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Enlèvement au Sérail 2006

7.4 / 10 46 Ratings
A perfume by Parfums MDCI for women, released in 2006. The scent is floral It is still in production.
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Main accords

Floral
Chypre
Spicy
Oriental
Sweet

Fragrance Pyramid

Top Notes Top Notes
Ylang-ylangYlang-ylang Mandarin orangeMandarin orange Italian bergamotItalian bergamot
Heart Notes Heart Notes
Jasmine sambacJasmine sambac TuberoseTuberose Aegean wallflowerAegean wallflower Turkish roseTurkish rose
Base Notes Base Notes
PatchouliPatchouli VanillaVanilla Haitian vetiverHaitian vetiver Indian sandalwoodIndian sandalwood

Perfumer

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Ratings
Scent
7.446 Ratings
Longevity
7.835 Ratings
Sillage
7.032 Ratings
Bottle
8.444 Ratings
Submitted by Andi136 · last update on 06/25/2025.
Source-backed & verified

Smells similar

What the fragrance is similar to
Samsara (Eau de Parfum) by Guerlain
Samsara Eau de Parfum

Reviews

7 in-depth fragrance descriptions
9Scent
Sherapop

1240 Reviews
Sherapop
Sherapop
Very helpful Review 5  
Well now, this is truly beautiful!
One of the most delectable perfume testing experiences I've had has been taking my time meandering my way through the wonderful box of 10ml bottles of the Parfums MDCI Paris collection. I don't recall exactly how much I paid for this pleasure (although I'm sure that it was less than one of their bottles), but it has been worth ten times that amount. This box is bursting with beauty.

A case in point, ENLEVEMENT AU SERAIL is a classic oriental featuring big, luscious jasmine. There's really no comparison to true, high-quality jasmine in a complex perfume carefully composed, and that is exactly what ENLEVEMENT AU SERAIL is. I was wearing Creed JASMIN IMPERATRICE EUGENIE yesterday, which is also gorgeous, but it is a much simpler creation, featuring a rich vanilla base and glorious jasmine in perhaps historic concentrations.

With this MDCI Paris creation, I feel almost as though the core of JASMIN IMPERATRICE EUGENIE is present, but it has been dressed up a bit with some complementary flowers--ylang, tuberose, rose, and wallflower are all listed among the notes--and enough patchouli and woods to add depth but without turning this into a patchouli perfume.

There seems to be a dosing issue these days with more and more patchouli being added to perfumes perhaps in response to consumer behavior, but I do not think that every floriental perfume needs to be a patchouli bomb, and ENLEVEMENT AU SERAIL is not. This is a well-balanced use of patchouli and woods to enhance not compete with or mask the flowers. I cannot say that I smell the other flowers--beyond the jasmine--as individual notes, but again I feel that they are there supporting the jasmine and making it seem much richer than even the finest soliflore.

I really love this perfume. It's perfect for wintertime and a welcome reminder that real perfumery is still being done here and there... Call me a "bitch" if you must, but I do not believe that every single person on the planet was meant to be a perfumer. It takes both talent and hard work to create fine perfume. The person who created ENLEVEMENT AU SERAIL, Francis Kurkdjian, has earned the right to be called a perfumer.

Needless to say, I respectfully disagree with Callas, below, and I also have no idea why anyone would even begin to compare this perfume to Guerlain MITSOUKO, with which it has very little in common, it seems to me. This is a floriental perfume, not a fruity chypre.
1 Comment
Tar

261 Reviews
Tar
Tar
Helpful Review 3  
Seventh Sin
I am going to feel remorse. I know that Francis Kurkdjian is a well known name amongst parfumeurs, and I know many parfumes of this talented man, what's more I like many of them. But only if they are unisex or man perfumes. This is the seventh fragrance for women of him tested by me, and the seventh disappointment - and I began to feel that something is wrong with me, not with his artifacts.

First of all: this juice is strong enough to run 3 meters before you on the street.
Second issue: it is strong enough to gluing to the wrist after 3 scrub.
Third: a nice, delicate and refined Jasmine is hiding there.
Fourth: the bottle is beautiful.
Fifth: the scent is complex and special, can not be compared exactly to other fragrances, and totally recalling the notion of a serail.

On the other hand:
Sixth: Why did they put a Greek head on the top of an expressly oriental frag? I know Parfums MDCI has the same head for every women parfume, but c'mon...
Seventh and main point: I feel a (sexually) filthy, resinous base behind my nose, which makes me drowning, I do not know why. Enlèvement was done not for philanthropical reason. This is the cause what estranges me from Enlevement au Sérail.

Anyway, contratulation to Francis Kurkdjian for this well-created fragrance.
0 Comments
Mercer

78 Reviews
Mercer
Mercer
3  
Dated, mature jasmine that turns into moth balls
This is a very feminine, very sweet shite floral that is dominated by Jasmine. In particular, JasmineJasminum Sambac (Arabian) as opposed to another commonly used Jasmine in perfumery, Jasminum Grandiflorum (Spanish). Arabian jasmine is frutier, sweeter than the Spanish Jasmine.

In Jasmine you have the molecules indole and methyl dihydrojasmonate. Methyl dihydrojasmonate is responsible for that light, airy floral scent. Indole is what smells like a mothball.

For Enlèvement au Sérail you're getting 1 hour of that airy, white floral scent with strong projection (methyl dihydrojasmonate) and then after 1 hour it turns into indole (moth balls).

It's not completely 2 dimensional, both elements are still there throughout, but after that first hour when this becomes more powdery, creamier, it smells like a lotion made of moth balls.

This is one of the most mature, dated fragrances I've ever come across.
0 Comments
Callas

187 Reviews
Callas
Callas
0  
Kidnapping without heart
The kidnapping out of the seraglio takes place with me without good end.

MDCI, for women is described as a masterpiece by Francis Kukrdjan. I find this statement gripped very highly.
I am disappointed about this smell.

At first I am reminded of Ma Griffe by Carven although no lemon or tasty notes are existing here.
A gentle Chypre has shown himself later only for a short time. The transition softly and charmingly follows to Jasmin and Rose. I still could like him to here although sweet is a little too much already available. The base locks playing in the sandelwood with light vanilla and a trace.
Nice but also no more. The durability is miserable. I have tested Enlèvement Au Sérail repeatedly. After almost three hours he had to be foreseen only.

In other fora the smell is compared with Mitsouko. I cannot sign this even if head and heart note is contained in Mitsouko of MDCI.
MDCI cannot hand Mitsouko the water or the depth. For this the smell is far too superficial.
Also for this expensive bottle I wouldn't have myself kidnapped.
0 Comments
Turandot

840 Reviews
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Turandot
Turandot
Top Review 18  
Well, it can be different too
I now approach fragrances by F. Kurkdjian with a lot of caution. They rarely bring a smile to my face and are usually too loud, too flashy, and too contrived.

So I was all the more surprised that precisely within this line, a fragrance has emerged that touches on this point for me - smiling. I had also expected that F.K. would indulge in the theme of the Orient and not only cater to the East but also all the clichés that the word Serail evokes for us. None of that happens, and while Yatagan suggests that Mozart would have captured the theme better, I agree with him, but the music of Mozart does indeed fit with its positive energy to the perfume. At the same time, Enlèvement au Sérail radiates a certain vulnerability.

I also experience a delicate, nostalgic floral scent that obviously doesn’t need fruity notes to attract attention. I cannot recognize the stated mandarin, nor do I miss it. Jasmine and tuberose sound more extravagant than the perfume presents itself, and the transition into the fine, powdery base is exceptionally harmonious. F.K. has created a fragrance that does not make a loud entrance, does not burst in through the door, and yet shows that he masters all areas of the perfumer's art.

I find it difficult to categorize. I like the scent, but I do not belong to the target group for which it was likely made. It is valuable, sophisticated, and yet, in my opinion, simply too expensive. Not only because it does not fit into my budget, but because it wouldn’t need to be placed on such an elitist level. In my opinion, it does not belong in the MDCI line but should be available to a larger circle of users.

So for me, there is a discrepancy between the name and the perfume; the theme has already missed the mark, and on the other hand, it has been somewhat sidelined by its association with MDCI. My conclusion, then: Yes, fine scent, I would use it if I received it as a gift. But it does not make it onto my wish list, and with that, I am at 70%.
9 Comments
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Statements

6 short views on the fragrance
6 months ago
1
Leathery, rosy. Makes me think of exquisitely fancy luggage.
0 Comments
11
3
EaS shows how to combine classic white flowers and fruit without it going to the dogs, but it remains a bit bland.
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3 Comments
3
Oriental chypre. Almost as beautiful as Jubilation 25. Why are the most beautiful scents always discontinued...?
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0 Comments
2
For so much money, such a little extraordinary scent, hhhmmmm. Nothing spectacular, and the longevity and sillage are average too!
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0 Comments
1
This one is rated way too low here. Great vanilla-rose scent. A bit like Guet Apens.
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0 Comments
1
1
Old bottle dump: Top note gone: only dominant-soapy-sharp aldehydes + ylang + patch + vetiver. Mirage of a beautiful + delicate scent. Rest thrown away.
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1 Comment
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