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Ttfortwo
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Osmanthus, quite different
We were sitting in the courtyard of a fortress ruin in the hot summer of southern France. I honestly can't remember for the life of me where that could have been, but it doesn't matter, as the scent was overwhelmingly intoxicating, dangerously headache-inducing, wafting from the countless tiny orange flowers of a beautiful shrub with lush green glossy leaves. The fragrance was intensely sweet and strong, fruity; I was captivated and secretly snapped a little photo, hoping to propagate it and take it home that way. Until my husband remarked that the scent reminded him a bit of toilet fresheners. Bam! Toilet fresheners!
And so my relationship with Osmanthus took a significant hit in no time at all.
And my not overly passionate, yet so far unclouded relationship with Fragonard's "Ile d’Amour," a rather unremarkable scent leaning towards freshness with Osmanthus as its core note, did too. I haven't worn it since.
Today, I wear "Lost Paradise," Marie le Febvre's homage to the unrestrained, unabashedly bold scents of the 80s, with a hefty dose of Osmanthus.
It is a very le-febvresque homage and thus: slim, transparent, floating. The fragrance does not copy; no, it describes the scents of the 80s and does so with soft, melodic words. This is not the typical pasty, compact brushstroke of the 80s; instead, it paints a feather-light watercolor on wet paper.
I must admit that I sometimes struggle a bit with scents from Ms. Le Febvre. The beauty that is undoubtedly present reveals itself to me more through what I would now call an intellectual approach, rather than through a sensual, emotional one. I feel the same way about "Lost Paradise."
The opening captivates with a very feather-light peachy velvet fruitiness, soft, sunny, delicately sweet, far removed from the cloying, heavy compote-like quality that spoils so many fruity fragrances for me right from the start. Along with a tiny citrus sparkle and a bit of herb, it is beautifully airy and is prevented from floating away by a loosely draped velvety golden-yellow ribbon (the jasmine?).
It’s quite an achievement to integrate a raucous note like Osmanthus in such a way that it appears almost fragile.
Over time, a gentle warmth emerges, a very soft spice carefully supports the previously extremely fragile glass-like structure from below. The fragrance becomes a bit more stable, the colors a bit more intense. Thus, the scent lingers for a longer time, downy, quiet, friendly.
And then it slowly fades into this friendly, velvety, powdery peaceful warmth.
And the toilet fresheners? I certainly noticed them; having seen Osmanthus in this way, I am likely spoiled for all time. However, they did not disturb me - and that is a huge compliment to this gentle fragrance.
That's already something.
Many thanks to FvSpee for the sample :)
30 Comments



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