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Notes12/29/2019
NikEy
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NikEy
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17
In the aldehyde dance: When everything stops for a moment...
Russian Adam manages to pick me up again. Although he leaves me at a loss as to how to classify them, at the same time he triggers a deep familiarity, a warming feeling of well-being. Not that I associate scents like these with those of my mother, father, grandpa or grandma - on the contrary, Adam's creation does not seem old-fashioned to me at all - rather it is rather a deep primal sound, a murmur inside, which makes many things stand still and conjures up deep peace. It remains to be seen whether the 'antique' ingredients or rather the art of perfumery are really involved instead of this non-existent memory.
Antiquity writes dark leather and overly obvious patchouli as a freestyle of its kind. Whoever expects an extreme at this point will be disappointed. Neither earth (which I personally can't stand at all, and that's why I'm not a patch friend) nor chocolate patch, it's rather a resinous-dusty-dark patchouli note, which I didn't know so far Peach aldehydes as a vintage accord extremely loosen up the fragrance. They bring in a hardly explainable way a floating way and a subtile freshness, appear light fruity and form the construct for me, which makes this fragrance to become what it is. Dragging him out of the dark resinous splint. Which help him to move away from dull-earthy perfumacy to airy-floating lightness. The in between clear fruit aspects flash up and sometimes even seem almost clean.
Musk and oud contribute an animalism that is not faecal but dark and gives the fragrance an unmistakable physicality. Even if the unsweet, almost clean-looking fruit is often in the foreground, some will probably get out at this point. I find the animalism to be clearly within the acceptable range. It also later forms the basis that keeps the fragrance on the skin until the next morning
Great stories are written but remain a mystery. That's how I feel about antiquing. But who cares: what could be more beautiful than simply enjoying the experience reclined and inevitably fading out the analytical side except for a few aspects. Once again, a masterpiece of Adam's...
Antiquity writes dark leather and overly obvious patchouli as a freestyle of its kind. Whoever expects an extreme at this point will be disappointed. Neither earth (which I personally can't stand at all, and that's why I'm not a patch friend) nor chocolate patch, it's rather a resinous-dusty-dark patchouli note, which I didn't know so far Peach aldehydes as a vintage accord extremely loosen up the fragrance. They bring in a hardly explainable way a floating way and a subtile freshness, appear light fruity and form the construct for me, which makes this fragrance to become what it is. Dragging him out of the dark resinous splint. Which help him to move away from dull-earthy perfumacy to airy-floating lightness. The in between clear fruit aspects flash up and sometimes even seem almost clean.
Musk and oud contribute an animalism that is not faecal but dark and gives the fragrance an unmistakable physicality. Even if the unsweet, almost clean-looking fruit is often in the foreground, some will probably get out at this point. I find the animalism to be clearly within the acceptable range. It also later forms the basis that keeps the fragrance on the skin until the next morning
Great stories are written but remain a mystery. That's how I feel about antiquing. But who cares: what could be more beautiful than simply enjoying the experience reclined and inevitably fading out the analytical side except for a few aspects. Once again, a masterpiece of Adam's...
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BertolucciK
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