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25
Thèse - Antithèse - Eau de Synthèse Extrême
I wasn't really going to like that scent at all. I was prepared to only test the sample sent to me by Puderduft18 (thank you!) en passant and maybe make a statement about it. But what can I do? Cedro di Taormina is talking to me. He tells me something and I think he's good. And I think he gets off too badly here on average (DaveGahan101s beautiful contribution from 2016 is one of the exceptions).
I must say in advance that my impressions cannot be linked to the name, because no karma connects me with Sicily and Taormina. In Sicily, I think of Commissario Montalbano and a few classic educational offshoots, the Attic expedition, Dionys the tyrant at Schiller. From Taormina I know that there is no figure from the Magic Flute and that there is a pizzeria "Taormina II" in Berlin. There you can get very good pizzas from nice Italians for real prices. I'd say it's almost an insider's tip - if you take it with equanimity or with an amused look for the bizarre, sitting at an ugly busy intersection and between Old-Schöneberg pensioner couples and jogging trousers waiting for their pizza to go. In short, I can concentrate entirely on the inherent qualities of perfume.
First of all: I can't understand the criticism of the shelf life. I dosed with about 5 sprayers (2 of them on my wrist "on top of each other") and after 6 hours I was still clearly enveloped by the beautiful base of the scent, and even after 11 hours there was more than just a last idea to be noticed. For a "light summer scent" (and for the fact that I don't have a very fine nose) I find this very remarkable. As for the projection, Cedro di Taormina (I recently read this in a commentary, I liked it) is an "aura scent", it doesn't kill and you can't smell it over a metre, it rather envelops the wearer, but with substance
This Parmigiano surprises with a strong, striking and hegelsch-dialectischen course: He sparkles first with a fresh, lively, round-balanced hesperidischen prelude, which surprises already very pleasantly, that is not quite everyday, there is something special there. On the other hand there are slight doubts whether this has not too little body and weight and whether it is not too arbitrary
Then, after about an hour, you think you have another scent in front of you: very, very woody, almost a bit pungent and almost unpleasant, pulling into the stinky-oughness and with the typical pencil note already mentioned here
After a short transition phase (about 2 hours after applying the fragrance), which I find to be full, round and almost fruity, a wonderful base emerges, which - as mentioned - lasts for many, many hours and - at any rate - pleases me to the fullest. I perceive them as woody and spicy on the one hand, fresh on the other (almost aquatic), overall a dark green impression of deep forest and rushing brook, the.... i know very well one of the first fragrances I bought consciously and which I still like very much today: It is Eau de Sauvage Extrême by Dior, a fragrance which I think is underestimated, perhaps because it is "only" a flanker, and to which I have already dedicated a defense comment here.
A glance at the pyramids confirms the finding: almost all fragrances are present in the same or a similar way in both fragrances, although they are sometimes assigned to the base note and sometimes to the top note: Basil, lavender, cedar and vetiver are identical, a citrus note combination in the top note both have and in one case we find Elemi, in the other Labdanum, both are tree resins which I suppose are similar in smell.
I am happy about the confirmation that after one and a half years of active testing and perfume membership I have more and more such objectifiable and verifiable rediscovery experiences.
I don't know whether Acqua di Parma has cribbed or whether there is a "pseudoplagiate" in the sense of Stanislaw Lem, at least I like the result very much. Maybe I'll let the two of them compete again in the double test.