
loewenherz
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loewenherz
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19
Where do you go to my lovely?
Penhaligon's, one of the most traditional British perfumers, looks back on a company history of nearly 150 years and has gifted the world with fragrance jewels like Blenheim or Hammam Bouquet, Bluebell or English Fern. Apart from Floris, there is no other manufacturer in the UK that has been able to shape the olfactory identity of our northwestern island neighbors in such a way. If one had to name 'the British perfume' - it would be from Penhaligon's! To acquire (and maintain) such a reputation requires quality, consistency, innovation, and sensitivity. In addition to the aforementioned old-school classics, the house repeatedly manages to create contemporary, new 'young classics' - Sartorial, for example, or Juniper Sling. Not all of them were to my liking, but there was a clearly recognizable line that was based on the reinterpretation of its own tradition and was therefore convincing.
Blasted Heath, 'blasted' or 'destroyed heath' - 'blasted' can also mean 'cursed' in English - the idea of deconstructing a traditionally green-fresh fragrance seems spontaneously successful - what could be more English (or Irish or Scottish) than a heather scent? Unfortunately - and it is more regret than 'just' displeasure - the implementation lacks all the previously mentioned attributes: sensitivity, consistency, and quality. A house like Penhaligon's will never become the favorite of youthful disco-goers who might like a fragrance like this. And even within the cohort of 'new' dark aquatic scents - and Blasted Heath attempts to align itself with this - there are far rounder, more beautiful, and more original ones than this. Blasted Heath relies on a green-aquatic base accord, which reveals its synthetic origin from the first to the last moment - assuming that this is what the fragrance tries to mark as innovative. None of the notes added to this accord manage to connect with Penhaligon's essence and tradition, so that this perfume in the familiar bottle with the court supplier insignia and the beloved little bow disturbs and irritates me.
Conclusion: 'Where do you go to my lovely?' asks British singer Peter Sarstedt in 1969 in his eponymous song and implores his childhood friend not to forget her origins and her roots. One is tempted to send a recording of it to London and hope that someone there hears it.
Blasted Heath, 'blasted' or 'destroyed heath' - 'blasted' can also mean 'cursed' in English - the idea of deconstructing a traditionally green-fresh fragrance seems spontaneously successful - what could be more English (or Irish or Scottish) than a heather scent? Unfortunately - and it is more regret than 'just' displeasure - the implementation lacks all the previously mentioned attributes: sensitivity, consistency, and quality. A house like Penhaligon's will never become the favorite of youthful disco-goers who might like a fragrance like this. And even within the cohort of 'new' dark aquatic scents - and Blasted Heath attempts to align itself with this - there are far rounder, more beautiful, and more original ones than this. Blasted Heath relies on a green-aquatic base accord, which reveals its synthetic origin from the first to the last moment - assuming that this is what the fragrance tries to mark as innovative. None of the notes added to this accord manage to connect with Penhaligon's essence and tradition, so that this perfume in the familiar bottle with the court supplier insignia and the beloved little bow disturbs and irritates me.
Conclusion: 'Where do you go to my lovely?' asks British singer Peter Sarstedt in 1969 in his eponymous song and implores his childhood friend not to forget her origins and her roots. One is tempted to send a recording of it to London and hope that someone there hears it.
4 Comments



Aquatic notes
Clary sage absolute
Seagrass absolute
Clearwood™
Green leaves
Tobacco absolute
Whisky
Musk
Vetiver CO2
Gaiac wood
Nootka cypress
Patchouli








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