carry you to God!" (Teilhard)
Come what may. Taste it, whatever it may be.
Yes!
I saved this review for today. My dears, today we celebrate sensuality! On one hand, this fragrance from 1924 is 100 years old this year. And I wish you all a wonderful transition into May tonight… quietly, or joyfully-sociably, or extravagantly, however you like!